No. |
Title |
Length |
1. |
Rhapsody for string quartet (1929) (Endellion String Quartet) |
7:06 |
2. |
Quartettino: I. Andante - Allegro molto e con fuoco (Endellion String Quartet) |
5:58 |
3. |
Quartettino: II. Poco adagio ma con moto (Endellion String Quartet) |
6:26 |
4. |
Quartettino: III. Allegro molto vivace (Endellion String Quartet) |
3:05 |
5. |
Elegy (Garfield Jackson) |
7:25 |
6. |
String Quartet in D: I.Allegro maestoso (Endellion String Quartet) |
8:17 |
7. |
String Quartet in D: II.Lento ed espressivo (Endellion String Quartet) |
6:51 |
8. |
String Quartet in D: III. Allegro giocoso (Endellion String Quartet) |
4:39 |
9. |
Phantasy in F minor (Endellion String Quartet) |
10:59 |
10. |
Phantasy Op. 2 (Endellion String Quartet, Douglas Boyd) |
13:17 |
11. |
3 Divertimenti: March (Endellion String Quartet) |
3:45 |
12. |
3 Divertimenti: Waltz (Endellion String Quartet) |
2:45 |
13. |
3 Divertimenti: Burlesque (Endellion String Quartet) |
3:21 |
14. |
Alla marcia (Endellion String Quartet) |
3:23 |
15. |
String Quartet No. 1 in D Op 25: I.Andante sostenuto (Endellion String Quartet) |
8:39 |
16. |
String Quartet No. 1 in D Op 25: II. Allegretto con slancio (Endellion String Quartet) |
3:00 |
17. |
String Quartet No. 1 in D Op 25: III.Andante calmo (Endellion String Quartet) |
11:28 |
18. |
String Quartet No. 1 in D Op 25: IV.Molto vivace (Endellion String Quartet) |
3:50 |
19. |
String Quartet No. 2 in C Op 36: I. Allegro calmo senza rigore (Endellion String Quartet) |
7:51 |
20. |
String Quartet No. 2 in C Op 36: II. Vivace (Endellion String Quartet) |
3:40 |
21. |
String Quartet No. 2 in C Op 36: III. Chacony (Sostenuto) (Endellion String Quartet) |
17:45 |
22. |
String Quartet No. 3 Op 94: I. Duets (with moderato movement) (Endellion String Quartet) |
5:24 |
23. |
String Quartet No. 3 Op 94: II. Ostinato (Very fast) (Endellion String Quartet) |
3:01 |
24. |
String Quartet No. 3 Op 94: III. Solo (Very calm) (Endellion String Quartet) |
5:30 |
25. |
String Quartet No. 3 Op 94: IV. Burlesque (Fast, con fuoco) (Endellion String Quartet) |
2:16 |
26. |
String Quartet No. 3 Op 94: V. Recitative and Passacaglia 'La Srenissima' (Slow) (Endellion String Quartet) |
9:49 |
27. |
Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente (Truls Mørk / Truls Mork) |
2:21 |
28. |
Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato (Truls Mørk / Truls Mork) |
3:59 |
29. |
Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato (Truls Mørk / Truls Mork) |
3:08 |
30. |
Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto (Truls Mørk / Truls Mork) |
1:11 |
31. |
Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) (Truls Mørk / Truls Mork) |
2:13 |
32. |
Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato (Truls Mørk / Truls Mork) |
3:31 |
33. |
Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto (Truls Mørk / Truls Mork) |
2:28 |
34. |
Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo (Truls Mørk / Truls Mork) |
3:04 |
35. |
Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto (Truls Mørk / Truls Mork) |
3:32 |
36. |
Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo (Truls Mørk / Truls Mork) |
4:30 |
37. |
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante (Truls Mørk / Truls Mork) |
4:43 |
38. |
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto (Truls Mørk / Truls Mork) |
2:00 |
39. |
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento (Truls Mørk / Truls Mork) |
5:36 |
40. |
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro (Truls Mørk / Truls Mork) |
7:14 |
41. |
Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento (Truls Mørk / Truls Mork) |
2:35 |
42. |
Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro (Truls Mørk / Truls Mork) |
1:46 |
43. |
Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto (Truls Mørk / Truls Mork) |
1:21 |
44. |
Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento (Truls Mørk / Truls Mork) |
1:23 |
45. |
Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto (Truls Mørk / Truls Mork) |
1:43 |
46. |
Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo (Truls Mørk / Truls Mork) |
2:36 |
47. |
Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico (Truls Mørk / Truls Mork) |
1:17 |
48. |
Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto (Truls Mørk / Truls Mork) |
0:58 |
49. |
Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne (Truls Mørk / Truls Mork) |
9:45 |
50. |
Holiday Diary Op. 5: I. Early Morning Bathe (Stephen Hough) |
2:07 |
51. |
Holiday Diary Op. 5: II. Sailing (Stephen Hough) |
5:14 |
52. |
Holiday Diary Op. 5: III. Funfair (Stephen Hough) |
2:39 |
53. |
Holiday Diary Op. 5: IV. Night (Stephen Hough) |
6:58 |
54. |
Three Character Pieces (1930): I. John (Poco allegro vivace) (Stephen Hough) |
1:57 |
55. |
Three Character Pieces (1930): II. Daphne (Poco andante grazioso) (Stephen Hough) |
2:07 |
56. |
Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso) (Stephen Hough) |
3:00 |
57. |
Night Piece (Notturno) (1963) (Stephen Hough) |
5:23 |
58. |
Moderato and Nocturne (Sonatina romantica, 1940): Moderato (Stephen Hough) |
4:39 |
59. |
Moderato and Nocturne (Sonatina romantica, 1940): Nocturne (Stephen Hough) |
2:53 |
60. |
Twelve Variations (1931) (Stephen Hough) |
8:41 |
61. |
Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous (Stephen Hough) |
1:07 |
62. |
Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit (Stephen Hough) |
1:39 |
63. |
Five Walztes (Waltzes) (1923-5/1969): III. Dramatic (Stephen Hough) |
1:41 |
64. |
Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast (Stephen Hough) |
3:30 |
65. |
Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple (Stephen Hough) |
2:58 |
66. |
Two Lullabies (1936): Lullaby (Stephen Hough, Ronan O'Hora) |
3:19 |
67. |
Two Lullabies (1936): Lullaby for a Retired Colonel (Stephen Hough, Ronan O'Hora) |
2:22 |
68. |
Mazurka elegiaca Op. 23 No. 2 (Stephen Hough, Ronan O'Hora) |
8:24 |
69. |
Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction - (Stephen Hough, Ronan O'Hora) |
3:21 |
70. |
Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca (Stephen Hough, Ronan O'Hora) |
5:43 |
71. |
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) (John Alley) |
0:43 |
72. |
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) (John Alley) |
2:54 |
73. |
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) (John Alley) |
3:12 |
74. |
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) (John Alley) |
4:39 |
75. |
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) (John Alley) |
4:30 |
76. |
Cello Sonata in C Op. 65: I. Dialogo (Allegro) (John Lenehan) |
7:53 |
77. |
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) (John Lenehan) |
2:29 |
78. |
Cello Sonata in C Op. 65: III. Elegia (Lento) (John Lenehan) |
6:46 |
79. |
Cello Sonata in C Op. 65: IV. Marcia (Energico) (John Lenehan) |
2:18 |
80. |
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) (John Lenehan) |
2:50 |
81. |
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) (Roy Carter) |
2:27 |
82. |
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) (Roy Carter) |
1:22 |
83. |
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) (Roy Carter) |
2:50 |
84. |
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) (Roy Carter) |
1:52 |
85. |
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) (Roy Carter) |
3:14 |
86. |
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) (Roy Carter) |
2:33 |
87. |
Nocturnal after John Dowland Op. 70: I. Musingly (Meditation) (Julian Bream) |
2:16 |
88. |
Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo) (Julian Bream) |
0:55 |
89. |
Nocturnal after John Dowland Op. 70: III. Restless (Inquieto) (Julian Bream) |
2:00 |
90. |
Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso) (Julian Bream) |
1:32 |
91. |
Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia) (Julian Bream) |
1:36 |
92. |
Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti) (Julian Bream) |
1:54 |
93. |
Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante) (Julian Bream) |
0:56 |
94. |
Nocturnal after John Dowland Op. 70: VIII. Passacaglia (Misurato) (Julian Bream) |
4:50 |
95. |
Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo) (Julian Bream) |
2:29 |