|
No. |
Title |
Length |
| 1. |
Kaleidoscope, Op. 18: I. Good Morning |
0:56 |
| 2. |
Kaleidoscope, Op. 18: II. Promenade |
1:44 |
| 3. |
Kaleidoscope, Op. 18: III. The Hurdy-Gurdy Man |
1:00 |
| 4. |
Kaleidoscope, Op. 18: IV. The March of the Wooden Soldier |
1:08 |
| 5. |
Kaleidoscope, Op. 18: V. The Rocking Horse |
1:01 |
| 6. |
Kaleidoscope, Op. 18: VI. The Punch and Judy Show |
0:44 |
| 7. |
Kaleidoscope, Op. 18: VII. A Ghost Story |
2:14 |
| 8. |
Kaleidoscope, Op. 18: VIII. The Old Musical Box |
0:44 |
| 9. |
Kaleidoscope, Op. 18: IX. The Clockwork Dancer |
1:03 |
| 10. |
Kaleidoscope, Op. 18: X. Lament for a Departed Doll |
1:44 |
| 11. |
Kaleidoscope, Op. 18: XI. A Merry Party |
0:44 |
| 12. |
Kaleidoscope, Op. 18: XII. Good Night |
2:09 |
| 13. |
Four Conceits, Op. 20: I. The Gargoyle |
1:22 |
| 14. |
Four Conceits, Op. 20: II. Dance Memories |
1:38 |
| 15. |
Four Conceits, Op. 20: III. A Walking Tune |
2:11 |
| 16. |
Four Conceits, Op. 20: IV. The Marionette Show |
0:59 |
| 17. |
Ships, Three Preludes for Piano, Op. 42: I. The Tug |
2:12 |
| 18. |
Ships, Three Preludes for Piano, Op. 42: II. The Tramp |
3:13 |
| 19. |
Ships, Three Preludes for Piano, Op. 42: III. The Liner |
2:57 |
| 20. |
Two Studies, Op. 38: I. Folk Tune |
2:48 |
| 21. |
Two Studies, Op. 38: II. 'Scherzo' |
2:56 |
| 22. |
Homage to Paderewski |
2:28 |
| 23. |
Hommage à Debussy, Op. 28 |
2:38 |
| 24. |
Two Pieces, Op. 56: I. Bonzo's Dance |
1:19 |
| 25. |
Two Pieces, Op. 56: II. Pikki's Lament |
1:19 |
| 26. |
Capriccio |
2:33 |
| 27. |
Concert Study, Op. 10 |
2:42 |
| 28. |
Nature Poems, Op. 25: I. Andante moderato e con moto "Awakening" |
6:42 |
| 29. |
Nature Poems, Op. 25: II. Andantino grazioso "Pastoral" |
5:42 |
| 30. |
Nature Poems, Op. 25: III. Allegro molto e feroce "Bacchanal" |
5:00 |
| 31. |
Brandenburg Concerto No. 2, BWV 1047 (Arr. Eugene Goossens): II. Andante |
4:11 |
| 32. |
Rhythmic Dance for Two Pianos, Op. 30 |
3:45 |
| 33. |
Forlane and Toccata: I. Forlane |
2:50 |
| 34. |
Forlane and Toccata: II. Toccata |
1:59 |
| 35. |
Suite for Piano, Op. 33 "East of Suez": Overture |
5:11 |
| 36. |
Suite for Piano, Op. 33 "East of Suez": Incidental Music to Scene 1 |
1:18 |
| 37. |
Suite for Piano, Op. 33 "East of Suez": A Street in Pekin |
6:21 |
| 38. |
Suite for Piano, Op. 33 "East of Suez": Prelude to Scene 3, The Buddhist Temple |
3:33 |
| 39. |
Suite for Piano, Op. 33 "East of Suez": Prelude to Scene 4, The Andersons' House |
4:21 |
| 40. |
Suite for Piano, Op. 33 "East of Suez": Prelude to Scene 5, Courtyard of the Temple |
5:06 |
| 41. |
L'École en Crinoline, Op. 29: Prelude |
3:00 |
| 42. |
L'École en Crinoline, Op. 29: Curtain Rises, Entrance of Miss Jones to School Room, Where She Angrily Notes the Absence of Amelia, and Departs |
2:05 |
| 43. |
L'École en Crinoline, Op. 29: Entrance of Amelia, and Dance |
0:56 |
| 44. |
L'École en Crinoline, Op. 29: Re-Entry of Miss Jones Who Admonishes Amelia Angrily. Classroom Scene |
2:20 |
| 45. |
L'École en Crinoline, Op. 29: Students Dance a Quadrille |
2:26 |
| 46. |
L'École en Crinoline, Op. 29: Entrance of the Reverend Joseph Hopwell: He Timidly Hands Miss Jones a Bouquet and Inspects the Classroom |
2:14 |
| 47. |
L'École en Crinoline, Op. 29: Amelia Dashes Off to Fetch Tea. Scene with the Curate |
2:11 |
| 48. |
L'École en Crinoline, Op. 29: The Curate Gives an Invitation to a Garden Party at the Vicarage |
0:41 |
| 49. |
L'École en Crinoline, Op. 29: Miss Jones Accepts Joyfully. Angry Scene with Amelia in Which She Is Handed a Dunce's Cap and Put in the Corner. The Other Students Prepare for the Party |
1:26 |
| 50. |
L'École en Crinoline, Op. 29: Everyone Departs for the Party While Amelia Is Left Behind Playing a March on the Spinet. The Door Closes |
1:02 |
| 51. |
L'École en Crinoline, Op. 29: Amelia Dashes the Dunce's Cap from Her Head and Rushes to the Window to Watch Her Friends Departing. She Finally Resolves to Be Good, Returns and Falls Asleep |
1:12 |
| 52. |
L'École en Crinoline, Op. 29: The Dream Sequence, in Which Amelia Becomes the Ballerina of Her Dreams |
3:07 |
| 53. |
L'École en Crinoline, Op. 29: Miss Jones Appears Searching for the Curate: She Sees and Pursues Him, Finally Catching His Cloak, Which Remains in Her Hands While He Rushes Off |
1:31 |
| 54. |
L'École en Crinoline, Op. 29: Amelia Is Thrilled by the Return of the Curate, and She Flirts With Him |
0:45 |
| 55. |
L'École en Crinoline, Op. 29: He Finally Gives In and They Dance Joyfully Together |
1:17 |
| 56. |
L'École en Crinoline, Op. 29: They Stop Suddenly on Perceiving Miss Jones' Return |
1:36 |
| 57. |
L'École en Crinoline, Op. 29: The Other Pupils Enter. Amelia Relates Her Dream. Miss Jones and the Curate Return. Miss Jones Sees Amelia Teasing the Curate and Faints at the Sight! |
1:21 |
| 58. |
L'École en Crinoline, Op. 29: Amelia Forces the Curate to His Knees Beside Miss Jones |
0:34 |
| 59. |
L'École en Crinoline, Op. 29: Finale. Miss Jones Promptly Recovers and Everyone Dances Merrily. Amelia gives Miss Jones and the Curate Her Blessing. General Gaiety |
1:27 |
