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Perception

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Download links and information about Perception by Blessid Union Of Souls. This album was released in 2005 and it belongs to Gospel, Rock, Pop, Alternative genres. It contains 16 tracks with total duration of 01:09:47 minutes.

Artist: Blessid Union Of Souls
Release date: 2005
Genre: Gospel, Rock, Pop, Alternative
Tracks: 16
Duration: 01:09:47
Buy on iTunes $4.99
Buy on iTunes $9.99
Buy on Amazon $8.99
Buy on Amazon $7.99

Tracks

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No. Title Length
1. Could've Been With You 3:49
2. Wild Side of Me 4:03
3. I Still Believe In Love 4:46
4. Bittersweet Sublime 3:57
5. A Thousand and One 4:06
6. Closer 3:50
7. I Have Just Begun to Live 4:12
8. Let's Get Out of Here 4:30
9. How Does It Feel Coming Down 4:09
10. Say Hello to My Little Friend 4:07
11. Reminds Me of You 4:04
12. She's the One 4:31
13. Better Side of Me 3:31
14. Give Her What She Wants 4:23
15. Redemption 4:14
16. I Was Never Here 7:35

Details

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The rules of pop only allow for big things, big sales, big records, big success. You can be indie rock, only sell a couple-thousand albums, and survive on your hardcore fan base, but how many bands that fall firmly into the category of pop can say they have a hardcore fan base? That's why it's always interesting when bands like Blessid Union of Souls go it on their own and come up with a better album than expected. Being too uncool for college radio and too "over" for mainstream radio is one of the hardest places to be for a band, but Blessid Union seem up to the challenge with frontman Eliot Sloan cranking out some quality songs, mostly written on his own for a change. While "I Still Believe in Love"'s opening couplet — "Ten years have passed and we're right where we were/Some things are better but so much is worse" — could apply to the state of the band, the song is actually one of those huge, life affirming ballads that incorporates strings. Hear it in the wrong mood and it seems like a shameless play for the big-time, but in the end, it's like everything else on the album, genuine and heartfelt. Tracks like "A Thousand and One" and "Reminds Me of You" are the kind of grand and positive message numbers the band does best, and hearing them on an indie-level budget just ups the ambitious quotient all the more. As a lyric writer, Sloan is getting sharper and sharper, which makes up for hookless tracks that appear every third or fourth number. Sixteen-songs long, the album could have trimmed the hookless numbers and made more of a case for the band that was once considered faceless Hootie-come-lately's. Now they're barely even considered, which is a shame since Perception is breezy, uplifting, and a testament to Sloan's sincere belief in positive pop.