|
No. |
Title |
Length |
| 1. |
Turandot, Act 3: "Nessun dorma" (Wiener Staatsopernorchester, Lorin Maazel, Jose Carreras) |
3:21 |
| 2. |
Carmen Suite No. 2: Habanera (Limburg Symphony Orchestra, Gail Gilmore, Gerard Oskamp) |
4:32 |
| 3. |
Nabucco, Act 3: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" (The London Philharmonic Orchestra, David Parry, London Chorus) |
4:59 |
| 4. |
Gianni Schicchi, Act 1: "O mio babbino caro" (Renata Scotto, Slovak Philharmonic Orchestra, Konrad Leitner) |
3:02 |
| 5. |
Rigoletto, Act 3: "La donna è mobile" (Jussi Björling / Jussi Bjorling, Kurt Bendix, Stockholm Royal Court Orchestra) |
2:22 |
| 6. |
Die Zauberflöte (The Magic Flute), K. 620, Act 2: "Pa-pa-pa-papagena" (Peter Edelmann, Sinfonieorchester Des Südwestfunks / Sinfonieorchester Des Sudwestfunks, Symphony Orchestra, Susanne Leitz, Klaus Arp) |
2:39 |
| 7. |
Aida, Act 2: "Triumphal March" (Nordwestdeutsche Philharmonie, Hanspeter Gmür / Hanspeter Gmur) |
4:04 |
| 8. |
Orpheus and Eurydice, Act 2: "Dance of the Blessed Spirits" (Münchener Kammerorchester / Munchener Kammerorchester, Hanspeter Gmür / Hanspeter Gmur) |
10:11 |
| 9. |
Die Zauberflöte (The Magic Flute), K. 620: Aria of the Queen of the Night - "Der Hölle Rache kocht in Meinem Herzen" (Capella Istropolitana, Miki Sahashi) |
3:09 |
| 10. |
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Largo al factotum" (Royal Stockholm Philharmonic Orchestra, The, Peter Mattei, Lawrence Renes) |
5:00 |
| 11. |
Les pêcheurs de perles (The Pearl Fishers), Act 1: "Au fond du temple saint" (Bayerisches Staatsorchester, Peter Edelmann, Sinfonieorchester Des Südwestfunks / Sinfonieorchester Des Sudwestfunks, Symphony Orchestra, Roberto Saccà / Roberto Sacca, Klaus Arp) |
5:53 |
| 12. |
Rigoletto, Act 3: "Bella figlia dell'amore" (Ingvar Wixell, Nicolai Gedda, Kerstin Meyer, Barbro Ericson, Margareta Hallin, Hugo Hasslo, Arne Tyrén / Arne Tyren, Georg Svedenbrant, Anders Näslund / Anders Naslund, Olle Sivall, Ingeborg Kjellgren, Birgit Nordin, Sixten Ehrling, Stockholm Royal Court Orchestra) |
4:40 |
| 13. |
The Tales of Hoffman, Act 4: "Barcarolle" (The Budapest Philharmonic Orchestra, Andras Korodi) |
3:30 |
| 14. |
Madame Butterfly, Act 2: "Un bel di vedremo" (Anton Nanut, RTV Slovenia Symphony Orchestra, Madina Venger) |
5:04 |
| 15. |
Madame Butterfly, Act 2: "Coro a bocca chiusa" (Humming Chorus) (Wiener Staatsopernorchester, Wiener Staatsopernchor, Peter Falk) |
3:14 |
| 16. |
La Bohème, Act 1: "Che gelida manina" (Jussi Björling / Jussi Bjorling, Renato Cellini, RCA Victor Orchestra) |
5:04 |
| 17. |
Don Giovanni (Don Juan), K. 527: Overture (Justus Frantz, Sinfonia Varsovia) |
5:34 |
| 18. |
Die Walküre (The Valkyrie), WWV 86b, Act 3: Ride of the Valkyries (The London Philharmonic Orchestra, David Parry) |
5:11 |
| 19. |
Carmina Burana (Cantiones Profanae), Fortuna Imperatrix Mundi: I. O Fortuna - II. Fortuna plango vulnera (Bamberger Symphoniker, Kurt Prestel) |
5:35 |
| 20. |
Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Yoshikazu Mela, Japan Philharmonic Orchestra) |
3:52 |
| 21. |
Xerxes, HWV 40, Act 1: "Ombra mai fu": Largo (Yoshikazu Mela, Japan Philharmonic Orchestra) |
3:04 |
| 22. |
Die Zauberflöte (The Magic Flute), K. 620, Act 1: "Der Vogelfänger bin ich ja" (Birdcatcher's Aria) (Peter Edelmann, Sinfonieorchester Des Südwestfunks / Sinfonieorchester Des Sudwestfunks, Symphony Orchestra, Klaus Arp) |
3:02 |
| 23. |
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Capella Istropolitana, Miki Sahashi) |
6:48 |
| 24. |
Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 4: "Giunse alfin il momento ... Deh vieni non tardar" (Capella Istropolitana, Miki Sahashi) |
4:36 |
| 25. |
Tristan and Isolde, WWV 90, Act 3: "Mild und Leise" (Isoldes Liebestod) (Edda Moser, Anton Nanut, RTV Slovenia Symphony Orchestra) |
7:54 |
| 26. |
Turandot, Act 1: "Perchè tarda la luna" (Anton Nanut, RTV Slovenia Symphony Orchestra) |
4:46 |
| 27. |
Carmen Suite No. 2: Seguedille (Limburg Symphony Orchestra, Gail Gilmore, Gerard Oskamp) |
2:22 |
| 28. |
Tosca, Act 1: "Recondita armonia" (Nürnberger Symphoniker / Nurnberger Symphoniker, José Perez / Jose Perez, Hanspeter Gmür / Hanspeter Gmur) |
2:31 |
| 29. |
Lohengrin, WWV 75: Prelude to Act 1 (Bamberger Symphoniker, Hans Swarowsky) |
9:11 |
| 30. |
The Marriage of Figaro, K. 492: Overture (Anton Nanut, RTV Slovenia Symphony Orchestra) |
4:08 |
| 31. |
Die Fledermaus (The Bat): Overture (National Symphony Orchestra Of The Polish Radio) |
8:21 |
| 32. |
Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Herbert Von Karajan, Wiener Philharmoniker, Eberhard Wachter) |
3:01 |
| 33. |
The Barber of Seville, Act 1: "La Calunnia e un Venticello" (The Berlin Symphony Orchestra, Victor Von Halem) |
3:56 |
| 34. |
La Traviata: Overture (ORF Symphonieorchester, Henry Adolph) |
3:48 |
| 35. |
Turandot: Ending Chorus (Anton Nanut, RTV Slovenia Symphony Orchestra) |
2:48 |
| 36. |
Tosca, Act 3: "E lucevan le stelle" (Nürnberger Symphoniker / Nurnberger Symphoniker, José Perez / Jose Perez, Hanspeter Gmür / Hanspeter Gmur) |
3:08 |
| 37. |
The Bat (Die Fledermaus): "Mein Herr Marquis" (Slovak Philharmonic Orchestra, Miki Sahashi, Konrad Leitner) |
3:51 |
| 38. |
Wilhelm Tell Ouverture (The London Festival Orchestra, Alfred Scholz) |
12:53 |
| 39. |
Aida, Act 1: "Celeste Aida" (Jussi Björling / Jussi Bjorling, Orchestra E Coro Del Teatro Dell'Opera Di Roma, Jonel Perlea) |
3:48 |
| 40. |
The Barber of Seville: Overture (Alfred Scholz, Münchener Sinfonieorchester / Munchener Sinfonieorchester) |
7:40 |
| 41. |
Madame Butterfly, Act 2: "Con onor muore" (Edda Moser, Anton Nanut, RTV Slovenia Symphony Orchestra) |
5:23 |
| 42. |
Don Giovanni, KV 527: Fin ch'han del vino (Herbert Von Karajan, Wiener Philharmoniker, Eberhard Wachter) |
1:28 |
| 43. |
Fidelio: Act 2, No. 16: Finale (Tom Krause, Jorma Hynninen, Martti Talvela, Bengt Rundgren, Kyösti Haatanen / Kyosti Haatanen, Ulf Soderblom, Peter Lindroos, Savonlinna Opera Festival Orchestra, Heikki Kilpelainen, Aki Alamikkotervo, Jorma Falck, Usko Viitanen, Jorma Silvasti, Satu Vihavainen, Ritva Auvinen) |
13:33 |
| 44. |
Porgy And Bess, Act 1: "My man's gone now" (Slovak Philharmonic Orchestra, Konrad Leitner, Gail Gilmore) |
4:37 |
| 45. |
Aida: Overture (ORF Symphonieorchester, Henry Adolph) |
4:40 |
| 46. |
Samson et Dalila, Op. 47, Act 2: "Mon coeur s'ouvre a ta voix" (Nürnberger Symphoniker / Nurnberger Symphoniker, Rita Noel, Hans Swarowsky) |
6:38 |
| 47. |
Tannhäuser, WWV 70, Act 3: "Wie Todesahnung... O, du mein holder Abendstern" (Royal Stockholm Philharmonic Orchestra, The, Peter Mattei, Lawrence Renes) |
5:13 |
| 48. |
Cosi fan tutte, K. 588: "Una donna quindici anni" (Capella Istropolitana, Miki Sahashi) |
3:50 |
| 49. |
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant): Overture (Sinfonieorchester Des Südwestfunks / Sinfonieorchester Des Sudwestfunks, Symphony Orchestra, Klaus Arp) |
8:22 |
| 50. |
Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (Live) (Herbert Von Karajan, Wiener Philharmoniker, Eberhard Wachter) |
6:46 |
