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Strictly Romancin'

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Download links and information about Strictly Romancin' by Catherine Russell. This album was released in 2012 and it belongs to Blues, Jazz, Contemporary Jazz, Vocal Jazz genres. It contains 14 tracks with total duration of 49:03 minutes.

Artist: Catherine Russell
Release date: 2012
Genre: Blues, Jazz, Contemporary Jazz, Vocal Jazz
Tracks: 14
Duration: 49:03
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Tracks

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No. Title Length
1. Under the Spell of the Blues (featuring Mark Shane, Matt Munisteri) 3:08
2. I'm In the Mood for Love (featuring Mark Shane, Matt Munisteri) 3:43
3. Wake Up and Live (featuring Mark Shane, Matt Munisteri) 2:27
4. Ev'ntide (featuring Mark Shane, Matt Munisteri) 3:44
5. Romance In the Dark (featuring Mark Shane, Matt Munisteri) 4:11
6. I'm Checkin' Out, Goom'bye (featuring Mark Shane, Matt Munisteri) 2:25
7. No More (featuring Mark Shane, Matt Munisteri) 3:11
8. Satchel Mouth Baby (featuring Mark Shane, Matt Munisteri) 3:19
9. Everything's Been Done Before (featuring Mark Shane, Matt Munisteri, Lee Hudson) 3:14
10. Don't Leave Me (featuring Mark Shane, Matt Munisteri, Lee Hudson) 4:37
11. I Haven't Changed a Thing (featuring Mark Shane, Matt Munisteri, Lee Hudson) 4:42
12. Everybody Loves My Baby (featuring Mark Shane, Matt Munisteri, Lee Hudson) 3:22
13. He's All I Need (featuring Mark Shane, Matt Munisteri, Lee Hudson) 3:34
14. Whatcha Gonna Do When There Ain't No Swing? (featuring Mark Shane, Matt Munisteri, Lee Hudson) 3:26

Details

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Catherine Russell found her ideal collaborator in guitarist/multi-instrumentalist/vocalist Matt Munisteri, her fiercely swinging Americana-friendly musical director for this and her previous effort, Inside This Heart of Mine. On Strictly Romancin’, Munisteri also arranged all but four songs and is her singing partner on Mary Lou Williams’ easy swaying “Satchel Mouth Baby”. Russell shines throughout her forth album, whether deftly accompanied by Joe Barbato’s accordion on an inspired version of “I’m in the Mood for Love” or having a playful dialog with trombonist John Allred on a joyful interpretation of “I’m Checkin’ Out, Goom’bye.” The instrumentation of several numbers, including “E’vntide”and “Everything’s Been Done Before,” eschews drums and nicely recalls the clean style of Nat King Cole’s piano trios.