The Bootleg Series, Vol. 4: Live 1966 - The "Royal Albert Hall" Concert
Download links and information about The Bootleg Series, Vol. 4: Live 1966 - The "Royal Albert Hall" Concert by Bob Dylan. This album was released in 1998 and it belongs to Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic genres. It contains 15 tracks with total duration of 01:29:35 minutes.
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| Artist: | Bob Dylan |
| Release date: | 1998 |
| Genre: | Rock, Blues Rock, Folk Rock, Rock & Roll, Pop, Songwriter/Lyricist, Psychedelic |
| Tracks: | 15 |
| Duration: | 01:29:35 |
| Buy it NOW at: | |
| Buy on iTunes $14.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | She Belongs to Me (Live) | 3:27 |
| 2. | Fourth Time Around (Live) | 4:37 |
| 3. | Visions of Johanna (Live) | 8:08 |
| 4. | It's All Over Now, Baby Blue (Live) | 5:45 |
| 5. | Desolation Row (Live) | 11:31 |
| 6. | Just Like a Woman (Live) | 5:52 |
| 7. | Mr. Tambourine Man (Live) | 8:52 |
| 8. | Tell Me, Momma (Live) | 4:49 |
| 9. | I Don't Believe You (She Acts Like We Never Have Met) [Live] | 5:30 |
| 10. | Baby, Let Me Follow You Down (Live) | 3:27 |
| 11. | Just Like Tom Thumb's Blues (Live) | 5:37 |
| 12. | Leopard-Skin Pill-Box Hat (Live) | 3:21 |
| 13. | One Too Many Mornings (Live) | 3:38 |
| 14. | Ballad of a Thin Man (Live) | 7:00 |
| 15. | Like a Rolling Stone (Live) | 8:01 |
Details
[Edit]Bootlegged from almost the first hour there were rock bootleggers, Bob Dylan's 1966 Royal Albert Hall concert (actually recorded in Manchester on the same tour) was a legendary performance for three decades before seeing official release in 1998. The first half offers solo acoustic versions of some of Dylan's knottiest new tunes, while the second set with the Hawks (later the Band) roars like hounds chasing the electric rabbit. Dylan's singing is at its most confident and strange, peculiarly suited for straightforward declarations like "I'm your friend" ("Tell Me Mama") and the surreal border saga "Just Like Tom Thumb's Blues." The most famous moment, of course, is when some hapless audience member equates the Jewish Dylan with the man who betrayed Christ after which the singer leaves the heckler stranded with "Like a Rolling Stone."