No. |
Title |
Length |
1. |
Rinaldo, HWV 7a, Act 2: "Lascia ch'io pianga" (Slovak Radio Symphony Orchestra, Jane Gilchrist, Kirk Trevor) |
4:22 |
2. |
Ariodante, HWV 33: "Scherza, infida" (Ariodante) (Le Concert D'Astree Emmanuelle Haim) |
9:49 |
3. |
Radamisto, Atto 2, Scena 1 - 2: Aria: Ombra caro di mia sposa (Radamisto) (Alan Curtis, Il Complesso Barocco, Patrizia Ciofi, Joyce DiDonato, Laura Cherici, Zachary Stains, Dominique Labelle, Maite Beaumont) |
7:19 |
4. |
Orlando HWV 31 (1733) : Verdi allori (Max Emanuel Cencic, I Barocchisti, Diego Fasolis) |
5:56 |
5. |
Rodrigo HWV5 (1999 Remastered Version), Act 2, Scena 6: Aria: 'Empiro fato, e fiera sorte' (Esilena) (Alan Curtis, Il Complesso Barocco, Sandrine Piau, Elena Cecchi Fedi, Roberta Invernizzi, Caterina Calvi, Gloria Banditelli, Rufus Müller / Rufus Muller) |
3:16 |
6. |
Amadigi di Gaula HWV 11 (1715) : Pena tiranna (Max Emanuel Cencic, I Barocchisti, Diego Fasolis) |
5:15 |
7. |
Arminio, ACT II: Duri lacci! voi non siete (Alan Curtis, Il Complesso Barocco, Dominique Labelle, Manuela Custer, Vivica Genaux, Luigi Petroni, Geraldine McGreevy, Sytse Buwalda) |
3:12 |
8. |
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana) (City Of London Sinfonia, Eiddwen Harrhy, Ian Watson, Richard Hickox, Dorothy Linell, John Heley) |
4:36 |
9. |
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina) (City Of London Sinfonia, Arleen Augér / Arleen Auger, Ian Watson, Richard Hickox, Dorothy Linell, John Heley) |
6:32 |
10. |
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act III, Scene 3: Aria: Sta nell'Ircana pietrosa tana (Ruggiero) (Della Jones, City Of London Sinfonia, Ian Watson, Richard Hickox, Dorothy Linell, John Heley) |
5:34 |
11. |
Duetto: Son nata a lagrimar (David Daniels, John Nelson, Emmanuelle Haïm / Emmanuelle Haim, Stephanie Blythe, Ensemble Orchestral De Paris, Martin Isepp) |
7:48 |
12. |
Serse: Aria: Ombra mai fu (Il Seminario Musicale, Gerard Lesne) |
2:41 |
13. |
Giulio Cesare: Aria: Cara speme, questo core (David Daniels, Roger Norrington, Orchestra Of The Age Of Enlightenment) |
4:49 |
14. |
Giulio Cesare: Aria: L'angue offeso mai riposa (David Daniels, Roger Norrington, Orchestra Of The Age Of Enlightenment) |
5:02 |
15. |
Giulio Cesare in Egitto: Aria: Va tacito e nascosto (David Daniels, Roger Norrington, Orchestra Of The Age Of Enlightenment, Roger Montgomery) |
6:04 |
16. |
Agrippina HWV 6 (1709) : Come nube, che fugge dal vento (Max Emanuel Cencic, I Barocchisti, Diego Fasolis) |
4:11 |
17. |
Arianna in Creta, HWV 32: "Ove son... Qui ti sfido" (Teseo) (Le Concert D'Astree Emmanuelle Haim) |
3:57 |
18. |
Teseo (1713): Act II, scene 1 - Dolce Riposo (Joyce DiDonato, Christophe Rousset, Les Talens Lyriques) |
3:11 |
19. |
Fernando, re di Castiglia, Atto secondo, Scena I: Aria: "Padre, germano e sposo" (Alan Curtis, Lawrence Zazzo, Il Complesso Barocco, Neal Banerjee, Filippo Adami, Max Emanuel Cencic, Veronica Congemi, Laurence Heym, Marianne Pizzolato) |
2:09 |
20. |
Fernando, re di Castiglia, Atto terzo, Scena IV: Aria: "Sincero affetto" (Alan Curtis, Lawrence Zazzo, Il Complesso Barocco, Neal Banerjee, Filippo Adami, Max Emanuel Cencic, Veronica Congemi, Laurence Heym, Marianne Pizzolato) |
5:20 |
21. |
Rinaldo: Aria: Venti turbini (David Daniels, Roger Norrington, Orchestra Of The Age Of Enlightenment) |
3:38 |
22. |
Deidamia, Atto III, Scena ultima: Duetto: Ama: nell'armi, e nell'amar (Deidamia, Ulisse) (Anna Bonitatibus, Alan Curtis, Il Complesso Barocco, Simone Kermes, Dominique Labelle, Anna Maria Panzarella, Coro Del Complesso Barocco) |
6:34 |
23. |
Admeto, re di Tessaglia (1997 Remastered Version), ACT 1, Scene 3: Orindo/Admeto/Alceste/La Statua (Apollo): Aria: Luci care, addio, posate! (Alan Curtis, Il Complesso Barocco, James Bowman, Rachel Yakar, Jill Gomez, Rita Dams, Rene Jacobs) |
5:13 |
24. |
Aria: Ah, si morrò (Alan Curtis, Il Complesso Barocco, James Bowman, Rachel Yakar, Jill Gomez, Rita Dams, Rene Jacobs) |
5:59 |
25. |
Aria: Chi è nato alle sventure (Alan Curtis, Il Complesso Barocco, James Bowman, Rachel Yakar, Jill Gomez, Rita Dams, Rene Jacobs) |
2:36 |
26. |
Rodelinda, Regina dei Longobardi, ACT III, Scene 4: Aria: Se'l mio duol non è si forte (Rodelinda) (Robin Blaze, Daniel Taylor, Catherine Robbin, Sophie Daneman, The Raglan Baroque Players, Adrian Thompson, Nicholas Kraemer) |
6:42 |
27. |
Harpsichord Suite No. 4 in D Minor, HWV 437: Sarabande (The Academy Of St. Martin In The Fields, Alex Briger) |
3:23 |
28. |
Water Music, Suite No.1 in F major: I. Overture:Largo-Allegro (Linde Consort) |
3:25 |
29. |
Water Music, Suite No.1 in F major: II. Adagio e staccato (Linde Consort) |
2:09 |
30. |
Water Music, Suite No.1 in F major: III. [Allegro] (Linde Consort) |
2:34 |
31. |
Water Music, Suite No.1 in F major: VI. Air (Linde Consort) |
2:32 |
32. |
Water Music, Suite No.1 in F major: VIII. Bourée (Linde Consort) |
2:13 |
33. |
Water Music, Suite No.1 in F major: IX. Hornpipe (Linde Consort) |
2:38 |
34. |
Water Music, Suite No.1 in F major: X. [Allegro moderato] (Linde Consort) |
3:08 |
35. |
Water Music, Suite No.2 in D major: XII. Alla Hornpipe (Linde Consort) |
4:02 |
36. |
Water Music, Suite No.2 in D major: XIII. Minuet (Linde Consort) |
1:13 |
37. |
Water Music, Suite No.3 in G major: XVII - Rigaudon (Linde Consort) |
1:24 |
38. |
Water Music, Suite No.3 in G major: XIX - Menuet (Linde Consort) |
1:15 |
39. |
Music for the Royal Fireworks: II. Bourrée (Cappella Coloniensis) |
2:20 |
40. |
Music for the Royal Fireworks: III. Largo alla siciliana (Cappella Coloniensis) |
2:48 |
41. |
Music for the Royal Fireworks: IV. La Réjouissance (Cappella Coloniensis) |
2:46 |
42. |
Concerto grosso in B flat Op. 3 No. 2 (HWV 313): I. Vivace (Linde Consort) |
2:05 |
43. |
Concerto grosso in B flat Op. 3 No. 2 (HWV 313): II. Largo (Linde Consort) |
2:35 |
44. |
Concerto grosso in B flat Op. 3 No. 2 (HWV 313): III. Allegro (Linde Consort) |
2:24 |
45. |
Concerto Grosso in F major Op. 3 No. 4 (HWV 315): II. Andante (Linde Consort) |
2:39 |
46. |
Concerto Grosso in F major Op. 3 No. 4 (HWV 315): III. Allegro (Linde Consort) |
1:40 |
47. |
Concerto Grosso in A minor Op. 6 No. 4 : I. Larghetto affetuoso (Orchestra Of The Age Of Enlightenment, Nicholas McGegan) |
2:43 |
48. |
Concerto Grosso in A minor Op. 6 No. 4 : II. Allegro (Orchestra Of The Age Of Enlightenment, Nicholas McGegan) |
2:37 |
49. |
Concerto Grosso in A minor Op. 6 No. 4 : III. Largo e piano (Orchestra Of The Age Of Enlightenment, Nicholas McGegan) |
2:24 |
50. |
Concerto Grosso in A minor Op. 6 No. 4 : IV. Allegro (Orchestra Of The Age Of Enlightenment, Nicholas McGegan) |
2:37 |
51. |
Trio Sonata in G major Op. 5 No. 4: II. A tempo ordinario - Allegro non presto (Il Seminario Musicale) |
3:59 |
52. |
Solomon HWV67: Sinfonia: Act 3, The Arrival of the Queen of Sheba (Andrew Parrott) |
2:48 |
53. |
Arminio, ACT I: Ouverture (Alan Curtis, Il Complesso Barocco, Dominique Labelle, Manuela Custer, Vivica Genaux, Luigi Petroni, Geraldine McGreevy, Sytse Buwalda) |
3:18 |
54. |
Sonata in D Op. 1 No. 13 (HWV 371): I. Affetuoso (William Christie, Hiro Kurosaki) |
3:07 |
55. |
Sonata in D Op. 1 No. 13 (HWV 371): II. Allegro (William Christie, Hiro Kurosaki) |
2:41 |
56. |
Sonata in D, HWV 371: III. Larghetto (William Christie, Hiro Kurosaki) |
3:11 |
57. |
Sonata in D, HWV 371: IV. Allegro (William Christie, Hiro Kurosaki) |
3:36 |
58. |
Concerto in D minor Op. 7 No. 4 (HWV 309): I. Adagio (Bob Van Asperen, Orchestra Of The Age Of Enlightenment) |
4:28 |
59. |
Concerto in D minor Op. 7 No. 4 (HWV 309): II. Allegro così così (Bob Van Asperen, Orchestra Of The Age Of Enlightenment) |
4:55 |
60. |
Concerto in D minor Op. 7 No. 4 (HWV 309): III. Ad libitum (Air from Suite III, Suites de pieces pour clavecin) (Bob Van Asperen, Orchestra Of The Age Of Enlightenment) |
3:05 |
61. |
Concerto in D minor Op. 7 No. 4 (HWV 309): IV. Allegro (Bob Van Asperen, Orchestra Of The Age Of Enlightenment) |
3:26 |
62. |
Suite No. 4 in E minor HWV 429 (1996 Remastered Version): Sarabande (Allegretto con moto) (Andrei Gavrilov) |
4:51 |
63. |
Suite No. 5 in E Major, HWV 430: IV. Aria con variazioni : The Harmonious Blacksmith (Sviatoslav Richter) |
4:35 |
64. |
Concerto En Si Bémol Majeur Pour Harpe Et Cordes Op.4 N°6 : I Andante - Allegro (Remasterisé En 1999) (Pierre Pierlot, Orchestre De Chambre De Toulouse, Lily Laskine) |
4:34 |
65. |
Alexander's Feast (2002 Remastered Version), Part 1: The list`ning crowd (Cambridge, King'S College Choir, Philip Ledger, Robert Tear, Helen Donath, Sally Burgess, English Chamber Orchestra) |
2:02 |
66. |
Alexander's Feast (2002 Remastered Version), Part 1: He chose a mournful Muse (Cambridge, King'S College Choir, Philip Ledger, Robert Tear, Helen Donath, Sally Burgess, English Chamber Orchestra) |
1:27 |
67. |
Alexander's Feast (2002 Remastered Version), Part 1: He sung Darius, great and good (Cambridge, King'S College Choir, Philip Ledger, Robert Tear, Helen Donath, Sally Burgess, English Chamber Orchestra) |
3:07 |
68. |
Coronation Anthems HWV258-61: Zadok the Priest HWV 258 (Cambridge, King'S College Choir, Philip Ledger, English Chamber Orchestra) |
6:08 |
69. |
Messiah HWV56: Overture (Grave - Allegro moderato) (James Bowman, Emma Kirkby, Emily Van Evera, Joseph Cornwell, Taverner Choir, Margaret Cable, Andrew Parrott) |
3:37 |
70. |
Messiah, Part One: Comfort ye my people (tenor) (Joseph Cornwell, Andrew Parrott, Taverner Players) |
3:19 |
71. |
Messiah, Part One: Ev'ry valley shall be exalted (tenor) (Joseph Cornwell, Andrew Parrott, Taverner Players) |
3:45 |
72. |
Messiah, Part One: For unto us a child is born (Chorus) (Taverner Choir, Andrew Parrott, Taverner Players) |
4:09 |
73. |
Messiah, Part Two: He was despised (alto) (Margaret Cable, Andrew Parrott, Taverner Players) |
11:46 |
74. |
Messiah HWV 56, (Part 2): "Hallelujah" (Chorus) (Taverner Choir, Andrew Parrott, Taverner Players) |
3:57 |
75. |
Messiah, Part Three: The trumpet shall sound (bass) (Andrew Parrott, Taverner Players) |
8:49 |
76. |
Israel in Eygpt, Part 1: Lamentation of the Israelites: Overture (Largo assai) (Andrew Parrott) |
2:15 |
77. |
Israel in Eygpt, Part 1: Lamentation of the Israelites: The sons of Israel do mourn (Anthony Rolfe Johnson, Timothy Wilson, Emily Van Evera, Andrew Parrott) |
6:30 |
78. |
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Aria: Così la tortorella (S. Giovanni) (Le Concert D'Astree, Toby Spence, Emmanuelle Haïm / Emmanuelle Haim) |
4:18 |
79. |
Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Per me già di morire (Maddalena) (Le Concert D'Astree, Kate Royal, Emmanuelle Haïm / Emmanuelle Haim) |
5:54 |
80. |
Samson HWV57: Total eclipse (Ian Bostridge, Orchestra Of The Age Of Enlightenment, Harry Bicket) |
3:34 |
81. |
Jephtha HWV70: Waft Her Angels (Ian Bostridge, Orchestra Of The Age Of Enlightenment, Harry Bicket) |
4:26 |
82. |
Joshua HWV64: O had I Jubal's lyre (Neville Marriner, Kathleen Battle, The Academy Of St. Martin In The Fields) |
2:45 |
83. |
Dixit Dominus, HWV 232: "Dixit Dominus Domino meo" (Chorus) (Le Concert D'Astree Emmanuelle Haim, Choeur Du Concert D'Astrée / Choeur Du Concert D'Astree) |
5:20 |
84. |
Dixit Dominus, HWV 232: "De torrente in via bibet" (Sopranos I & II, chorus) (Natalie Dessay, Karine Deshayes, Le Concert D'Astree Emmanuelle Haim, Choeur Du Concert D'Astrée / Choeur Du Concert D'Astree) |
3:23 |
85. |
Il Delirio Amoroso, HWV 99: "Per te lasciai la luce" (Natalie Dessay, Le Concert D'Astree, Emmanuelle Haïm / Emmanuelle Haim) |
9:41 |
86. |
Lucrezia HWV 32: Aria: Il suol che preme (Véronique Gens / Veronique Gens) |
2:56 |
87. |
Armida abbandonata HWV105: Aria: In tanti affermi miei (Véronique Gens / Veronique Gens) |
3:43 |
88. |
Agrippina condotta a morire HWV110: Scena: Come, o Dio! bramo la morte (Véronique Gens / Veronique Gens) |
6:16 |
89. |
Cantata IX - Conservate, raddoppiate HWV185: Conservate, raddoppiate (Juanita Lascarro, Emmanuelle Haïm / Emmanuelle Haim, Brian Asawa) |
1:52 |
90. |
Cantata IX - Conservate, raddoppiate, HWV185: "Nodi voi, che gli stringeste" (Le Concert D'Astree, Juanita Lascarro, Emmanuelle Haïm / Emmanuelle Haim, Brian Feehan) |
2:35 |
91. |
Cantata 1a - Caro autor di mia doglia, HWV182a: "Caro autor di mia doglia" (Le Concert D'Astree, Patricia Petibon, Paul Agnew, Emmanuelle Haïm / Emmanuelle Haim, Brian Feehan) |
2:21 |
92. |
Cantata 1a - Caro autor di mia doglia, HWV182a: "No, che d'altrui che di te" (Le Concert D'Astree, Patricia Petibon, Paul Agnew, Emmanuelle Haïm / Emmanuelle Haim, Brian Feehan) |
2:05 |
93. |
Cantata 1a - Caro autor di mia doglia, HWV182a: "Dagli amori flagellata" (Le Concert D'Astree, Patricia Petibon, Paul Agnew, Emmanuelle Haïm / Emmanuelle Haim, Brian Feehan) |
3:51 |
94. |
Aci, Galatea e Polifemo, Cantata: Aria: Fra l'ombre e gl'orrori (Polifemo) (Sandrine Piau, Sara Mingardo, Emmanuelle Haïm / Emmanuelle Haim) |
6:07 |
95. |
Semele (1744), Air de Juno: Act II, scene 1 - Hence, Iris Hence away (Joyce DiDonato, Christophe Rousset, Les Talens Lyriques) |
3:37 |
96. |
Acis and Galatea HWV49b: Happy We (Ian Bostridge, Orchestra Of The Age Of Enlightenment, Kate Royal, Harry Bicket) |
2:41 |
97. |
The Choice of Hercules (2002 Remastered Version): Yet can I hear that dulcet lay (Cambridge, King'S College Choir, Helen Watts, James Bowman, Heather Harper, Philip Ledger, Robert Tear, The Academy Of St. Martin In The Fields) |
3:42 |
98. |
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Duo: "Il voler nel fior degl'anni" (Bellezza/Piacere) (Natalie Dessay, Ann Hallenberg, Sonia Prina, Pavol Breslik, Le Concert D'Astree, Emmanuelle Haïm / Emmanuelle Haim) |
5:04 |
99. |
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Un pensiero nemico di pace" (Bellezza) (Natalie Dessay, Ann Hallenberg, Sonia Prina, Pavol Breslik, Le Concert D'Astree, Emmanuelle Haïm / Emmanuelle Haim) |
3:56 |
100. |
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) (Natalie Dessay, Ann Hallenberg, Sonia Prina, Pavol Breslik, Le Concert D'Astree, Emmanuelle Haïm / Emmanuelle Haim) |
6:27 |