The Things We Left Behind
Download links and information about The Things We Left Behind by Blue Rodeo. This album was released in 2010 and it belongs to Rock, Country, Alternative Country, Alternative, Songwriter/Lyricist genres. It contains 16 tracks with total duration of 01:24:31 minutes.
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| Artist: | Blue Rodeo |
| Release date: | 2010 |
| Genre: | Rock, Country, Alternative Country, Alternative, Songwriter/Lyricist |
| Tracks: | 16 |
| Duration: | 01:24:31 |
| Buy it NOW at: | |
| Buy on iTunes $15.99 | |
| Buy on Amazon $13.49 | |
| Buy on Songswave €1.21 | |
| Buy on Songswave €1.17 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | All the Things That Are Left Behind | 4:26 |
| 2. | One More Night | 5:34 |
| 3. | Waiting for the World | 4:08 |
| 4. | Never Look Back | 3:19 |
| 5. | Sheba | 4:18 |
| 6. | One Light Left In Heaven | 5:52 |
| 7. | Million Miles | 9:04 |
| 8. | Gossip | 4:49 |
| 9. | Don't Let the Darkness | 5:32 |
| 10. | Arizona Dust | 3:54 |
| 11. | In My Bones | 3:17 |
| 12. | Candice | 4:03 |
| 13. | Wasted | 5:55 |
| 14. | You Said | 4:25 |
| 15. | And When You Wake Up | 5:21 |
| 16. | Venus Rising | 10:34 |
Details
[Edit]The Things We Left Behind touches upon nearly every facet of Blue Rodeo’s expansive roots-rock sound. For a quarter-century, the Canadian combo has drawn upon early-‘70s-style country-rock for inspiration, with occasional nods towards Springsteen and Graham Parker. As before, singer/songwriters Jim Cuddy and Greg Keelor form the band’s creative nucleus, sharing a penchant for thoughtful lyrics and folk-derived melodies while remaining individual in style. Cuddy generally deals in sunny, pop-oriented fare like “Candice” and “Arizona Dust,” though “One More Night” matches a disturbing lyric with an upbeat tune. Keelor’s compositions are more melancholy, with an air of rustic bleakness about them — his “Don’t Let the Darkness” and the string-accented “Gossip” are especially effective mood pieces. While these songs are mostly on the succinct side, “Venus Rising” allows the band to stretch out and get noisy with a feedback-drenched guitar passage. Michael Boguski’s stirring gospel piano licks add the final touch to these evocative, heartfelt tracks.