That Travelin' Two-Beat
Download links and information about That Travelin' Two-Beat by Bing Crosby. This album was released in 1965 and it belongs to Pop, Theatre/Soundtrack genres. It contains 12 tracks with total duration of 34:12 minutes.
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| Artist: | Bing Crosby |
| Release date: | 1965 |
| Genre: | Pop, Theatre/Soundtrack |
| Tracks: | 12 |
| Duration: | 34:12 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | That Travelin' Two-Beat (1997 Remaster) (featuring Rosemary Clooney) | 2:32 |
| 2. | New Vienna Woods (1994 Remaster) (featuring Rosemary Clooney) | 3:26 |
| 3. | Knees Up, Mother Brown (2001 Remaster) (featuring Rosemary Clooney) | 2:14 |
| 4. | Roamin' In the Gloamin' (featuring Rosemary Clooney) | 2:56 |
| 5. | Adios Senorita (featuring Rosemary Clooney) | 3:27 |
| 6. | Come To the Mardi Gras (2001 Remaster) (featuring Rosemary Clooney) | 2:43 |
| 7. | Hear That Band (2001 Remaster) (featuring Rosemary Clooney) | 3:15 |
| 8. | The Daughter of Molly Malone (2001 Remaster) (featuring Rosemary Clooney) | 3:23 |
| 9. | The Poor People of Paris (Jean's Song) [2001 Remaster] (featuring Rosemary Clooney) | 2:32 |
| 10. | I Get Ideas (2001 Remaster) (featuring Rosemary Clooney) | 2:50 |
| 11. | Ciao, Ciao, Bambina (2001 Remaster) (featuring Rosemary Clooney) | 3:04 |
| 12. | That Travelin' Two-Beat (Reprise) [2001 Remaster] (featuring Rosemary Clooney) | 1:50 |
Details
[Edit]Bing Crosby, Rosemary Clooney, and arranger/conductor Billy May reconvened six years after their sessions for the first Crosby-Clooney duo album, Fancy Meeting You Here, to record a follow-up in sessions held in August and December 1964. Once again, the basic idea was to perform a collection of international songs. But the real creative force behind the record was the popular songwriting team of Jay Livingston and Ray Evans ("Mona Lisa," "Whatever Will Be, Will Be [Que Sera, Sera]"). The two were credited for "conception, new music and lyrics" on an album that contained, as proclaimed on the back cover, "Favorite songs from around the world in Dixieland!" It was an odd conception, to be sure, in which, for example, Carlos Fernandez' "Cielito Lindo," a Spanish standard, is turned into "Adios Señorita," with Crosby and Clooney trading romantic witticisms over a souped-up Dixieland arrangement that moves Basin Street to Madrid. If the resulting cultural mishmash isn't as disturbing as it sounds, that's only because the singers remain a winning combination; they spark each other, making this the liveliest Crosby album in some time, with Clooney good-naturedly keeping up her end and May only further goosing the two. This is not the place to look for great singers handling great material, but it is an entertaining date with a couple of singers who have never lacked for personality having a good time together. (The Australian CD reissue on EMI Axis also contains the complete contents of the 1960 MGM album Louis and Satchmo by Crosby and Louis Armstrong.)