Highway 61 Revisited (2010 Mono Version)
Download links and information about Highway 61 Revisited (2010 Mono Version) by Bob Dylan. This album was released in 1965 and it belongs to Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic genres. It contains 9 tracks with total duration of 48:43 minutes.
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| Artist: | Bob Dylan |
| Release date: | 1965 |
| Genre: | Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic |
| Tracks: | 9 |
| Duration: | 48:43 |
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| Buy on iTunes $8.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Like a Rolling Stone (2010 Mono Version) | 5:58 |
| 2. | Tombstone Blues (2010 Mono Version) | 5:51 |
| 3. | It Takes a Lot to Laugh, It Takes a Train to Cry (2010 Mono Version) | 3:25 |
| 4. | From a Buick 6 (2010 Mono Version) | 3:06 |
| 5. | Ballad of a Thin Man (2010 Mono Version) | 5:49 |
| 6. | Queen Jane Approximately (2010 Mono Version) | 4:56 |
| 7. | Highway '61 Revisited (2010 Mono Version) | 3:14 |
| 8. | Just Like Tom Thumb's Blues (2010 Mono Version) | 5:07 |
| 9. | Desolation Row (2010 Mono Version) | 11:17 |
Details
[Edit]If Dylan had dared flirted with rock conceits on the previous Bringing It All Back Home, here he did nothing less than tempestuously ravish them, recasting much of the era in his own willfully sketchy image in the bargain. Highway 61 is electric in every sense of the word, a nervy jangle that spins furiously about the twin axes of a full-fledged rock studio band (anchored by Al Kooper and Michael Bloomfield) and a taunting,spectral Dylan who shed the last vestiges of his folkie past to become one of the 60's most elusive icons. Powered by the reptilian licks of Bloomfield, the title track, "From a Buick 6" and "Tombstone Blues" have more to do with garage-savvy American proto-punk than Help! or Rubber Soul, the Beatles' releases that frame the 61 era. There may be nods to the blues ("It Takes a Lot to Laugh..") and his recent folk past ("Desolation Row""), but the intoxicating language Dylan serves up throughout transcend anything as mundane as mere genre. Poetically opaque, brilliantly snotty, and sometimes damn near inscrutable, it remains as consistently riveting as the day it was released.