Jazz In Paris, Vol. 18: Jazz de Chambre
Download links and information about Jazz In Paris, Vol. 18: Jazz de Chambre by Bobby Jaspar. This album was released in 1954 and it belongs to Blues, Jazz genres. It contains 12 tracks with total duration of 44:42 minutes.
Artist: | Bobby Jaspar |
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Release date: | 1954 |
Genre: | Blues, Jazz |
Tracks: | 12 |
Duration: | 44:42 |
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Tracks
[Edit]No. | Title | Length |
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1. | A Night In Tunisia (featuring Buddy Banks) | 4:28 |
2. | Almost Like Being In Love (featuring Buddy Banks) | 3:21 |
3. | Bag's Groove (featuring Buddy Banks) | 3:48 |
4. | Yesterdays (featuring Buddy Banks) | 3:31 |
5. | I Love You (featuring Buddy Banks) | 6:00 |
6. | Line for Lyons (featuring Buddy Banks) | 3:47 |
7. | You Go to My Head (featuring Buddy Banks) | 4:31 |
8. | Buddy Banks Blues (featuring Buddy Banks) | 3:28 |
9. | Old Devil Moon (featuring Bobby Jaspar Quartet, Blossom Dearie On Piano) | 2:32 |
10. | Autumn In New York (featuring Bobby Jaspar Quartet, Blossom Dearie On Piano) | 4:00 |
11. | Flamingo (featuring Bobby Jaspar Quartet, Blossom Dearie On Piano) | 3:07 |
12. | There Will Never Be Another You (featuring Bobby Jaspar Quartet, Blossom Dearie On Piano) | 2:09 |
Details
[Edit]Part of the fun of listening to Universal Music's Jazz in Paris series is digging into their compilations of obscure recordings, such as these two mid-'50s sessions, led by Buddy Banks and Bobby Jaspar. Banks, originally a saxophonist who switched to bass, had arrived in Europe after World War II; he is accompanied by drummer Roy Haynes, pianist Bob Dorough, and guitarist Jimmy Gourley. The leader takes the spotlight in a subtle take of "Yesterdays," though a strange clicking mars an otherwise swinging "I Love You." Banks' group also offers serviceable interpretations of modern pieces like Gerry Mulligan's "Line for Lyons" and Milt Jackson's "Bag's Groove." The partnership of Belgian flutist Bobby Jaspar and American pianist Blossom Dearie was rather brief. Married not long after they met, they recorded just four selections together in 1956 with bassist Benoit Quersin and drummer Christian Garros, then went their separate ways. The best track is the snappy arrangement of "Old Devil Moon." Dearie adds a quick bit of celesta to their abbreviated take of "There Will Never Be Another You." The four standards on this session are enjoyable, though they might have benefited from adding a second reed or brass instrument to provide some variety.