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Aux 88 Presents Black Tokyo

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Download links and information about Aux 88 Presents Black Tokyo by Aux 88. This album was released in 2010 and it belongs to Electronica, Techno, Dancefloor, Dance Pop genres. It contains 17 tracks with total duration of 01:15:39 minutes.

Artist: Aux 88
Release date: 2010
Genre: Electronica, Techno, Dancefloor, Dance Pop
Tracks: 17
Duration: 01:15:39
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Intro (Japenesse) [feat. Erika Tsuchiya] 1:33
2. Groove Theory 5:18
3. Black Tokyo (feat. Akiko Murakata a.k.a. Ice Truck / K-1) 5:06
4. Tokyo Drive 4:11
5. Stance (Interlude) [feat. Erika Tsuchiya & Akiko Murakata a.k.a. Ice Truck] 1:05
6. Reel to Real (Club Mix) 5:17
7. Electronic Cinema (Soho Studio Mix) [feat. Akiko Murakata a.k.a. Ice Truck] 5:03
8. Electric Underground (feat. Akiko Murakata a.k.a. Ice Truck) 5:52
9. Soul of Black (feat. Missy Motion) 5:26
10. Stance (feat. Erika Tsuchiya & Akiko Murakata a.k.a. Ice Truck) 5:45
11. Dragon Fly 5:49
12. Kyoto Station (feat. K-1) 5:04
13. Smoke Screen 5:12
14. Winter In Japan (feat. Akiko Murakata a.k.a. Ice Truck) 3:58
15. Tokyo Telacom (feat. Akiko Murakata a.k.a. Ice Truck / K-1) 4:17
16. Shadow Dancing (feat. Esteban Adame) 6:16
17. Black Tokyo (feat. Akiko Murakata a.k.a. Ice Truck / K-1) [Acapella] 0:27

Details

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The Detroit-based duo of Tommy Hamilton and Keith Tucker have returned with their first full-length CD in several years, and it's simultaneously rooted in their home city's electro/techno legacy and a step forward. They've adopted Japanese pseudonyms (Arashi Hoshino and Shin Muramatsu), the significance of which is unknown, and brought in two Japanese female vocalists, Erika Tsuchiya and Akiko "Ice Truck" Murakat, as a contrast to their own soft voices and the occasional computer chip voice. The music is an ultra-clean brand of Kraftwerk-descended techno, with occasional jarring sounds (a woodblock-ish drum sound on "Black Tokyo" is particularly obtrusive) that never quite disrupt the smooth-riding feel of the music as a whole. The album's most appealing tracks are the entirely instrumental ones; the vocals are frequently annoying, saying nothing — chanting the title phrase over and over again, for example, or murmuring dance music platitudes like "Now is the time/Feel the rhythm/Free your mind/Free your spirit" ("Stance"). There are a lot of pieces on this long CD that would sound great as components of a DJ set, but despite its Japanophile concept, it doesn't really hold together as an album.