No. |
Title |
Length |
1. |
A Midsummer Night's Dream, Op. 64: "Over Hill, Over Dale" (Benjamin Britten, Dan Burley, Choir Of Downside School, Emanuel School Wandsworth, London Symphony Orchestra And Chorus, The Choir Boys, Stephen Terry, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark) |
4:03 |
2. |
A Midsummer Night's Dream, Op. 64: "Oberon Is Passing Fell and Wrath" (Benjamin Britten, Elizabeth Harwood, Alfred Deller, Dan Burley, Choir Of Downside School, Emanuel School Wandsworth, London Symphony Orchestra And Chorus, The Choir Boys) |
3:06 |
3. |
A Midsummer Night's Dream, Op. 64: "Well, Go Thy Way" (Benjamin Britten, Alfred Deller, London Symphony Orchestra And Chorus, Stephen Terry) |
3:24 |
4. |
A Midsummer Night's Dream, Op. 64: "How Now My Love?" (Benjamin Britten, London Symphony Orchestra And Chorus, Peter Pears, Josephine Veasey) |
4:32 |
5. |
A Midsummer Night's Dream, Op. 64: "Be It On Lion, Bear, or Wolf, or Bull" (Benjamin Britten, Heather Harper, Alfred Deller, London Symphony Orchestra And Chorus, Thomas Hemsley) |
3:40 |
6. |
A Midsummer Night's Dream, Op. 64: "Welcome Wanderer!" (Benjamin Britten, Alfred Deller, London Symphony Orchestra And Chorus) |
4:30 |
7. |
A Midsummer Night's Dream, Op. 64: "Is All Our Company Her?" (Benjamin Britten, Robert Tear, London Symphony Orchestra And Chorus, Owen Brannigan, David Kelly, Kenneth McDonald, Norman Lumsden, Keith Raggett) |
7:36 |
8. |
A Midsummer Night's Dream, Op. 64: "Fair Love, You Faint With Wand'ring In the Wood" (Benjamin Britten, London Symphony Orchestra And Chorus, Peter Pears, Josephine Veasey) |
2:41 |
9. |
A Midsummer Night's Dream, Op. 64: "Through the Forest Have I Gone" (Benjamin Britten, London Symphony Orchestra And Chorus, Josephine Veasey, Stephen Terry) |
1:45 |
10. |
A Midsummer Night's Dream, Op. 64: "Stay, Though Thou Kill Me, Sweet Demetrius" (Benjamin Britten, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey) |
5:14 |
11. |
A Midsummer Night's Dream, Op. 64: "Come, Now a Roundel and a Fairy Song" (Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra And Chorus) |
1:58 |
12. |
A Midsummer Night's Dream, Op. 64: "You Spotted Snakes With Double Tongue" (Benjamin Britten, Dan Burley, Choir Of Downside School, Emanuel School Wandsworth, London Symphony Orchestra And Chorus, The Choir Boys, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark) |
2:14 |
13. |
A Midsummer Night's Dream, Op. 64: "What Thou Seest When Thou Dost Wake" (Benjamin Britten, Alfred Deller, London Symphony Orchestra And Chorus) |
1:46 |
14. |
A Midsummer Night's Dream, Op. 64: Introduction: The Wood (Benjamin Britten, London Symphony Orchestra And Chorus) |
3:19 |
15. |
A Midsummer Night's Dream, Op. 64: "Are We All Met?" (Benjamin Britten, Robert Tear, London Symphony Orchestra And Chorus, Owen Brannigan, David Kelly, Kenneth McDonald, Stephen Terry, Norman Lumsden, Keith Raggett) |
7:36 |
16. |
A Midsummer Night's Dream, Op. 64: "I See Their Knavery" (Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra And Chorus, Owen Brannigan, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark) |
3:05 |
17. |
A Midsummer Night's Dream, Op. 64: "Be Kind and Courteous to This Gentleman" (Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra And Chorus) |
1:16 |
18. |
A Midsummer Night's Dream, Op. 64: "Hail, Mortal, Hail!" (Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra And Chorus, Owen Brannigan, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark) |
5:14 |
19. |
A Midsummer Night's Dream, Op. 64: "I Have a Reas'nable Good Ear In Music" (Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra And Chorus, Owen Brannigan) |
3:39 |
20. |
A Midsummer Night's Dream, Op. 64: "How Now, Mad Spirit?" (Benjamin Britten, Alfred Deller, London Symphony Orchestra And Chorus, Thomas Hemsley, Josephine Veasey, Stephen Terry) |
3:05 |
21. |
A Midsummer Night's Dream, Op. 64: "Flower of This Purple Dye" (Benjamin Britten, Heather Harper, Alfred Deller, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey, Stephen Terry) |
6:32 |
22. |
A Midsummer Night's Dream, Op. 64: "Puppet? Why So?" (Benjamin Britten, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey, Stephen Terry) |
3:05 |
23. |
A Midsummer Night's Dream, Op. 64: "This Is Thy Negligence" (Benjamin Britten, Alfred Deller, London Symphony Orchestra And Chorus, Stephen Terry) |
2:09 |
24. |
A Midsummer Night's Dream, Op. 64: "Up and Down, Up and Down" (Benjamin Britten, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey, Stephen Terry) |
6:02 |
25. |
A Midsummer Night's Dream, Op. 64: "On the Ground, Sleep Sound" (Benjamin Britten, Dan Burley, Choir Of Downside School, Emanuel School Wandsworth, London Symphony Orchestra And Chorus, The Choir Boys) |
3:04 |
26. |
A Midsummer Night's Dream, Op. 64: "My Gentle Robin, See'st Thou This Sweet Sight?" (Benjamin Britten, Elizabeth Harwood, Alfred Deller, London Symphony Orchestra And Chorus, Stephen Terry) |
7:12 |
27. |
A Midsummer Night's Dream, Op. 64: "Helena! Hermi! Demetrius! Lysander!" (Benjamin Britten, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey) |
4:46 |
28. |
A Midsummer Night's Dream, Op. 64: "When My Cue Comes, Call Me" (Benjamin Britten, London Symphony Orchestra And Chorus, Owen Brannigan) |
3:37 |
29. |
A Midsummer Night's Dream, Op. 64: "Have You Sent to Bottom's House?" (Benjamin Britten, Robert Tear, London Symphony Orchestra And Chorus, Owen Brannigan, David Kelly, Kenneth McDonald, Norman Lumsden, Keith Raggett) |
3:09 |
30. |
A Midsummer Night's Dream, Op. 64: "Now, Fair Hippolyta" (Benjamin Britten, Helen Watts, John Shirley - Quirk, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey) |
7:24 |
31. |
A Midsummer Night's Dream, Op. 64: "Iff We Offend, It Is With Our Good Will" (Benjamin Britten, Helen Watts, John Shirley - Quirk, Heather Harper, Robert Tear, London Symphony Orchestra And Chorus, Thomas Hemsley, Owen Brannigan, Peter Pears, Josephine Veasey, David Kelly, Kenneth McDonald, Norman Lumsden, Keith Raggett) |
1:19 |
32. |
A Midsummer Night's Dream, Op. 64: "Gentles, Perchange You Wonder At This Show" (Benjamin Britten, Heather Harper, London Symphony Orchestra And Chorus, Thomas Hemsley, Norman Lumsden) |
1:16 |
33. |
A Midsummer Night's Dream, Op. 64: "In This Same Interlude It Doth Befall" (Benjamin Britten, Robert Tear, London Symphony Orchestra And Chorus, Peter Pears, Josephine Veasey) |
1:10 |
34. |
A Midsummer Night's Dream, Op. 64: "O Grim-look'd Night, O Night With Hue So Black" (Benjamin Britten, London Symphony Orchestra And Chorus, Owen Brannigan) |
1:51 |
35. |
A Midsummer Night's Dream, Op. 64: "O Wall, Fur Often Hast Thou Heard My Moans" (Benjamin Britten, Helen Watts, Robert Tear, London Symphony Orchestra And Chorus, Owen Brannigan, Kenneth McDonald) |
2:30 |
36. |
A Midsummer Night's Dream, Op. 64: "You Ladies, You Whose Gentle Hearts Do Fear" (Benjamin Britten, London Symphony Orchestra And Chorus, Thomas Hemsley, Josephine Veasey, David Kelly) |
0:46 |
37. |
A Midsummer Night's Dream, Op. 64: "This Lanthorn Doth the Horned Moon Present" (Benjamin Britten, Helen Watts, John Shirley - Quirk, London Symphony Orchestra And Chorus, Thomas Hemsley, Peter Pears, Josephine Veasey, David Kelly, Kenneth McDonald, Keith Raggett) |
1:50 |
38. |
A Midsummer Night's Dream, Op. 64: "Sweet Moon, I Thank Thee for Thy Sunny Beams" (Benjamin Britten, Helen Watts, London Symphony Orchestra And Chorus, Thomas Hemsley, Owen Brannigan) |
1:52 |
39. |
A Midsummer Night's Dream, Op. 64: "Asleep, My Love?" (Benjamin Britten, John Shirley - Quirk, London Symphony Orchestra And Chorus, Owen Brannigan, Peter Pears, Kenneth McDonald) |
2:31 |
40. |
A Midsummer Night's Dream, Op. 64: "Come, Your Bergomask" (Benjamin Britten, John Shirley - Quirk, London Symphony Orchestra And Chorus) |
2:46 |
41. |
A Midsummer Night's Dream, Op. 64: "Now the Hungry Lion Roars" (Benjamin Britten, Elizabeth Harwood, Alfred Deller, London Symphony Orchestra And Chorus, Stephen Terry, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark) |
5:03 |
42. |
Phaedra, Op. 93: "In May, In Brilliant Athens" (Janet Baker, English Chamber Orchestra, Steuart Bedford) |
6:37 |
43. |
Phaedra, Op. 93: "Oh Gods of Wrath" (Janet Baker, English Chamber Orchestra, Steuart Bedford) |
2:50 |
44. |
Phaedra, Op. 93: "My Time's Too Short, Your Highness" (Janet Baker, English Chamber Orchestra, Steuart Bedford) |
5:55 |
45. |
The Rape of Lucretia, Op. 37: "Rome Is Now Ruled By the Etruscan Upstart" (Benjamin Britten, English Chamber Orchestra, Peter Pears) |
2:38 |
46. |
The Rape of Lucretia, Op. 37: "It Is an Axiom Among Kings" (Benjamin Britten, Heather Harper, English Chamber Orchestra, Peter Pears) |
2:33 |
47. |
The Rape of Lucretia, Op. 37: "Here the Thirsty Evening" (Benjamin Britten, English Chamber Orchestra, Peter Pears) |
2:53 |
48. |
The Rape of Lucretia, Op. 37: "Who Reaches Heaven First" (Benjamin Britten, Bryan Drake, John Shirley - Quirk, Benjamin Luxon, English Chamber Orchestra, Peter Pears) |
2:32 |
49. |
The Rape of Lucretia, Op. 37: "Maria Was Unmasked At a Masked Ball" (Benjamin Britten, Bryan Drake, John Shirley - Quirk, Benjamin Luxon, English Chamber Orchestra, Peter Pears) |
4:13 |
50. |
The Rape of Lucretia, Op. 37: "Collatinus Is Politically Astute" (Benjamin Britten, Bryan Drake, Benjamin Luxon, English Chamber Orchestra, Peter Pears) |
4:29 |
51. |
The Rape of Lucretia, Op.37: 'There Goes a Happy Man!' (Benjamin Britten, Bryan Drake, Benjamin Luxon, English Chamber Orchestra) |
4:14 |
52. |
The Rape of Lucretia, Op. 37: "Tarquinius Does Not Dare" (Benjamin Britten, English Chamber Orchestra, Peter Pears) |
2:26 |
53. |
The Rape of Lucretia, Op. 37: "My Horse! My Horse! Tarquinius Does Not Wait" (Benjamin Britten, Benjamin Luxon, English Chamber Orchestra, Peter Pears) |
3:06 |
54. |
The Rape of Lucretia, Op. 37: "Their Spinning-wheel Unwinds" (Benjamin Britten, Heather Harper, Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
5:19 |
55. |
The Rape of Lucretia, Op. 37: "Listen! I Heard a Knock" (Benjamin Britten, Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
2:34 |
56. |
The Rape of Lucretia, Op. 37: "Time Treads Upon the Hands of Women" (Benjamin Britten, Heather Harper, Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
3:42 |
57. |
The Rape of Lucretia, Op. 37: "The Oatmeal Slippers of Sleep" (Benjamin Britten, Heather Harper, Janet Baker, Benjamin Luxon, Elizabeth Bainbridge, English Chamber Orchestra, Peter Pears, Jenny Hill) |
7:36 |
58. |
The Rape of Lucretia, Op. 37: "The Prosperity of the Etruscans" (Benjamin Britten, Bryan Drake, John Shirley - Quirk, Heather Harper, Elizabeth Bainbridge, English Chamber Orchestra, Peter Pears, Jenny Hill) |
7:18 |
59. |
The Rape of Lucretia, Op. 37: "She Sleeps As a Rose" (Benjamin Britten, Heather Harper, English Chamber Orchestra, Peter Pears) |
5:25 |
60. |
The Rape of Lucretia, Op. 37: "Within This Frail Crucible of Light" (Benjamin Britten, Heather Harper, Benjamin Luxon, English Chamber Orchestra) |
4:25 |
61. |
The Rape of Lucretia, Op. 37: "Lucretia!...What Do You Want?" (Benjamin Britten, Heather Harper, Janet Baker, Benjamin Luxon, English Chamber Orchestra, Peter Pears) |
5:56 |
62. |
The Rape of Lucretia, Op. 37: "Interlude: Here In This Scene" (Benjamin Britten, Heather Harper, English Chamber Orchestra, Peter Pears) |
4:06 |
63. |
The Rape of Lucretia, Op. 37: "Oh! What a Lovely Day!" (Benjamin Britten, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
4:26 |
64. |
The Rape of Lucretia, Op. 37: "We'll Leave the Orchids for Lucretia" (Benjamin Britten, Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
4:59 |
65. |
The Rape of Lucretia, Op. 37: "Flowers Bring to Every Year" (Benjamin Britten, Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra) |
3:24 |
66. |
The Rape of Lucretia, Op. 37: "You Were Right" (Benjamin Britten, Bryan Drake, Elizabeth Bainbridge, English Chamber Orchestra, Jenny Hill) |
3:51 |
67. |
The Rape of Lucretia, Op. 37: "Lucretia! Lucretia!" (Benjamin Britten, John Shirley - Quirk, Janet Baker, English Chamber Orchestra) |
2:56 |
68. |
The Rape of Lucretia, Op. 37: "Last Night Tarquinius Ravished Me" (Benjamin Britten, Janet Baker, English Chamber Orchestra) |
3:29 |
69. |
The Rape of Lucretia, Op. 37: "This Dead Hand Lets Fall" (Benjamin Britten, Bryan Drake, John Shirley - Quirk, Heather Harper, Elizabeth Bainbridge, English Chamber Orchestra, Peter Pears, Jenny Hill) |
4:08 |
70. |
The Rape of Lucretia, Op. 37: "Epilogue: Is It All?" (Benjamin Britten, Heather Harper, English Chamber Orchestra, Peter Pears) |
5:20 |
71. |
The Turn of the Screw, Op. 54: Prologue (Benjamin Britten, Peter Pears, English Opera Group Orchestra) |
2:48 |
72. |
The Turn of the Screw, Op. 54: Theme - Scene 1: The Journey (Benjamin Britten, Jennifer Vyvyan, English Opera Group Orchestra) |
3:25 |
73. |
The Turn of the Screw, Op. 54: Interlude: Variation I - Scene 2: The Welcome (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
4:08 |
74. |
The Turn of the Screw, Op. 54: Interlude: Variation II - Scene 3: The Letter (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
3:51 |
75. |
The Turn of the Screw, Op. 54: Interlude: Variation III - Scene 4: The Tower (Benjamin Britten, Jennifer Vyvyan, English Opera Group Orchestra) |
5:49 |
76. |
The Turn of the Screw, Op. 54: Interlude: Variation IV - Scene 5: The Window (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
9:59 |
77. |
The Turn of the Screw, Op. 54: Interlude: Variation V - Scene 6: The Lesson (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Olive Dyer) |
4:44 |
78. |
The Turn of the Screw, Op. 54: Interlude: Variation VI - Scene 7: The Lake (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Olive Dyer) |
6:36 |
79. |
The Turn of the Screw, Op. 54: Interlude: Variation VII - Scene 8: At Night (Benjamin Britten, David Hemmings, Peter Pears, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Olive Dyer) |
10:44 |
80. |
The Turn of the Screw, Op. 54: Interlude: Variation VIII - Scene 1: Colloquy and So- Lioquy (Benjamin Britten, Peter Pears, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra) |
8:36 |
81. |
The Turn of the Screw, Op. 54: Interlude: Variation IX - Scene 2: The Bells (Benjamin Britten, David Hemmings, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
8:30 |
82. |
The Turn of the Screw, Op. 54: Interlude: Variation X - Scene 3: Miss Jessel (Benjamin Britten, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra) |
6:20 |
83. |
The Turn of the Screw, Op. 54: Interlude: Variation XI - Scene 4: The Bedroom (Benjamin Britten, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra) |
5:57 |
84. |
The Turn of the Screw, Op. 54: Interlude: Variation XII - Scene 5: Quint (Benjamin Britten, Peter Pears, English Opera Group Orchestra) |
2:06 |
85. |
The Turn of the Screw, Op. 54: Interlude: Variation XIII - Scene 6: The Piano (Benjamin Britten, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
4:51 |
86. |
The Turn of the Screw, Op. 54: Interlude: Variation XIV - Scene 7: Flora (Benjamin Britten, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross, Olive Dyer) |
4:54 |
87. |
The Turn of the Screw, Op. 54: Interlude: Variation XV - Scene 8: Miles (Benjamin Britten, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Joan Cross) |
11:43 |
88. |
Death In Venice, Op. 88: "My Mind Beats On" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:56 |
89. |
Death In Venice, Op. 88: "Who's That? a Foreigner, a Traveller No Doubt" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:53 |
90. |
Death In Venice, Op. 88: "Hey There, Hey There, You!" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford, Stuart Harling) |
3:47 |
91. |
Death In Venice, Op. 88: "Serenissima...Low-lying Clouds, Unending Grey" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
2:55 |
92. |
Death In Venice, Op. 88: Overture: Venice (English Chamber Orchestra, Steuart Bedford) |
2:35 |
93. |
Death In Venice, Op. 88: "Ah, Serenissima!" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford, Kenneth Bowen, Michael Bauer) |
5:19 |
94. |
Death In Venice, Op. 88: "Mysterious Gondola" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
1:41 |
95. |
Death In Venice, Op. 88: "We Are Delighted to Greet the Signore" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:08 |
96. |
Death In Venice, Op. 88: "Was I Wrong to Come?" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Wilkens, Anne, Neville Williams, Stuart Harling, Kenneth Bowen, Iris Saunders, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis) |
6:13 |
97. |
Death In Venice, Op. 88: "There Is Indeed In Every Artist's Nature" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Iris Saunders) |
2:40 |
98. |
Death In Venice, Op. 88: Children's Games: "Adziu, Adziu" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
10:04 |
99. |
Death In Venice, Op. 88: "Aou'! Stagando, Aou'" (John Shirley - Quirk, English Chamber Orchestra, Steuart Bedford, Wilkens, Anne, Stuart Harling, Stephen James Adams, Robert Carpenter Turner, Sheila Brand) |
4:51 |
100. |
Death In Venice, Op. 88: "Naturally, Signore, I Understand" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford, Kenneth Bowen, Michael Bauer, Ronald Murdock) |
7:55 |
101. |
Death In Venice, Op. 88: "Here Will I Stay, Here Dedicate My Days" (James Bowman, English Chamber Orchestra, Peter Pears, Steuart Bedford, Wilkens, Anne, Neville Williams, Iris Saunders, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis) |
9:43 |
102. |
Death In Venice, Op. 88: "First, the Race!" (James Bowman, English Chamber Orchestra, Steuart Bedford, Wilkens, Anne, Neville Williams, Iris Saunders, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis) |
5:07 |
103. |
Death In Venice, Op. 88: "The Boy, Tadzio, Shall Inspire Me" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:17 |
104. |
Death In Venice, Op. 88: "So, It Has Come to This" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:38 |
105. |
Death In Venice, Op. 88: "Guardate, Signore!" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford) |
2:20 |
106. |
Death In Venice, Op. 88: "Do I Detect a Scent?" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Wilkens, Anne, Stuart Harling, Michael Bauer, Stephen James Adams, Robert Carpenter Turner, Sheila Brand, Anna Vincent, Ronald Murdock) |
6:24 |
107. |
Death In Venice, Op. 88: "Careful Search Now Leads Me to Them" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Michael Bauer, Ronald Murdock) |
7:47 |
108. |
Death In Venice, Op. 88: "This Way for the Players, Signori" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Neville Williams, Stuart Harling, Kenneth Bowen, Penelope McKay) |
4:25 |
109. |
Death In Venice, Op. 88: "Fiorir Rose In Mezo Al Giasso" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:10 |
110. |
Death In Venice, Op. 88: "One Moment, If You Please" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Peter Leeming) |
2:00 |
111. |
Death In Venice, Op. 88: "In These Last Years" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Peter Leeming) |
2:56 |
112. |
Death In Venice, Op. 88: "So It Is True" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:21 |
113. |
Death In Venice, Op. 88: "Receive the Stranger God" (James Bowman, John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford) |
3:46 |
114. |
Death In Venice, Op. 88: The Empty Beach: "Do What You Will With Me" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
1:59 |
115. |
Death In Venice, Op. 88: "Yes! a Very Wise Decision" (English Chamber Orchestra, Steuart Bedford) |
2:23 |
116. |
Death In Venice, Op. 88: "Hurrah for the Piazza" (English Chamber Orchestra, Peter Pears, Steuart Bedford, Iris Saunders) |
2:54 |
117. |
Death In Venice, Op. 88: "Chaos, Chaos and Sickness" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
4:23 |
118. |
Death In Venice, Op. 88: "The Wind Still Blows from the Land" (John Shirley - Quirk, English Chamber Orchestra, Peter Pears, Steuart Bedford, Kenneth Bowen) |
4:17 |
119. |
Death In Venice, Op. 88: "Interlude: Ah, No!" (English Chamber Orchestra, Peter Pears, Steuart Bedford) |
5:07 |
120. |
Gloriana, Op. 53: 1. Prelude (Welsh National Opera Orchestra, Sir Charles Mackerras) |
2:20 |
121. |
Gloriana, Op. 53: 2. The Tornament (Philip Langridge, Bryn Terfel, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras, Chorus Of The Welsh National Opera, Christopher Cornall) |
4:18 |
122. |
Gloriana, Op. 53: 3. Recitative & Fight (Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
1:25 |
123. |
Gloriana, Op. 53: 4. Entrance of the Queen (Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
1:29 |
124. |
Gloriana, Op. 53: 5. Recitative (Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
1:07 |
125. |
Gloriana, Op. 53: 6. The Two Lords' Explanation (Richard Van Allan, Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
1:24 |
126. |
Gloriana, Op. 53: 7. Raleigh's Song (Richard Van Allan, Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
1:43 |
127. |
Gloriana, Op. 53: 8. Ensemble of Reconciliation (Richard Van Allan, Philip Langridge, Bryn Terfel, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
4:52 |
128. |
Gloriana, Op. 53: 9. Recitative & Final March (Richard Van Allan, Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras) |
1:29 |
129. |
Gloriana, Op. 53: 10. Prelude & Dialogue (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
2:02 |
130. |
Gloriana, Op. 53: 11. The Queen's Song (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
1:57 |
131. |
Gloriana, Op. 53: 12. Cecil's Song of Government (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
1:56 |
132. |
Gloriana, Op. 53: 13. Recitative & Essex's Entry (Philip Langridge, Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras, Dominic Gill) |
2:35 |
133. |
Gloriana, Op. 53: 14. First Lute Song (Philip Langridge, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
1:59 |
134. |
Gloriana, Op. 53: 15. Second Lute Song (Philip Langridge, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
3:43 |
135. |
Gloriana, Op. 53: 16. The First Duet for the Queen & Essex (Philip Langridge, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
4:12 |
136. |
Gloriana, Op. 53: 17. Soliloquy & Prayer (Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
5:10 |
137. |
Gloriana, Op. 53: 18. Prelude & Welcome (John Shirley - Quirk, Philip Langridge, Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
4:03 |
138. |
Gloriana, Op. 53: 19. The Masque (Richard Van Allan, Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
11:47 |
139. |
Gloriana, Op. 53: 20. Finale (John Shirley - Quirk, Richard Van Allan, John Mark Ainsley, Philip Langridge, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
2:51 |
140. |
Gloriana, Op. 53: 21. Prelude & Song (Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
2:14 |
141. |
Gloriana, Op. 53: 22. Duet (Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
1:25 |
142. |
Gloriana, Op. 53: 23. Double Duet (Della Jones, Philip Langridge, Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
1:46 |
143. |
Gloriana, Op. 53: 24. Quartet (Della Jones, Philip Langridge, Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
3:38 |
144. |
Gloriana, Op. 53: 25. Pavane (Welsh National Opera Orchestra, Sir Charles Mackerras) |
2:09 |
145. |
Gloriana, Op. 53: 26. Conversation (Della Jones, Philip Langridge, Yvonne Kenny, Janice Watson, Welsh National Opera Orchestra, Jonathan Summers, Peter Hoare, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
1:20 |
146. |
Gloriana, Op. 53: 27. Galliard (Welsh National Opera Orchestra, Sir Charles Mackerras) |
1:50 |
147. |
Gloriana, Op. 53: 28. Conversation & the Queen's Entrance (Welsh National Opera Orchestra, Peter Hoare, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
1:03 |
148. |
Gloriana, Op. 53: 29. Lavolta (Welsh National Opera Orchestra, Sir Charles Mackerras) |
1:24 |
149. |
Gloriana, Op. 53: 30. Conversation (Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
0:49 |
150. |
Gloriana, Op. 53: 31. Morris Dance (Welsh National Opera Orchestra, Sir Charles Mackerras) |
1:04 |
151. |
Gloriana, Op. 53: 32. Recitative (Della Jones, Yvonne Kenny, Welsh National Opera Orchestra, Sir Charles Mackerras) |
0:24 |
152. |
Gloriana, Op. 53: 33. The Queen's Burlesque (Della Jones, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
1:49 |
153. |
Gloriana, Op. 53: 34. Quartet (Della Jones, Philip Langridge, Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Peter Hoare, Sir Charles Mackerras) |
2:50 |
154. |
Gloriana, Op. 53: 35. March (Welsh National Opera Orchestra, Sir Charles Mackerras) |
0:46 |
155. |
Gloriana, Op. 53: 36. The Queen's Announcement (Richard Van Allan, Philip Langridge, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
2:04 |
156. |
Gloriana, Op. 53: 37. Ensemble (Della Jones, Richard Van Allan, Philip Langridge, Yvonne Kenny, Welsh National Opera Orchestra, Alan Opie, Jonathan Summers, Peter Hoare, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
3:08 |
157. |
Gloriana, Op. 53: 38. Coranto (Welsh National Opera Orchestra, Sir Charles Mackerras) |
1:16 |
158. |
Gloriana, Op. 53: 39. Prelude & Chatter (Janice Watson, Welsh National Opera Orchestra, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
2:54 |
159. |
Gloriana, Op. 53: 40. Essex's Intrusion (Philip Langridge, Janice Watson, Welsh National Opera Orchestra, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
0:56 |
160. |
Gloriana, Op. 53: 41. The Second Duet of the Queen & Essex (Philip Langridge, Janice Watson, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
8:00 |
161. |
Gloriana, Op. 53: 42. The Dressing-Table Song (Janice Watson, Welsh National Opera Orchestra, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
2:45 |
162. |
Gloriana, Op. 53: 43. The Entrance of Cecil (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
1:03 |
163. |
Gloriana, Op. 53: 44. Cecil's Report (Welsh National Opera Orchestra, Alan Opie, Sir Charles Mackerras) |
0:47 |
164. |
Gloriana, Op. 53: 45. Discussion (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
0:58 |
165. |
Gloriana, Op. 53: 46. The Queen's Decision (Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
1:38 |
166. |
Gloriana, Op. 53: 47. Ballad - Rondo (Tom Finucane, Bryn Terfel, Welsh National Opera Orchestra, Sir Charles Mackerras, Sir Willard White, Chorus Of The Welsh National Opera, Jenevora Williams, Monmouth School Choir, James Miller-Coburn) |
10:35 |
167. |
Gloriana, Op. 53: 48. Prelude & Verdict (Richard Van Allan, Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
6:16 |
168. |
Gloriana, Op. 53: 49. Cecil's Warning (Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras) |
0:56 |
169. |
Gloriana, Op. 53: 50. The Queen's Dilemma (Richard Van Allan, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
1:29 |
170. |
Gloriana, Op. 53: 51. Trio (Della Jones, Yvonne Kenny, Welsh National Opera Orchestra, Jonathan Summers, Sir Charles Mackerras) |
2:30 |
171. |
Gloriana, Op. 53: 52. Lady Essex's Pleading (Della Jones, Welsh National Opera Orchestra, Jonathan Summers, Josephine Barstow, Sir Charles Mackerras) |
2:35 |
172. |
Gloriana, Op. 53: 53. Penepole Rich's Pleading (Yvonne Kenny, Welsh National Opera Orchestra, Josephine Barstow, Sir Charles Mackerras) |
1:41 |
173. |
Gloriana, Op. 53: 54. Epilogue (Philip Langridge, Welsh National Opera Orchestra, Alan Opie, Josephine Barstow, Sir Charles Mackerras, Chorus Of The Welsh National Opera) |
8:51 |