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Angola Soundtrack - The Unique Sound of Luanda (1968-1976)

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Download links and information about Angola Soundtrack - The Unique Sound of Luanda (1968-1976). This album was released in 2010 and it belongs to Latin genres. It contains 18 tracks with total duration of 01:16:16 minutes.

Release date: 2010
Genre: Latin
Tracks: 18
Duration: 01:16:16
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Tracks

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No. Title Length
1. Rei do Palhetinho (Mamukueno) 3:08
2. Comboio (Os Kiezos) 3:33
3. Ilha Virgem (Jovens Do Prenda) 3:45
4. Ulungu Wami (Zé Da Lua / Ze Da Lua) 2:50
5. Pachanga Maria (Os Bongos) 3:19
6. Tira Sapato (Dimba Diangola) 2:55
7. N'Gui Banza Mama (Junior Santos) 4:25
8. Mi Cantando para Ti (N'Goma Jazz) 3:36
9. Macongo Me Chiquita (Ferreira Do Nascimento) 3:50
10. Uma Amiga (David Zé / David Ze) 2:40
11. Farra Na Madrugada (Jovens Do Prenda) 4:47
12. Samba Braguez (Os Korimbas) 4:20
13. Fuma (Dimba Diangola) 4:08
14. Passeio por Luanda (Alliace Makiadi) 3:52
15. Kazucuta (Os Bongos) 3:20
16. Eme Lelu (Quim Manuel O Espirito Santo) 5:05
17. Pica o Dedo (Africa Ritmos) 4:02
18. Massanga Mama (Africa Show) 12:41

Details

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Angola Soundtrack provides compelling documentation of the stunningly vibrant musical scene that flourished in the Angolan capital of Luanda during the waning days of Portuguese colonial rule. While reissue labels such as Analog Africa, Soundway and Strut have devoted a great deal of attention to the funk-influenced sounds that flourished in West Africa in the ‘60s and ‘70s, Angolan and Congolese music from this period, which owed more to Cuban and South American forms such as son, merengue and samba, have been comparatively neglected. Luanda’s musical scene exploded in the mid ‘60s as outfits such as Os Kiezos, Jovens Do Prenda and Africa Ritmos honed their musical chops in fiercely competitive street festivals. This music is decidedly guitar centric, and almost all of the tracks on Angola Soundtrack feature intertwining guitar rhythms punctuated by breathtakingly dexterous arpeggiated leads. Jovens do Prenda’s guitarists Ze Keno and Baião were among Angola’s most imitated players, and the tracks they play on, particularly the languid “Illha Virgem,” are immediate standouts.