Beres Hammond and Friends
Download links and information about Beres Hammond and Friends by Beres Hammond. This album was released in 1978 and it belongs to Reggae, Roots Reggae genres. It contains 16 tracks with total duration of 01:01:12 minutes.
Artist: | Beres Hammond |
---|---|
Release date: | 1978 |
Genre: | Reggae, Roots Reggae |
Tracks: | 16 |
Duration: | 01:01:12 |
Buy it NOW at: | |
Buy on iTunes $7.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Bubbling | 3:40 |
2. | Sunshine People | 3:30 |
3. | United | 3:48 |
4. | You Don't Understand | 3:26 |
5. | Fundays | 3:43 |
6. | True Love & True Dub (featuring Max) | 4:00 |
7. | Set Me Free | 5:02 |
8. | North Coast (featuring Winston " WeePow " Powell) | 3:27 |
9. | Reggae River (featuring Zap Pow) | 5:03 |
10. | Running Nowhere & Nowhere Dub | 5:35 |
11. | Respect (featuring Pablo Paul) | 2:53 |
12. | Don't Dope (featuring Pablo Paul) | 2:56 |
13. | Wadada Carifesta (featuring Zap Pow, Dwight Pinkney) | 3:22 |
14. | Happy Come & Happy Dub (featuring Ras Henry) | 3:52 |
15. | Irieland (featuring Zap Pow) | 2:40 |
16. | Take Five (featuring Herman Marquis) | 4:15 |
Details
[Edit]Beres Hammond, a reggae singer who rose slowly to prominence throughout the 1980s and 1990s, got his start in the 1970s as part of a relatively obscure group called Zap-Pow. (Hammond wasn't the only member of the group who proved destined for greater things — guitarist Dwight Pinckney would later be a charter member of Roots Radics.) This strange but ultimately satisfying collection consists mostly of Zap-Pow recordings, which are undated in the liner notes, but all partake of a reverb-heavy production style that sounds very late 1970s. Some of them, like the dreary "United" and "You Don't Understand," should probably have stayed in the vaults. But there are some gems here as well, such as the strangely affecting "Sunshine People" and the spooky "Reggae River," which sounds suspiciously like a Lee "Scratch" Perry production. Other highlights on this album come from other artists, such as Ras Dahni and David Madden's "Running Nowhere" (presented in showcase style) and the very spare and dread "Respect" from Pablo Paul. Even with the occasional clunker taken into account, this is a very worthwhile album.