4 X 4
Download links and information about 4 X 4 by Carla Bley. This album was released in 2000 and it belongs to Jazz genres. It contains 5 tracks with total duration of 55:42 minutes.
Artist: | Carla Bley |
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Release date: | 2000 |
Genre: | Jazz |
Tracks: | 5 |
Duration: | 55:42 |
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Tracks
[Edit]No. | Title | Length |
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1. | Blues In 12 Bars (Blues In 12 Other Bars) | 14:31 |
2. | Sidewinders In Paradise | 8:33 |
3. | Les Trois Lagons (D'après Henri Matisse) | 15:35 |
4. | Baseball | 7:45 |
5. | Útviklingssang | 9:18 |
Details
[Edit]The latest in Carla Bley's ever-changing array of ensemble configurations, the 4 x 4 group features Bley on piano, Larry Goldings on organ, Steve Swallow on bass, and Victor Lewis on drums. Add to this core unit a four-horn section: Lew Soloff on trumpet, Wolfgang Puschnig on alto, Andy Sheppard on tenor, and Gary Valente on trombone.
This batch of compositions is informed by Bley's distinctive brand of tongue-in-cheek playfulness, especially on the Latin-rooted "Baseball," which is peppered with the kinds of organ motifs one hears at the ballpark. Also in this semi-comic vein, "Sidewinders in Paradise," a seemingly random juxtaposition of "Stranger in Paradise" and Lee Morgan's "The Sidewinder," chugs along with a retro-funk groove perfectly colored by Goldings's organ. The album ends in a darker mood with "Utviklingssang" (Norwegian for "Development Song.") Two extended pieces form the real backbone of the album, however. "Blues in Twelve Bars/Blues in Twelve Other Bars" is a funky, modulating blues with gospel undertones. Goldings shines on this one, and Lew Soloff captures the mood with a plunger solo. "Les Trois Lagons," the most ambitious track, takes its inspiration from three cut-outs in a book by Henri Matisse. Divided into three movements, the piece begins with a round of bebop soloing, then morphs into a ballad, and concludes with an unusual whole-tone stride section that recalls both Thelonious Monk and Louis Armstrong.
While the entire eight-piece band is consistently a pleasure, some of the album's most appealing moments occur during several Bley/Swallow duet passages. The two have been performing and recording as a duo for many years, so in a certain sense the whole band seems to revolve around them. ~ David R. Adler, Rovi