There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. (Deluxe Version)
Download links and information about There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. (Deluxe Version) by Bring Me The Horizon. This album was released in 2010 and it belongs to Rock, Black Metal, Hard Rock, Metal, Death Metal, Heavy Metal, Alternative genres. It contains 14 tracks with total duration of 01:01:40 minutes.
Artist: | Bring Me The Horizon |
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Release date: | 2010 |
Genre: | Rock, Black Metal, Hard Rock, Metal, Death Metal, Heavy Metal, Alternative |
Tracks: | 14 |
Duration: | 01:01:40 |
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Buy on iTunes $11.99 |
Tracks
[Edit]No. | Title | Length |
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1. | Crucify Me | 6:19 |
2. | Anthem | 4:49 |
3. | It Never Ends | 4:34 |
4. | F**k | 4:55 |
5. | Don't Go | 4:58 |
6. | Home Sweet Hole | 4:37 |
7. | Alligator Blood | 4:31 |
8. | Visions | 4:08 |
9. | Blacklist | 4:00 |
10. | Memorial | 3:09 |
11. | Blessed With a Curse | 5:08 |
12. | The Fox and the Wolf | 1:42 |
13. | It Never Ends | 4:41 |
14. | Chelsea Smile (Live At Warped Tour 2010) | 4:09 |
Details
[Edit]All those burgeoning metalcore acts competing for the title of most explosive or most chaotic can really learn a lot from Bring Me the Horizon’s third studio album. While it definitely unleashes some pummeling and aggressive sonic temper tantrums, their ability to control the chaos with precision and taste is what sets them apart while they kick the bar up a few notches for the genre as a whole. “Crucify Me” detonates with a maelstrom of noise — triggered drumming explodes like artillery fire as guitars and bass throw more punches than a 1983 Metallica moshpit. And while Oli Sykes’ screaming is at the forefront of the sound, his leaning back to make way for the spectral sounding voices of glitchy female vocals adds a really interesting dimension to the tune while keeping with the album's evil vs. good concept. The Sheffield, England quintet further pushes the margins of metalcore with the seemingly Al Jourgensen-inspired “Anthem” and the more accessible “It Never Ends,” where Sykes dares to deviate from his usual larynx-shredding with actual inflections.