Download links and information about 88X50 by Adam Tendler. This album was released in 2014 and it belongs to genres. It contains 53 tracks with total duration of 05:55:14 minutes.
No. |
Title |
Length |
1. |
Miss Me |
12:26 |
2. |
Part I: Poughkeepsie, New York |
5:20 |
3. |
Morgantown, West Virginia |
6:08 |
4. |
Bloomington, Indiana |
5:43 |
5. |
Chicago, Illinois |
3:12 |
6. |
Hope, Arkansas |
6:44 |
7. |
Kansas City, Missouri |
8:59 |
8. |
Spencer, Iowa |
11:53 |
9. |
Flandreau, South Dakota |
6:23 |
10. |
International Peace Gardens, North Dakota |
5:44 |
11. |
Bigfork, Minnesota |
8:56 |
12. |
Bozeman, Montana |
7:29 |
13. |
Sandpoint, Idaho |
7:45 |
14. |
Lander, Wyoming |
6:42 |
15. |
Raton, New Mexico |
9:08 |
16. |
Tulsa, Oklahoma |
6:34 |
17. |
Lexington, Kentucky |
6:52 |
18. |
Easton, Maryland |
1:20 |
19. |
Milford, Delaware |
5:08 |
20. |
Chambserburg, Pennsylvania |
9:52 |
21. |
Nashville, North Carolina |
6:52 |
22. |
Vero Beach, Florida |
3:04 |
23. |
Nashville, Tennessee |
5:12 |
24. |
Dewees Island, South Carolina |
9:18 |
25. |
Marion, Virginia |
12:16 |
26. |
Part II: Wellfleet, Massachusetts |
6:18 |
27. |
Cleveland, Ohio |
4:37 |
28. |
Denver, Colorado |
4:00 |
29. |
Park City, Utah |
4:37 |
30. |
Reno, Nevada |
7:03 |
31. |
San Francisco, California |
5:00 |
32. |
Maui, Hawaii |
5:40 |
33. |
Juneau, Alaska |
7:48 |
34. |
Seattle, Washington |
10:02 |
35. |
Corvallis, Oregon |
2:08 |
36. |
Interlude: Supai |
16:08 |
37. |
Salina, Kansas |
3:46 |
38. |
Lincoln, Nebraska |
4:42 |
39. |
Madison, Wisconsin |
7:18 |
40. |
North Conway, New Hampshire |
2:44 |
41. |
Portland, Maine |
3:00 |
42. |
Middletown, Connecticut |
2:12 |
43. |
Pawtucket, Rhode Island |
1:08 |
44. |
Watchung, New Jersey |
3:24 |
45. |
Friendship Village, Michigan |
5:24 |
46. |
Augusta & Conyers, Georgia |
6:26 |
47. |
Part III: Mobile, Alabama |
13:34 |
48. |
Biloxi, Mississippi |
13:22 |
49. |
New Orleans, Louisiana |
7:46 |
50. |
Houston, Texas |
7:14 |
51. |
Tucson, Arizona |
9:12 |
52. |
Plainfield, Vermont |
8:22 |
53. |
Acknowledgments |
3:19 |