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Jazz Messengers!!!!! / A Jazz Message

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Download links and information about Jazz Messengers!!!!! / A Jazz Message by Art Blakey. This album was released in 2011 and it belongs to Jazz genres. It contains 12 tracks with total duration of 01:12:38 minutes.

Artist: Art Blakey
Release date: 2011
Genre: Jazz
Tracks: 12
Duration: 01:12:38
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Tracks

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No. Title Length
1. Alamode (featuring The Jazz Messengers) 6:45
2. Invitation (featuring The Jazz Messengers) 7:26
3. Circus (featuring The Jazz Messengers) 5:11
4. You Don't Know What Love Is (featuring The Jazz Messengers) 6:59
5. I Hear a Rhapsody (featuring The Jazz Messengers) 6:31
6. Gee Baby Ain't I Good to You (featuring The Jazz Messengers) 4:56
7. Cafe (featuring Art Blakey Quartet) 5:32
8. Just Knock On My Door (featuring Art Blakey Quartet) 6:55
9. Summertime (featuring Art Blakey Quartet) 4:38
10. Blues Back (featuring Art Blakey Quartet) 5:19
11. Sunday (featuring Art Blakey Quartet) 7:20
12. The Song Is You (featuring Art Blakey Quartet) 5:06

Details

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Impulse Records released only two LPs credited to Art Blakey, both with somewhat generic titles, 1961's Jazz Messengers!!!!, with Blakey's usual group, the Jazz Messengers, and 1963's A Jazz Message, by the Art Blakey Quartet. Half a century later, the two albums make an obvious choice for a two-fer CD from the Impulse/Verve imprint of Universal. The former album (Tracks 1-6) is a fairly standard set for the Jazz Messengers of the time, a group then including Wayne Shorter on tenor sax, which is to say that it is a superior hard bop blowing session. For A Jazz Message (Tracks 7-12), Impulse tried something different, convening, on a one-time-only basis for the July 16, 1963, recording date, a group consisting of Blakey on drums, Art Davis on bass, McCoy Tyner on piano, and Sonny Stitt on tenor and alto saxophones. The thrown-together nature of the date is indicated by the reliance on standards like "Summertime" and "The Song Is You," as well as the straight blues called "Blues Back." But the players spark each other, with Tyner getting some excellent solo time (particularly on "Blues Back"), while the spotlight usually falls on Stitt. Blakey mostly contents himself with timekeeping, which throws into question his leadership of the outfit, but as usual, he is a catalyst. The two albums provide different sides of his talent from his prime.