Mr. Foolish
Download links and information about Mr. Foolish by Airbird, Napolian. This album was released in 2015 and it belongs to Electronica, Rock, Dancefloor, Pop, Dance Pop genres. It contains 10 tracks with total duration of 32:17 minutes.
Artist: | Airbird, Napolian |
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Release date: | 2015 |
Genre: | Electronica, Rock, Dancefloor, Pop, Dance Pop |
Tracks: | 10 |
Duration: | 32:17 |
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Buy on iTunes $8.99 | |
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Tracks
[Edit]No. | Title | Length |
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1. | Try Again (Intro) | 1:17 |
2. | American House | 1:52 |
3. | Won't Hurt | 2:48 |
4. | In the Zone (feat. Erika Spring) | 2:53 |
5. | Special | 3:27 |
6. | Only You | 3:27 |
7. | J.Park | 3:02 |
8. | Power | 2:56 |
9. | Go to the Sun | 4:42 |
10. | Con's | 5:53 |
Details
[Edit]Kindred spirits Airbird (Joel Ford) and Napolian (Ian Evans), both alumni of Daniel Lopatin's Software label, first combined forces in 2013, melding their abstract hip-hop and neon electro-pop sensibilities to create complex, retro-futuristic postmodern dance music. Their first single was "In the Zone," a Com Truise-like chillwave cut with Mtume-esque slap bass and vocals by Erika Spring that felt like ice cubes in a cocktail on a blazing summer day spent by the pool. Its B-side was "Special," which diced sentimental vocal samples over a filtered house beat in a manner similar to Jerome LOL and Samo Sound Boy's DJ Dodger Stadium project. Airbird & Napolian's debut collaborative album Mr. Foolish continues mining that same type of nostalgic yet future-hungry mindset, balancing tape-damaged synth funk with propulsive, maximalist art-dance anthems. The album starts out slow, amorphous, and slippery, with "American House" nearly falling off the reel a few times. Once the album finds the dancefloor, it gleefully darts from one idea to the next, twisting samples and touching on a multitude of influences. Following the aforementioned "Special," "Only You" begins with mindbending sample editing, warping snatches of '80s R&B (think the Whispers or Midnight Star) into sparkling yet slightly ominous house, with a vaguely John Carpenter-inspired synth melody and Ford's roboticized falsetto vocals. The album's final three tracks find the duo blowing up their sound as much as possible, with muscular guitar riffs and festival-ready beats. "Go to the Sun" starts out as a surprising diversion into crunchy, radio-friendly rock before morphing into big-room EDM. Closing odyssey "Con's" starts out as thumping acid techno before blowing apart into a lengthy, time-shredded conclusion. The album seems messy and over-ecstatic, unable to control its ever-changing, conflicting emotions, almost to the point of feeling like its creators are going through puberty again. Nevertheless, or possibly because of its scattershot nature, Mr. Foolish is a thrilling, slightly goofy ride.