Live In Concert
Download links and information about Live In Concert by Amon Düüll II / Amon Duull II. This album was released in 1974 and it belongs to Electronica, Rock genres. It contains 8 tracks with total duration of 44:36 minutes.
Artist: | Amon Düüll II / Amon Duull II |
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Release date: | 1974 |
Genre: | Electronica, Rock |
Tracks: | 8 |
Duration: | 44:36 |
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Tracks
[Edit]No. | Title | Length |
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1. | Ladies Mimmikry | 4:51 |
2. | Kanaan | 4:52 |
3. | Dem Guter, Schonen, Wahren | 5:39 |
4. | Green Bubble Raincoated Man | 4:59 |
5. | Manana | 4:43 |
6. | Trap | 4:18 |
7. | Marilyn Monroe Memorial Drums | 11:19 |
8. | Chewing Gum Telegram (Alternative Mix) | 3:55 |
Details
[Edit]A curious release in the Amon Düül II catalog — originally it appeared only in Britain, and then as an astonishingly cheap budget release — Live in London is, unsurprisingly, exactly what it says it is. Recorded near the end of 1972, it features the full-band lineup performing songs mostly from Yeti and Tanz der Lemminge for a quite enthusiastic crowd (if prog rock bands performed for a bunch of stoned hippies, one would never know that from the cheers throughout). The group pours on the energy in turn; while they aren't simply playing at full blast throughout, the song selection and inspired performances are the mark of a band able to cut it just as well live as in the studio. Whether it was a conscious decision on the band's part to focus mostly on the rockers as opposed to the drifters is up for grabs, but it works; even the spacier numbers, like the aptly titled "Improvisations," consisting mostly of buried feedback and burbling keyboard intrusions, still have a good power to them. The heavy groove of "Eye Shaking King" is one standout to note; it's such a great take that swaying and gentle headbanging seem like the only natural things to do, while Karrer's fiery mid-song guitar solo is one of his best performances. Two lengthy Tanz tracks, "Syntelman's" and "Restless Skylight," appear in abbreviated forms, gaining in a more direct performance what they lose in length, while Knaup and Meid share vocals throughout to further reshape the songs for the live venue, a nice and successful change from the album cuts. Closing on a fine medley of "Riding on a Cloud" and "Paralyzed Paradise," with some more excellent mind-f*ck guitar on the latter (only a couple of minutes' worth, but just enough), Live in London is worth scrounging around for. A 2000 U.K. CD reissue includes bonus tracks, but they appear to just be remixes of album cuts.