Bringing It All Back Home (2010 Mono Version)
Download links and information about Bringing It All Back Home (2010 Mono Version) by Bob Dylan. This album was released in 1965 and it belongs to Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic, Contemporary Folk genres. It contains 11 tracks with total duration of 46:48 minutes.
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| Artist: | Bob Dylan |
| Release date: | 1965 |
| Genre: | Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic, Contemporary Folk |
| Tracks: | 11 |
| Duration: | 46:48 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Subterranean Homesick Blues (2010 Mono Version) | 2:16 |
| 2. | She Belongs to Me (2010 Mono Version) | 2:48 |
| 3. | Maggie's Farm (2010 Mono Version) | 3:53 |
| 4. | Love Minus Zero / No Limit (2010 Mono Version) | 2:49 |
| 5. | Outlaw Blues (2010 Mono Version) | 2:58 |
| 6. | On the Road Again (2010 Mono Version) | 2:32 |
| 7. | Bob Dylan's 115th Dream (2010 Mono Version) | 6:31 |
| 8. | Mr. Tambourine Man (2010 Mono Version) | 5:31 |
| 9. | Gates of Eden (2010 Mono Version) | 5:42 |
| 10. | It's Alright Ma (I'm Only Bleeding) [2010 Mono Version] | 7:32 |
| 11. | It's All Over Now, Baby Blue (2010 Mono Version) | 4:16 |
Details
[Edit]The voluminous ink spilled in praise of Highway 61 Revisited sometimes shortchanges its equally worthy 1965 predecessor. Indeed, to some ears, this may well be the richer, more nuanced album; it's certainly less willfully opaque. The first half famously indulges Dylan's growing taste for rock and electric guitars via the Chuck Berry-channeling "Subterranean Hmesick Blues," and infuses the free-floating protest of "Maggie's Farm" with a grit scraped straight from Chicago's South Side. Yet there's an inviting, accomplished charm to "Love Minus Zero" and "She Belongs to Me" that carries it into a second act that remains one of Dylan's most wholly satisfying. The self-deprecating ("Bob Dylan's 115th Dream") segues into acoustic tracks that remain some of the most playfully exuberant ("Mr. Tambourine Man") and lyrically razor-sharp ("Gates ofEden," "It's Alright Ma")of his long, dizzying career.