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The Crook of My Arm

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Download links and information about The Crook of My Arm by Alasdair Roberts. This album was released in 2001 and it belongs to Folk Rock, Indie Rock, World Music, Alternative, Songwriter/Lyricist, Celtic genres. It contains 12 tracks with total duration of 43:50 minutes.

Artist: Alasdair Roberts
Release date: 2001
Genre: Folk Rock, Indie Rock, World Music, Alternative, Songwriter/Lyricist, Celtic
Tracks: 12
Duration: 43:50
Buy on iTunes $9.99
Buy on Amazon $9.49
Buy on Songswave €1.23

Tracks

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No. Title Length
1. Lord Gregory 4:50
2. As I Came In By Huntly Town 4:59
3. Bonnie Lass Among the Heather 3:41
4. The Magpie's Nest 2:02
5. Ploughboy Lads 1:54
6. Lowlands 4:14
7. Master Kilby 2:34
8. Standing In Yon Flower Garden 3:51
9. Ye Banks and Braes O' Bonnie Doon 2:57
10. The False Bride 3:56
11. The Month of January 3:34
12. The Wife of Usher's Well 5:18

Details

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The singer from Scotland's Appendix Out sits down and puts his heart into a series of traditional folk songs. The result is a beautiful, intimate thing, as Alasdair Robert's plaintive voice cries out, yet stays restrained from any histrionics or any unwarranted interpretations. It's a remarkable thing, that voice — completely understated, yet filled with sadness and longing. Roberts takes the traditional route, leaving the roots-soaked indie rock sound of his band behind and delivering an album that is a tribute to the traditional songs of the past with no trappings of the present. Given the simple guitar work and the strength of the songs themselves, it's easy to get caught up in the sheer and humbling pastoral grandeur of some of these tracks. "Lord Gregory" is delivered with a mournful, strident vocal, as is the heartbreaking "The Magpie's Nest" (originally popularized by Shirley Collins). Song after song, from "Lowlands" to "The False Bride," Roberts' strengths lie in his simple song adaptations and haunted storytelling. With an album like this, it's hard to tell if it's the vessel or the message that is actually more effective — but ultimately one needs the other to be heard and to succeed in evoking emotions from the listener. Which this album does extremely well.