November 1981
Download links and information about November 1981 by Bill Dixon Quartet. This album was released in 1981 and it belongs to Jazz, Avant Garde Jazz genres. It contains 9 tracks with total duration of 01:19:12 minutes.
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| Artist: | Bill Dixon Quartet |
| Release date: | 1981 |
| Genre: | Jazz, Avant Garde Jazz |
| Tracks: | 9 |
| Duration: | 01:19:12 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Webern (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 1:24 |
| 2. | Windswept Winterset (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 15:24 |
| 3. | Velvet (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 6:48 |
| 4. | Llaattiinnoo Suite (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 15:26 |
| 5. | November 1981 (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 10:44 |
| 6. | Penthesilea (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 10:14 |
| 7. | The Second Son (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 5:13 |
| 8. | The Sirens (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 7:09 |
| 9. | Another Quiet Feeling (featuring Mario Pavone, Bill Dixon, Alan Silva, Laurence Cook) | 6:50 |
Details
[Edit]The music on this two-record set was typical of trumpeter Bill Dixon's hue and perhaps the most in-command set of his so far released (1983). The first five tracks on sides one and two, (11/16 and 17/81), struck me as rather unresolved and tedious on first listening. The last four tracks on sides three and four, (11/8/81), grabbed me with both their immediacy and daring. Both sides impressed me with the dedication to purity which has always marked all of Dixon's music. Repeated listenings to record number one brought out greater dimensions to the music, displaying an azure mellowness which ran deep with revolving panoramas. Record two opened with "Webern", a bold, biting piece which set the tone and segued into "Winterset". The record ended with "Velvet", returning to the solace which marked so much of record one, and "Latino Suite", a developing piece of trumpet hues over washes of free rhythm which, by the time it evolved mid-way into a bowed bass solo, was quite effective. It was interesting how some of this music, "Velvet" in particular, when played at 45 RPM maintained its pacing. It played faster but the pulse remained the same. ~ Bob Rusch, Cadence, Rovi