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Anastasia / The Diary of Anne Frank

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Download links and information about Anastasia / The Diary of Anne Frank by Alfred Newman. This album was released in 1999 and it belongs to Theatre/Soundtrack genres. It contains 27 tracks with total duration of 01:32:01 minutes.

Artist: Alfred Newman
Release date: 1999
Genre: Theatre/Soundtrack
Tracks: 27
Duration: 01:32:01
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Tracks

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No. Title Length
1. Fox Fanfare / Anastasia / Paris / Russian Easter (From "Anastasia") 5:29
2. Valse (From "Anastasia") 3:54
3. Self-Destruction (From "Anastasia") 2:47
4. Who Am I / The Troïka (From "Anastasia") 2:14
5. The Beginning (From "Anastasia") 1:56
6. The Tivoli / The Sleeping Princess (From "Anastasia") 3:37
7. Anastasia Waltz (From "Anastasia") 4:14
8. The Meeting (From "Anastasia") 3:43
9. The Wildfeur Polka (From "Anastasia") 2:06
10. Recognition (From "Anastasia") 2:58
11. Riberhaus Marsch / Marche de bataille (From "Anastasia") 2:26
12. Frustration (From "Anastasia") 2:34
13. End Title – Anastasia (From "Anastasia") 2:19
14. Anastasia (From "Anastasia") 1:44
15. Overture (From "The Diary of Anne Frank) 3:41
16. Families in Hiding (The Secret Annex) [From "The Diary of Anne Frank] 5:31
17. The First Day (From "The Diary of Anne Frank) 5:17
18. The Captives / Spring is Coming (From "The Diary of Anne Frank) 4:20
19. Ericka (From "The Diary of Anne Frank) 1:30
20. Date with Peter (From "The Diary of Anne Frank) 4:56
21. The First Kiss (From "The Diary of Anne Frank) 3:42
22. The Dearness of You, Peter (From "The Diary of Anne Frank) 7:46
23. Epilogue (From "The Diary of Anne Frank) 1:28
24. Main Title (From "The Diary of Anne Frank) 1:59
25. Exit Music I (From "The Diary of Anne Frank") 1:53
26. Intermission (From "The Diary of Anne Frank") 2:53
27. Exit Music II (From "The Diary of Anne Frank") 5:04

Details

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Alfred Newman's music for George Stevens' movie The Diary of Anne Frank (1959) has been issued on a good sounding and well-produced CD from Tsunami, containing eight minutes of music that was not previously available — that material consists principally of the main title, intermission, and exit music, which does isolate some themes associated with specific characters and the Frank family. Given the subject matter, that this is a serious film score is no surprise — as of 1958, when the movie went into production, some 14 years after the end of World War II, Hollywood had not done too many movies (forget major films) that even referred to the destruction of European Jewry by Nazi Germany, much less dealt with this event as their main subject, and everyone involved with the movie on a creative level, whatever their background, treated it as a rare and special opportunity to say something important through their work. That said, Newman's "Overture," which opens the album, has always seemed appropriately profound, but the rest is far more subtle, introspective, and lyrical, almost counter-intuitive to the moods, settings, and images that one associates with the Holocaust. That's because Newman based his score on the interior emotional life of its characters, rather than the exterior events around them. The result is one of the more beautiful bodies of movie music ever written for a Holocaust-related movie, and one of Newman's better psychologically oriented scores, surprisingly not far removed from his work on How Green Was My Valley. It also contains some of the most beautiful string writing of Newman's career. The CD production gives the decades-old recordings a full, rich sound, and the annotation is extremely thorough.