Solos & Duets
Download links and information about Solos & Duets by Barbara Sutton Curtis. This album was released in 1994 and it belongs to Jazz genres. It contains 14 tracks with total duration of 01:07:22 minutes.
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| Artist: | Barbara Sutton Curtis |
| Release date: | 1994 |
| Genre: | Jazz |
| Tracks: | 14 |
| Duration: | 01:07:22 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Why Am I Alone (With No One to Love) | 4:42 |
| 2. | Oriental Tones | 4:21 |
| 3. | Honey Hush | 5:42 |
| 4. | Oh Baby Sweet Baby | 4:26 |
| 5. | Hootie Blues | 4:25 |
| 6. | Don't Let the Sun Catch You Crying | 5:14 |
| 7. | A Flat Dream | 2:42 |
| 8. | Davenport Blues | 5:38 |
| 9. | Crazy Rhythm (featuring Ralph Sutton, Jake Hanna, Reggie Johnson) | 4:18 |
| 10. | These Foolish Things (featuring Ralph Sutton, Jake Hanna, Reggie Johnson) | 6:04 |
| 11. | Love Me or Leave Me (featuring Ralph Sutton, Jake Hanna, Reggie Johnson) | 5:54 |
| 12. | Keepin' Out of Mischief Now (featuring Ralph Sutton) | 3:37 |
| 13. | St. Louis Blues (featuring Ralph Sutton, Jake Hanna, Reggie Johnson) | 6:27 |
| 14. | Chicago (featuring Ralph Sutton, Jake Hanna, Reggie Johnson) | 3:52 |
Details
[Edit]Recorded in Toronto's Café de Copains in 1988-1989 and at the Kurtheater in Baden, Switzerland in November 1991, Solos & Duets is arguably the best album ever realized by pianist Barbara Sutton-Curtis. But let's not argue — this is a superb collection of 14 jazz piano essays performed solo and in duet with big brother Ralph Sutton backed by bassist Reggie Johnson and drummer Jake Hanna. Both Suttons specialized in the Fats Waller book. Five delectable Waller tunes, including the rare and seldom heard "Oriental Tones" and "Why Am I Alone," are bundled with such attractive melodies as James P. Johnson's "A-Flat Dream," Jay McShann's "Hootie Blues," Bix Beiderbecke's "Davenport Blues," W.C. Handy's "St. Louis Blues," and Joe Greene's "Don't Let the Sun Catch You Crying." In terms of song selection and interpretive brilliance, this is a major triumph for the Suttons and for jazz in general. Tracks one, two, and nine-fourteen will prove especially satisfying as examples of traditional jazz played on a Bösendorfer piano.