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Wild Side of Life: Rare and Unissued Recordings Vol. 1

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Download links and information about Wild Side of Life: Rare and Unissued Recordings Vol. 1 by Charlie Feathers. This album was released in 2008 and it belongs to Rock, Country, Rockabilly genres. It contains 18 tracks with total duration of 53:06 minutes.

Artist: Charlie Feathers
Release date: 2008
Genre: Rock, Country, Rockabilly
Tracks: 18
Duration: 53:06
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Tracks

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No. Title Length
1. Wild Side of Life 2:57
2. One More Time 3:05
3. We're Getting Closer to Being Apart 2:28
4. Am I That Easy to Forget? 3:02
5. Pardon Me Mister 2:17
6. Cockroach 2:22
7. I Want to Love You 2:40
8. Wedding Gown of White 2:47
9. Dig Myself a Hole 3:54
10. Cause I Love You 1:23
11. Frankie and Johnny 2:37
12. Mound of Clay 2:28
13. Why Pretend I Can Win 2:07
14. I Forgot to Remember to Forget 2:20
15. A Man In Love 1:54
16. Folsom Prison Blues 3:38
17. Release Me 5:24
18. Charlie Feathers Interview Part One 5:43

Details

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Wild Side of Life is further evidence that the Memphis-based Feathers was at once rockabilly’s most esteemed practitioner and its most idiosyncratic. The program here functions like a scrapbook, skipping across eras and settings. What comes across isn't so much a static portrait of a single period but Feathers' constant creativity. A hopped-up cover of Hank Thompson’s honky-tonk standard “Wild Side of Life” epitomizes Feathers’ classic early tenures at Sun and King. This version is amazing: a slice of rockabilly that's as swift as a hawk and as free as a westbound boxcar. The guts of the collection are the grimy acoustic demos that Feathers recorded later in his life, when he didn’t have a solid record contract and was trying to make ends meet as a songwriter. On these songs, his voice gets slower and stickier as the aura of exquisite despair grows thicker. Some guys simply play the song; Feathers played his soul. The crown jewel is “Release Me,” a 1969 demo cut with Junior Kimbrough, the North Mississippi trance-blues king who had taught Feathers guitar way back in the early '50s.