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The Decline of British Sea Power & the Decline-Era B-Sides

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Download links and information about The Decline of British Sea Power & the Decline-Era B-Sides by British Sea Power. This album was released in 2003 and it belongs to Indie Rock, Alternative genres. It contains 23 tracks with total duration of 01:33:06 minutes.

Artist: British Sea Power
Release date: 2003
Genre: Indie Rock, Alternative
Tracks: 23
Duration: 01:33:06
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Tracks

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No. Title Length
1. Men Together Today 0:41
2. Apologies to Insect Life 2:47
3. Favours in the Beetroot Fields 1:16
4. Something Wicked 3:12
5. Remember Me 3:10
6. Fear of Drowning 4:26
7. The Lonely 5:12
8. Carrion 4:06
9. Blackout 3:48
10. Lately 13:58
11. A Wooden Horse 4:37
12. Alberts Eyes 3:33
13. Moley and Me 4:07
14. The Smallest Church in Sussex 2:51
15. Salty Water 3:51
16. Strange Communication 4:07
17. Birdy 3:39
18. Heavenly Waters 6:35
19. A Lovely Day Tomorrow 4:02
20. Apologies to Insect Life (Russian Rock Demo) 2:37
21. Scottish Wildlife Experience 2:53
22. No Red Indian 3:54
23. Good Good Boys 3:44

Details

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The first two songs on British Sea Power's remarkable 2003 debut The Decline of British Sea Power, "Men Together Today" and "Apologies to Insect Life," come crashing out of the gate with such a wealth of frantic, chaotic, over the top energy that it comes as something of a surprise when the album shifts into contemplative, more atmospheric form a few tracks down the line. While some bands are eager to create a distinct and lasting image of themselves on their first album, British Sea Power seemed determined to jump from one mood to another, confounding expectations before they had a chance to take root, and if The Decline of British Sea Power is an album possessed by multiple personalities, all of them are compelling and have fascinating stories to tell. "Remember Me" and "Favours in the Beetroot Fields" are dominated by Martin Noble's scrappy, all-over-the-road electric guitar and Scott Wilkinson's breathless vocals, but "Something Wicked" shifts gears into a bigger, grander sound that lives up to the majestic tone of the band's name, and "The Lonely" and "Carrion" are brilliantly crafted, cinematic pop constructed on the grand scale and full of resonant emotions, while the penultimate track, "Lately," is a 14-minute epic that sails from evocative beauty into a valley of noise and havoc into a final squall of madness, in many ways an ideal summation of British Sea Power's strategy on this album. But for a first public gesture, The Decline of British Sea Power is tremendously powerful, and the band is more than up to the challenge of its vast creative ambitions; Scott Wilkinson is a singer of no small talent and range (and his lyrics are clever and often blazingly eccentric in the great British tradition), his brother Neil Hamilton Wilkinson and Martin Noble are multi-instrumentalists with both the skills and the vision to conjure this album's vast sonic palette, and drummer Matthew Wood is strong enough to hold the many pieces firmly in place. The Decline of British Sea Power is a wild musical ride that never stops delivering surprises and rare pleasures, and it was a fittingly remarkable debut from what would become one of the most interesting U.K. acts of their day. [In 2015, British Sea Power reissued The Decline of British Sea Power in a pair of expanded editions, one that included a bonus disc of B-sides and rarities and another that threw in a DVD of little-seen footage of BSP along with the album and the bonus CD. For the most part, the bonus disc finds the band in slightly more subdued form than on The Decline..., but the performances are excellent and the songs are quite good. While newcomers will probably be satisfied with The Decline of British Sea Power in its original form, the expanded packages will impress committed fans, and just about anyone with an interest in British rock of the new millennium ought to have some edition of the album in their collection.]