Mr. Mention (Remastered)
Download links and information about Mr. Mention (Remastered) by Buju Banton. This album was released in 1993 and it belongs to Electronica, Dancefloor, Reggae, Roots Reggae, Dancehall, World Music, Dance Pop genres. It contains 15 tracks with total duration of 55:05 minutes.
Artist: | Buju Banton |
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Release date: | 1993 |
Genre: | Electronica, Dancefloor, Reggae, Roots Reggae, Dancehall, World Music, Dance Pop |
Tracks: | 15 |
Duration: | 55:05 |
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Buy on iTunes $7.99 |
Tracks
[Edit]No. | Title | Length |
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1. | Batty Rider | 3:53 |
2. | Love How the Gal Flex | 3:37 |
3. | Love Black Woman | 3:36 |
4. | Look How You Sweet | 3:28 |
5. | Woman No Fret | 3:39 |
6. | Have To Get You Tonight | 3:12 |
7. | Dickie | 3:35 |
8. | Love Me Browning | 3:44 |
9. | Buju Moving | 3:39 |
10. | Who Say (feat. Beres Hammond) | 3:54 |
11. | The Grudge | 3:23 |
12. | How the World a Run | 3:54 |
13. | Buju Love You To the Max | 3:38 |
14. | Man Fe Dead | 3:53 |
15. | Bonafide Love (feat. Wayne Wonder) | 4:00 |
Details
[Edit]Originally released independently in Jamaica and later issued by PolyGram after Buju Banton became a global star, Mr. Mention collects the dancehall singer’s hits from the early '90s, a time in which his popularity exploded in Jamaica. This collection is a perfect illustration of how Banton bridged past to present. Songs like “Batty Rider,” “Have to Get You Tonight,” and “Dickie” took dancehall's fierceness to a new level, with a quotient of explicit sex and violence that would shame even the most hardened American gangsta rappers. On the other hand, there were also “No Woman No Fret,” “Love Me Brownin’,” “Buju Movin’,” and “Who Say,” which paired Banton’s vicious vocal attack to some of the sweetest and gentlest tunes of Jamaica’s past. (For reggae fans, it was the equivalent of Kurt Cobain deciding to sing some of the most beloved Beatles tunes.) All the disparate elements of Banton’s style—harshness and sweetness, relaxation and aggression, past and present—converge on “Bonafide Love,” a co-performance with Wayne Wonder that manages to be sweet and scary at the same time.