Capolinea

Recorded between 1997 and 2000, released two years later, Capolinea is Aton's' discographical testament. It could be considered as a solo album by Pietro Ratto, since he wrote all the material and produced the recording sessions at his own studio, only bringing in bassist Vito Frallonardo and drummer Riccardo Lombardo to complete the rhythm tracks. As a result the album lacks a true group feel, which doesn't prevent some powerful songs. Let's just say Capolinea doesn't rank as Aton's' best effort, but it is not a self-indulgent finale either. "Introduzione/Star" kicks some serious behind with a crunchy riff and odd time signatures flying by faster than you can count them. "Oltre Me" and "Il Fratello" are also possessed by a lot of virtuosity — Lombardo is simply one hell of a prog rock drummer. "Come Me" and the beautiful, acoustic guitar-led instrumental "Sonata" showcase Ratto's ballad side. When he pushes his voice too much he sounds like a hair metal frontman, but in more subtle songs he truly reveals his Italian nature — "Come Me" and "Sempre Solo" will please fans of vintage Italian prog, despite the electronic drums in the latter. Ratto did not rush this last album and he did not make it longer than it needed to be (42 minutes). He chose good, well-polished songs, putting a graceful end to the group's long career. ~ François Couture, Rovi