No. |
Title |
Length |
1. |
Gaspard de la nuit - Poèmes pour piano d'après Aloysius Bertrand: I. Ondine - Lent |
6:38 |
2. |
Gaspard de la nuit - Poèmes pour piano d'après Aloysius Bertrand: II. Le Gibet - Très lent |
5:55 |
3. |
Gaspard de la nuit - Poèmes pour piano d'après Aloysius Bertrand: III. Scarbo - Modéré |
8:13 |
4. |
Le Tombeau de Couperin: I. Prélude - Vif |
2:46 |
5. |
Le Tombeau de Couperin: II. Fugue - Allegro moderato |
3:26 |
6. |
Le Tombeau de Couperin: III. Forlane - Allegretto |
6:08 |
7. |
Le Tombeau de Couperin: IV. Rigaudon - Assez vif |
3:02 |
8. |
Le Tombeau de Couperin: V. Menuet - Allegro moderato |
5:50 |
9. |
Le Tombeau de Couperin: VI. Toccata - Vif |
3:52 |
10. |
Ballade No. 4 in F Minor, Op. 52 |
10:29 |
11. |
Scherzo No. 3 in C-Sharp Minor, Op. 39 |
7:02 |
12. |
Polonaise No. 6 in A-Flat Major, Op. 53 "Heroic" |
6:35 |
13. |
Mazurka No. 2 in C-Sharp Minor, Op. 6, No. 2 |
2:11 |
14. |
Mazurka No. 31 in A-Flat Major, Op. 50, No. 2 |
3:07 |
15. |
Mazurka No. 32 in C-Sharp Minor, Op. 50, No. 3 |
4:09 |
16. |
Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 |
5:38 |
17. |
Nocturne No. 5 in F-Sharp Minor, Op. 15, No. 2 |
3:30 |
18. |
Nocturne No. 17 in B Major, Op. 62, No. 1 |
7:03 |
19. |
Serenade for Piano in A Major: I. Hymne |
3:32 |
20. |
Serenade for Piano in A Major: II. Romanza |
2:49 |
21. |
Serenade for Piano in A Major: III. Rondoletto |
3:01 |
22. |
Serenade for Piano in A Major: IV. Cadenza Finala |
3:22 |
23. |
Piano Sonata (1924): I. Quarter Note = 112 |
3:26 |
24. |
Piano Sonata (1924): II. Adagietto |
4:56 |
25. |
Piano Sonata (1924): III. Quarter Note = 112 |
2:32 |
26. |
Piano Piece, Op. 33a |
2:09 |
27. |
Piano Piece, Op. 33b |
3:23 |
28. |
Suite for Piano, Op. 25: I. Präludium - Rasch |
0:57 |
29. |
Suite for Piano, Op. 25: II. Gavotte - Etwas langsam, nicht hastig |
1:07 |
30. |
Suite for Piano, Op. 25: III. Musette - Rascher |
2:19 |
31. |
Suite for Piano, Op. 25: IV. Intermezzo |
3:30 |
32. |
Suite for Piano, Op. 25: V. Menuett - Moderato - Trio |
3:40 |
33. |
Suite for Piano, Op. 25: VI. Gigue - Rasch |
2:22 |
34. |
Movements for Piano and Orchestra: I. Eighth Note = 110 (featuring Igor Stravinsky, Columbia Symphony Orchestra) |
2:20 |
35. |
Movements for Piano and Orchestra: II. Quarter Note = 52 (featuring Igor Stravinsky, Columbia Symphony Orchestra) |
1:33 |
36. |
Movements for Piano and Orchestra: III. Eighth Note = 72 (featuring Igor Stravinsky, Columbia Symphony Orchestra) |
1:11 |
37. |
Movements for Piano and Orchestra: IV. Eighth Note = 80 (featuring Igor Stravinsky, Columbia Symphony Orchestra) |
1:31 |
38. |
Movements for Piano and Orchestra: V. Eighth Note = 104 (featuring Igor Stravinsky, Columbia Symphony Orchestra) |
2:19 |
39. |
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: I. Introduction - Cadenza for Harpsichord (featuring Ralph Kirkpatrick, Chamber Orchestra, Gustav Meier) |
6:01 |
40. |
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: II. Allegro scherzando - Adagio - Presto - Cadenzas for Piano (featuring Ralph Kirkpatrick, Chamber Orchestra, Gustav Meier) |
14:06 |
41. |
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: III. Coda (featuring Ralph Kirkpatrick, Chamber Orchestra, Gustav Meier) |
2:37 |
42. |
Concerto for Violin, Cello, Ten Winds and Percussion (featuring Chamber Orchestra, Léon Kirchner / Leon Kirchner, Aldo Parisot, Tossy Spivakovsky) |
18:20 |
43. |
Piano Sonata: I. Maestoso |
9:50 |
44. |
Piano Sonata: II. Andante |
11:28 |
45. |
12 Études pour le Piano, L. 136: I. Pour les "cinq doigts" - d'après Monsieur Czerny - Sagement |
3:12 |
46. |
12 Études pour le Piano, L. 136: II. Pour les tierces - Moderato, ma non troppo |
3:51 |
47. |
12 Études pour le Piano, L. 136: III. Pour les quartes - Andantino con moto |
4:43 |
48. |
12 Études pour le Piano, L. 136: IV. Pour les sixtes - Lento |
3:46 |
49. |
12 Études pour le Piano, L. 136: V. Pour les octaves - Joyeux et emporté, librement rythmé |
2:38 |
50. |
12 Études pour le Piano, L. 136: VI. Pour les huit doigts - Vivamente, molto leggiero legato |
1:46 |
51. |
12 Études pour le Piano, L. 136: VII. Pour les degrés chromatiques - Scherzando, animato assai |
2:03 |
52. |
12 Études pour le Piano, L. 136: VIII. Pour les agréments - Lento, rubato e leggiero |
4:36 |
53. |
12 Études pour le Piano, L. 136: IX. Pour les notes répétées - Scherzando |
3:05 |
54. |
12 Études pour le Piano, L. 136: X. Pour les sonorités opposées - Modéré sans lenteur |
4:43 |
55. |
12 Études pour le Piano, L. 136: XI. Pour les arpèges composés - Dolce e lusingando |
4:35 |
56. |
12 Études pour le Piano, L. 136: XII. Pour les accords - Décidé, rythmé, sans lourdeur |
4:00 |
57. |
Piano Sonata in A Major, D. 959: I. Allegro |
13:55 |
58. |
Piano Sonata in A Major, D. 959: II. Andantino |
7:46 |
59. |
Piano Sonata in A Major, D. 959: III. Scherzo - Allegro vivace - Trio - Un poco più lento |
4:42 |
60. |
Piano Sonata in A Major, D. 959: IV. Rondo - Allegretto |
10:48 |
61. |
Rondo in A Minor, K. 511 |
9:37 |
62. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 1. Lebhaft |
1:15 |
63. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 2. Innig |
1:29 |
64. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 3. Mit Humor |
1:21 |
65. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 4. Ungeduldig |
1:41 |
66. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 5. Einfach |
1:45 |
67. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 6. Sehr rasch |
1:50 |
68. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 7. Nicht schnell |
3:15 |
69. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 8. Frisch |
1:05 |
70. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 9. Lebhaft |
1:42 |
71. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 10. Balladenmäßig - Sehr rasch |
1:26 |
72. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 11. Einfach |
1:29 |
73. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 12. Mit humor |
0:38 |
74. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 13. Wild und lustig |
2:58 |
75. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 14. Zart und singend |
2:31 |
76. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 15. Frisch |
1:38 |
77. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 16. Mit gutem Humor |
1:31 |
78. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 17. Wie aus der Ferne |
4:13 |
79. |
Davidsbündlertänze, Op. 6 (18 Characteristic Pieces): 18. Nicht schnell |
2:31 |
80. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): I. Préambule - Quasi maestoso - Più moto - Animato - Vivo - Presto |
2:20 |
81. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): II. Pierrot - Moderato |
1:39 |
82. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): III. Arlequin - Vivo |
0:59 |
83. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): IV. Valse noble - Un poco maestoso |
1:13 |
84. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): V. Eusebius - Adagio |
2:05 |
85. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): VI. Florestan - Passionato |
1:03 |
86. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): VII. Coquette - Vivo |
1:32 |
87. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): VIII. Réplique - L'istesso tempo - Sphinxes |
0:49 |
88. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): IX. Papillons - Prestissimo |
0:46 |
89. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): X. A.S.C.H. - S.C.H.A - Lettres Dansantes - Presto |
0:46 |
90. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XI. Chiarina - Passionato |
1:10 |
91. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XII. Chopin - Agitato |
1:28 |
92. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XIII. Estrella - Con affetto |
0:31 |
93. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XIV. Reconnaissance - Animato |
1:59 |
94. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XV. Pantalon et Colombine - Presto |
1:00 |
95. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XVI. Valse allemande - Molto vivace |
0:47 |
96. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XVII. Paganini - Intermezzo - Presto |
1:17 |
97. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XVIII. Aveu - Passionato |
1:08 |
98. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XIX. Promenade - Comodo |
1:57 |
99. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XX. Pause - Vivo |
0:18 |
100. |
Carnaval, Op. 9 (Scènes mignonnes sur quatre notes): XXI. Marche des "Davidsbündler" contre les Philistins - Non allegro |
3:54 |
101. |
Réminiscences de Don Juan, S. 418 |
17:30 |
102. |
Années de pèlerinage: Sonetto No. 104 del Petrarca, S. 161 / 5 |
5:56 |
103. |
Hungarian Rhapsody No. 10 in E Major, S. 244 |
4:51 |
104. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: I. Molto moderato |
1:17 |
105. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: II. Molto capriccioso |
0:53 |
106. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: III. Lento, rubato |
2:05 |
107. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: IV. Allegretto scherzando |
0:43 |
108. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: V. Allegro molto |
0:52 |
109. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: VI. Allegro moderato, molto capriccioso |
1:22 |
110. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: VII. Sostenuto, rubato - À la mémoire de Claude Debussy |
1:54 |
111. |
Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83: VIII. Allegro |
1:37 |
112. |
Studies for Piano, Op. 18, Sz. 72: Etude No. 1 - Allegro molto |
2:13 |
113. |
Studies for Piano, Op. 18, Sz. 72: Etude No. 2 - Andante sostenuto |
3:24 |
114. |
Studies for Piano, Op. 18, Sz. 72: Etude No. 3 - Rubato - Tempo giusto |
2:13 |
115. |
Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo |
6:40 |
116. |
Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto |
2:01 |
117. |
Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo - Fuga, Allegro ma non troppo |
10:45 |
118. |
Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro |
10:16 |
119. |
Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo - Assai vivace |
2:41 |
120. |
Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto - Appassionato e con molto sentimento |
18:12 |
121. |
Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo - Allergo risoluto |
11:31 |
122. |
Minute Waltz in Thirds |
1:49 |
123. |
Wein, Weib und Gesang |
8:57 |
124. |
A Midsummer Night's Dream: Scherzo |
4:16 |
125. |
Soirée de Vienne, No. 6, S. 427 |
6:40 |
126. |
You Only Live Once! (Man lebt nur einmal!) |
6:35 |
127. |
Liebesleid |
4:17 |
128. |
L'Arlésienne Suite, No. 1: Minuet |
2:44 |
129. |
Carnaval de Vienne |
6:55 |
130. |
Concerto for Piano and Orchestra in F Minor, Op. 21, No. 2: I. Maestoso (featuring John Pritchard, New Philharmonia Orchestra) |
14:07 |
131. |
Concerto for Piano and Orchestra in F Minor, Op. 21, No. 2: II. Larghetto (featuring John Pritchard, New Philharmonia Orchestra) |
9:33 |
132. |
Concerto for Piano and Orchestra in F Minor, Op. 21, No. 2: III. Allegro vivace (featuring John Pritchard, New Philharmonia Orchestra) |
8:21 |
133. |
Concerto for Piano and Orchestra in E-Flat Major, No. 1, S. 124: I. Allegro maestoso - Tempo giusto (featuring John Pritchard, New Philharmonia Orchestra) |
5:30 |
134. |
Concerto for Piano and Orchestra in E-Flat Major, No. 1, S. 124: II. Quasi Adagio - (featuring John Pritchard, New Philharmonia Orchestra) |
4:38 |
135. |
Concerto for Piano and Orchestra in E-Flat Major, No. 1, S. 124: Allegretto vivace - Allegro animato (featuring John Pritchard, New Philharmonia Orchestra) |
4:06 |
136. |
Concerto for Piano and Orchestra in E-Flat Major, No. 1, S. 124: III. Allegro marziale animato - Presto (featuring John Pritchard, New Philharmonia Orchestra) |
4:18 |
137. |
Images, Book I, L. 110: I. Reflets dans l'eau - Andantino molto |
4:57 |
138. |
Images, Book I, L. 110: II. Hommage à Rameau - Lent et grave |
6:19 |
139. |
Images, Book I, L. 110: III. Mouvement - Animé |
3:05 |
140. |
Images, Book II, L. 111: I. Cloches à travers les feuilles - Lent |
4:00 |
141. |
Images, Book II, L. 111: II. Et la lune descend sur le temple qui fut - Lent |
4:22 |
142. |
Images, Book II, L. 111: III. Poissons d'or - Animé |
3:21 |
143. |
Estampes, L. 100: I. Pagodes - Modérément animé |
4:41 |
144. |
Estampes, L. 100: II. La Soirée dans Grenade - Mouvement de Habanera |
5:02 |
145. |
Estampes, L. 100: III. Jardins sous la pluie - Net et vif |
2:46 |
146. |
La plus que lente, L. 121 |
3:37 |
147. |
Hommage à Haydn, L. 115 |
1:46 |
148. |
Berceuse héroïque, L. 132 |
3:36 |
149. |
L'isle joyeuse, L. 106 |
5:14 |
150. |
Variations for Orchestra (featuring New Philharmonia Orchestra, Frederik Prausnitz) |
25:38 |
151. |
Double Concerto for Piano, Harpsichord and Two Chamber Orchestras: I. Introduction - Cadenza for Harpsichord (featuring Paul Jacobs, English Chamber Orchestra, Frederik Prausnitz) |
6:24 |
152. |
Double Concerto for Piano, Harpsichord and Two Chamber Orchestras: II. Allegro scherzando - Adagio - Presto - Cadenzas for Piano (featuring Paul Jacobs, English Chamber Orchestra, Frederik Prausnitz) |
14:49 |
153. |
Double Concerto for Piano, Harpsichord and Two Chamber Orchestras: III. Coda (featuring Paul Jacobs, English Chamber Orchestra, Frederik Prausnitz) |
2:52 |
154. |
The Musical Offering, BWV 1079: Ricercar a 6 (A Six-Voice Fugue) |
7:44 |
155. |
The Musical Offering, BWV 1079: Ricercar a 3 (A Three-Voice Fugue) |
4:46 |
156. |
The Art of the Fugue, BWV 1080: Contrapunctus I |
3:01 |
157. |
The Art of the Fugue, BWV 1080: Contrapunctus II |
2:59 |
158. |
The Art of the Fugue, BWV 1080: Contrapunctus III |
3:13 |
159. |
The Art of the Fugue, BWV 1080: Contrapunctus IV |
4:14 |
160. |
The Art of the Fugue, BWV 1080: Contrapunctus V |
5:23 |
161. |
The Art of the Fugue, BWV 1080: Contrapunctus VI, a 4, im Stile francese |
4:16 |
162. |
The Art of the Fugue, BWV 1080: Contrapunctus VII, a 4, per Augmentationem et Diminutionem |
2:30 |
163. |
The Art of the Fugue, BWV 1080: Contrapunctus VIII à 3 |
5:51 |
164. |
The Art of the Fugue, BWV 1080: Contrapunctus IX à 4 alla Duodecima |
2:12 |
165. |
The Art of the Fugue, BWV 1080: Contrapunctus X à 4 alla Decima |
4:32 |
166. |
The Art of the Fugue, BWV 1080: Contrapunctus XI à 4 |
6:11 |
167. |
The Art of the Fugue, BWV 1080: Contrapunctus XII à 4 rectus |
2:14 |
168. |
The Art of the Fugue, BWV 1080: Contrapunctus XII à 4 inversus |
2:21 |
169. |
The Art of the Fugue, BWV 1080: Contrapunctus XIII à 3 rectus |
2:10 |
170. |
The Art of the Fugue, BWV 1080: Contrapunctus XIII à 3 inversus |
2:12 |
171. |
The Art of the Fugue, BWV 1080: Canon per Augmentationem in contrario motu |
4:08 |
172. |
The Art of the Fugue, BWV 1080: Canon alla Ottava |
1:52 |
173. |
The Art of the Fugue, BWV 1080: Canon alla Decima in Contrapunto alla Terza |
3:55 |
174. |
The Art of the Fugue, BWV 1080: Canon alla Duodecima in contrapunto alla Quinta |
1:47 |
175. |
The Art of the Fugue, BWV 1080: Contrapunctus XIV (Fragment) |
9:03 |
176. |
Goldberg Variations, BWV 988: Aria |
3:53 |
177. |
Goldberg Variations, BWV 988: Var. 1 a 1 Clav. |
1:49 |
178. |
Goldberg Variations, BWV 988: Var. 2 a 1 Clav. |
1:33 |
179. |
Goldberg Variations, BWV 988: Var. 3 - Canone all'Unisono a 1 Clav. |
2:45 |
180. |
Goldberg Variations, BWV 988: Var. 4 a 1 Clav. |
1:14 |
181. |
Goldberg Variations, BWV 988: Var. 5 a 1 ovvero 2 Clav. |
1:27 |
182. |
Goldberg Variations, BWV 988: Var. 6 Canone alla Seconda a 1 Clav. |
1:10 |
183. |
Goldberg Variations, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. |
2:01 |
184. |
Goldberg Variations, BWV 988: Var. 8 a 2 Clav. |
2:02 |
185. |
Goldberg Variations, BWV 988: Var. 9 Canone alla Terza a 1 Clav. |
2:07 |
186. |
Goldberg Variations, BWV 988: Var. 10 Fughetta a 1 Clav. |
1:39 |
187. |
Goldberg Variations, BWV 988: Var. 11 a 2 Clav. |
1:40 |
188. |
Goldberg Variations, BWV 988: Var. 12 Canone alla Quarta a 1 Clav. |
3:15 |
189. |
Goldberg Variations, BWV 988: Var. 13 a 2 Clav. |
4:10 |
190. |
Goldberg Variations, BWV 988: Var. 14 a 2 Clav. |
2:06 |
191. |
Goldberg Variations, BWV 988: Var. 15 Canone alla Quinta a 1 Clav. - Andante |
4:03 |
192. |
Goldberg Variations, BWV 988: Var. 16 Ouverture a 1 Clav. |
3:30 |
193. |
Goldberg Variations, BWV 988: Var. 17 a 2 Clav. |
1:42 |
194. |
Goldberg Variations, BWV 988: Var. 18 Canone alla Sesta a 1 Clav. |
1:31 |
195. |
Goldberg Variations, BWV 988: Var. 19 a 1 Clav. |
1:05 |
196. |
Goldberg Variations, BWV 988: Var. 20 a 2 Clav. |
1:58 |
197. |
Goldberg Variations, BWV 988: Var. 21 Canone alla Settima |
2:30 |
198. |
Goldberg Variations, BWV 988: Var. 22 Alla breve a 1 Clav. |
1:22 |
199. |
Goldberg Variations, BWV 988: Var. 23 a 2 Clav. |
2:06 |
200. |
Goldberg Variations, BWV 988: Var. 24 Canone all' Ottava a 1 Clav. |
3:24 |
201. |
Goldberg Variations, BWV 988: Var. 25 a 2 Clav. |
7:58 |
202. |
Goldberg Variations, BWV 988: Var. 26 a 2 Clav. |
1:44 |
203. |
Goldberg Variations, BWV 988: Var. 27 Canone alla Nona a 2 Clav. |
1:48 |
204. |
Goldberg Variations, BWV 988: Var. 28 a 2 Clav. |
1:59 |
205. |
Goldberg Variations, BWV 988: Var. 29 a 1 ovvero 2 Clav. |
1:55 |
206. |
Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav. |
1:48 |
207. |
Goldberg Variations, BWV 988: Aria da Capo |
2:19 |
208. |
Piano Sonata No. 36 in C Minor, Hob. XVI: 20: I. Moderato |
7:09 |
209. |
Piano Sonata No. 36 in C Minor, Hob. XVI: 20: II. Andante con moto |
4:21 |
210. |
Piano Sonata No. 36 in C Minor, Hob. XVI: 20: III. Finale - Allegro |
3:57 |
211. |
Piano Sonata No. 31 in A-Flat Major, Hob. XVI: 46: I. Allegro moderato |
7:19 |
212. |
Piano Sonata No. 31 in A-Flat Major, Hob. XVI: 46: II. Adagio |
8:13 |
213. |
Piano Sonata No. 31 in A-Flat Major, Hob. XVI: 46: III. Finale - Presto |
2:23 |
214. |
Piano Sonata No. 32 in G Minor, Hob XVI: 44: I. Moderato |
7:44 |
215. |
Piano Sonata No. 32 in G Minor, Hob XVI: 44: II. Allegretto |
4:18 |
216. |
Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck |
5:41 |
217. |
Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen |
8:35 |
218. |
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro |
10:41 |
219. |
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo - Assai vivace |
2:30 |
220. |
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto - Appassionato e con molto sentimento |
18:24 |
221. |
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo - Allergo risoluto |
11:49 |
222. |
Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung - Allegretto ma non troppo |
4:45 |
223. |
Piano Sonata No. 28 in A Major, Op. 101: II. Lebhaft, marschmäßig - Vivace alla marcia |
6:19 |
224. |
Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll - Adagio ma non troppo, con affetto |
3:09 |
225. |
Piano Sonata No. 28 in A Major, Op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit - Allegro |
7:37 |
226. |
Piano Sonata No. 30 in E Major, Op. 109: I. Vivace, ma non troppo |
3:50 |
227. |
Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo |
2:18 |
228. |
Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile |
13:55 |
229. |
Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo |
7:13 |
230. |
Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto |
2:11 |
231. |
Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo |
12:01 |
232. |
Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato |
9:08 |
233. |
Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta - Adagio molto, semplice e cantabile |
19:28 |
234. |
Piano Sonata No. 1: I. Lent - Beaucoup plus allant |
6:10 |
235. |
Piano Sonata No. 1: II. Assez large - Rapide |
5:03 |
236. |
Piano Sonata No. 3: Trope |
7:28 |
237. |
Piano Sonata No. 3: Constellation-Miroir |
13:29 |
238. |
Fünf Lieder aus "Der Siebente Ring", Op. 3: I. Dies ist ein Lied für dich allein (featuring Heather Harper) |
1:08 |
239. |
Fünf Lieder aus "Der Siebente Ring", Op. 3: II. Im Windesweben (featuring Heather Harper) |
0:32 |
240. |
Fünf Lieder aus "Der Siebente Ring", Op. 3: III. An Baches Ranft (featuring Heather Harper) |
0:51 |
241. |
Fünf Lieder aus "Der Siebente Ring", Op. 3: IV. Im Morgentaun (featuring Heather Harper) |
1:03 |
242. |
Fünf Lieder aus "Der Siebente Ring", Op. 3: V. Kahl reckt der Baum (featuring Heather Harper) |
1:35 |
243. |
Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang (featuring Heather Harper) |
2:30 |
244. |
Fünf Lieder zu Gedichten von Stefan George, Op. 4: II. Noch zwingt mich Treue (featuring Heather Harper) |
1:34 |
245. |
Fünf Lieder zu Gedichten von Stefan George, Op. 4: III. Ja Heil und Dank dir (featuring Heather Harper) |
1:55 |
246. |
Fünf Lieder zu Gedichten von Stefan George, Op. 4: IV. So ich traurig bin (featuring Heather Harper) |
0:36 |
247. |
Fünf Lieder zu Gedichten von Stefan George, Op. 4: V. Ihr tratet zu dem Herde (featuring Heather Harper) |
1:15 |
248. |
Four Pieces for Violin and Piano, Op. 7: I. Sehr langsam (featuring Isaac Stern) |
1:05 |
249. |
Four Pieces for Violin and Piano, Op. 7: II. Rasch (featuring Isaac Stern) |
1:28 |
250. |
Four Pieces for Violin and Piano, Op. 7: III. Sehr langsam (featuring Isaac Stern) |
1:18 |
251. |
Four Pieces for Violin and Piano, Op. 7: IV. Bewegt (featuring Isaac Stern) |
1:02 |
252. |
Three Pieces for Cello and Piano, Op. 11: I. Mäßige Achtel (featuring Gregor Piatigorsky) |
0:59 |
253. |
Three Pieces for Cello and Piano, Op. 11: II. Sehr bewegt (featuring Gregor Piatigorsky) |
0:28 |
254. |
Three Pieces for Cello and Piano, Op. 11: III. Äußerst ruhig (featuring Gregor Piatigorsky) |
0:51 |
255. |
Vier Lieder für Gesang und Klavier, Op. 12: I. Der Tag ist vergangen (featuring Heather Harper) |
1:12 |
256. |
Vier Lieder für Gesang und Klavier, Op. 12: II. Die geheimnisvolle Flöte (featuring Heather Harper) |
1:36 |
257. |
Vier Lieder für Gesang und Klavier, Op. 12: III. Schien mir's, als ich sah die Sonne (featuring Heather Harper) |
1:33 |
258. |
Vier Lieder für Gesang und Klavier, Op. 12: IV. Gleich und gleich (featuring Heather Harper) |
0:51 |
259. |
Quartet for Clarinet, Tenor Saxophone, Violin and Piano, Op. 22: I. Sehr mäßig (featuring Pierre Boulez, Daniel Majeske) |
3:31 |
260. |
Quartet for Clarinet, Tenor Saxophone, Violin and Piano, Op. 22: II. Sehr schwungvoll (featuring Pierre Boulez, Daniel Majeske) |
3:40 |
261. |
Drei Lieder aus "Viae inviae", Op. 23: I. Das Dunkle Herz (featuring Halina Lukomska) |
2:56 |
262. |
Drei Lieder aus "Viae inviae", Op. 23: II. Es stürzt aus Höhen Frische (featuring Halina Lukomska) |
1:51 |
263. |
Drei Lieder aus "Viae inviae", Op. 23: III. Herr Jesus mein (featuring Halina Lukomska) |
2:10 |
264. |
Drei Lieder für Singstimme und Klavier nach Gedichten von Hildegard Jone, Op. 25: I. Wie bin ich froh! (featuring Halina Lukomska) |
0:56 |
265. |
Drei Lieder für Singstimme und Klavier nach Gedichten von Hildegard Jone, Op. 25: II. Des Herzens Purpurvogel (featuring Halina Lukomska) |
1:39 |
266. |
Drei Lieder für Singstimme und Klavier nach Gedichten von Hildegard Jone, Op. 25: III. Sterne, Ihr silbernen Bienen (featuring Halina Lukomska) |
1:19 |
267. |
Variations for Piano, Op. 27: I. Sehr mässig |
2:05 |
268. |
Variations for Piano, Op. 27: II. Sehr schnell |
0:34 |
269. |
Variations for Piano, Op. 27: III. Ruhig fliessend |
3:17 |