Cannonball Plays Zawinul
Download links and information about Cannonball Plays Zawinul by Cannonball Adderley. This album was released in 2004 and it belongs to Jazz, Bop genres. It contains 10 tracks with total duration of 01:09:08 minutes.
Artist: | Cannonball Adderley |
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Release date: | 2004 |
Genre: | Jazz, Bop |
Tracks: | 10 |
Duration: | 01:09:08 |
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Tracks
[Edit]No. | Title | Length |
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1. | 74 Miles Away (2004 Digital Remaster) (featuring The Cannonball Adderley Quintet) | 13:52 |
2. | One For Newk (2004 Digital Remaster) (featuring The Cannonball Adderley Quintet) | 5:15 |
3. | Mystified aka Angel Face (2004 Digital Remaster) | 3:44 |
4. | Money In the Pocket(24 Bit Mastering) (Live in Japan) (24 Bit Mastering) (2004 Digital Remaster) | 9:48 |
5. | One Man's Dream (Instrumental) | 5:11 |
6. | Hippodelphia (Live) (featuring The Cannonball Adderley Quintet) | 5:43 |
7. | Yvette (24-Bit Mastering) | 2:29 |
8. | Mercy, Mercy, Mercy (Live) | 5:06 |
9. | Ndo Lima (2004 Digital Remaster) | 3:50 |
10. | Dr. Honouris Cousa (Live) (2004 Digital Remaster) | 14:10 |
Details
[Edit]Cannonball Plays Zawinul represents the exquisite fruits of the musical relationship between saxophonist Cannonball Adderley and pianist/composer Joe Zawinul. Recorded between 1961 and 1971, all cuts were either written or co-written by Zawinul, and, except for one piece ("Dr. Honorus Causa"), he also serves as part of the various combos. All of the work here remains loose but nonetheless retains a sparkling intensity. The longer cuts, in particular, show a group of musicians searching out the free parameters of post-bop without ever drifting off into space. Both "74 Miles Away" and "Money in the Pocket," 14 and ten minutes respectively, maintain strong central themes, filled with rhythm and melody, while allowing Adderley, Zawinul, drummer Roy McCurdy, bassist Victor Gaskin, and cornetist Nat Adderley lots of elasticity to develop their ideas. While most of these pieces were recorded in the mid-'60s and provide the album with a certain unity, a wide aesthetic gap exists between 1961's straightforward "One Man's Dream" and 1971's adventurous "Dr. Honorus Causa." So in one way, Cannonball Plays Zawinul provides a portrait of two artists who kept reaching beyond the obvious to find their muse. The album is an adventurous and thrilling document, sure to please fans of both players and anyone who enjoys challenging post-bop. ~ Ronnie D. Lankford Jr., Rovi