Create account Log in

Rounder Heritage: A Portrait of Champion Jack Dupree

[Edit]

Download links and information about Rounder Heritage: A Portrait of Champion Jack Dupree by Champion Jack Dupree. This album was released in 2000 and it belongs to Blues genres. It contains 14 tracks with total duration of 01:05:17 minutes.

Artist: Champion Jack Dupree
Release date: 2000
Genre: Blues
Tracks: 14
Duration: 01:05:17
Buy on iTunes $9.99

Tracks

[Edit]
No. Title Length
1. Freedom 5:23
2. Skit Skat 3:24
3. Dupree Special 4:59
4. School Days 5:21
5. Hometown New Orleans 4:22
6. Drinkin' Wine Spo-Dee-O-Dee 4:10
7. They Gave Me Away 7:25
8. Calcutta 3:11
9. No Future 4:29
10. When I'm Drinkin' 3:26
11. Give Me the Flowers While I'm Livin' 5:00
12. The Blind Man 4:44
13. You Can Make It 5:56
14. Forever and Ever 3:27

Details

[Edit]

A Portrait of Champion Jack Dupree is a compilation drawn from three albums Dupree recorded for Rounder Records near the end of his life, when he was in his late seventies and early eighties. The first of them, Back Home in New Orleans, was released in 1990, the year he turned 80, the last, One Last Time, came out in 1993, the year after his death. Even at his advanced age, Dupree remained a formidable barrelhouse pianist and a strong vocal presence. Backed on these sessions by sympathetic New Orleans musicians, he seems to have been simply turned loose to do as he liked. There is a noticeable informality to the recordings, with the artist occasionally stumbling over his words, stopping and starting at will. Some tracks find him playing recognizable songs, while others, such as "Skit Skat" and "Dupree Special," are jams. The album is enjoyable despite this as an expression of Dupree's personality. On several songs, notably "Give Me the Flowers While I'm Livin'" and "You Can Make It" (both of which also appeared on the posthumous One Last Time), Dupree makes specific references to death (the former song even pictures him in his coffin). The subject of death is not unknown in the blues, of course, but Dupree seems conscious of his advanced age here and deals with his coming death evenly and even humorously. His last sessions may not be his best work, but they show him to be as distinctive as ever.