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Eight Phrases For Jefferson Rubin

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Download links and information about Eight Phrases For Jefferson Rubin by Ben Goldberg. This album was released in 1998 and it belongs to Jazz, Avant Garde Jazz, Avant Garde Metal genres. It contains 8 tracks with total duration of 01:01:39 minutes.

Artist: Ben Goldberg
Release date: 1998
Genre: Jazz, Avant Garde Jazz, Avant Garde Metal
Tracks: 8
Duration: 01:01:39
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Tracks

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No. Title Length
1. Problem (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 7:10
2. Plain of Jars (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 10:56
3. Visited (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 7:54
4. Eight Phrases (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 10:51
5. Brace and Bit (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 5:37
6. Elements (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 4:43
7. Lost Touch (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 9:19
8. Snow (featuring Larry Ochs, Trevor Dunn, Lisle Ellis, Michael Sarin, John Schott) 5:09

Details

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Recorded in studio in November 1996, Ben Goldberg's project Eight Phrases for Jefferson Rubin was his second composition for sextet (after Twelve Minor, released by Avant in 1998). Rubin, who died tragically at the age of 35, was one of Goldberg's childhood friends. Thus the music is not always cheerful, but it doesn't fall into mournful soliloquies either. The sextet the clarinetist gathered comprises a second reed player (Rova saxophonist Larry Ochs), guitar (John Schott), two double basses (Lisle Ellis and the ubiquitous jazzing-when-not-rocking Trevor Dunn), and drums (Michael Sarin). Eight Phrases for Jefferson Rubin follows the klezmer-tinged avant-garde jazz style prominent in New York at the end of 1990s. Comparisons to John Zorn's Masada, Marty Ehrlich, and West Coast new jazz are all in order, since there is something of Vinny Golia's touch here too. "Problem" sets the mood — free-form in the underground, carefully written melodies above. "Plain of Jars" is a slow, depressive piece lacking a clear direction and makes for the worst ten minutes of the set, but "Visited" picks up the pace and features a good solo courtesy of Schott. The title track is the real showcase for Goldberg, his bass clarinet hinting at Jewish mourning songs. Not a groundbreaking album, but an honest and enjoyable effort. ~ François Couture, Rovi