Chet Atkins in Hollywood Plus the Other Chet Atkins
Download links and information about Chet Atkins in Hollywood Plus the Other Chet Atkins by Chet Atkins. This album was released in 1959 and it belongs to Jazz, World Music, Country genres. It contains 24 tracks with total duration of 01:03:52 minutes.
Artist: | Chet Atkins |
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Release date: | 1959 |
Genre: | Jazz, World Music, Country |
Tracks: | 24 |
Duration: | 01:03:52 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Armen's Theme | 2:08 |
2. | Let It Be Me | 3:19 |
3. | Theme from "Picnic" | 3:22 |
4. | Theme from a Dream | 3:54 |
5. | Estrellita | 2:47 |
6. | Jitterburg Waltz | 2:59 |
7. | Little Old Lady | 2:17 |
8. | Limelight | 3:11 |
9. | The Three Bells | 2:58 |
10. | Santa Lucia | 2:45 |
11. | Greensleeves | 3:01 |
12. | Meet Mr. Callaghan | 2:23 |
13. | Begin the Beguine | 3:20 |
14. | Sabrosa | 2:07 |
15. | Yours (Quiéreme Mucho) | 2:31 |
16. | Siboney | 2:06 |
17. | The Streets of Laredo | 2:40 |
18. | Delicado | 2:20 |
19. | The Peanut Vendor | 2:19 |
20. | El Relicario | 2:03 |
21. | Maria Elena | 2:55 |
22. | Marcheta | 2:22 |
23. | Tzena Tzena Tzena | 2:04 |
24. | Poinciana (Song of the Tree) | 2:01 |
Details
[Edit]If the cover of At Home evokes the 1950s, the music on In Hollywood IS the 1950s: a warm, cozy, sophisticated album of mood music in the best sense. Yet this is not an album of film music (though a handful of film themes turn up). Rather, it is exactly what the title indicates: Chet Atkins recording an album in a Hollywood studio, as opposed to the familiar haunts of Nashville. Here, he places his often affectingly lovely guitar licks in front of full, lush, sometimes inspired string arrangements by Dennis Farnon. Sometimes, Atkins appears all by himself, caressing "Estrellita" before the strings kick in, and his fingerpicking technique appears on a piquant treatment of "Armen's Theme" (originally a pre-Chipmunks hit for Ross Bagdasarian aka David Seville). Farnon is particularly good when he hooks onto a lush string motif and repeats it seductively on the "Theme From Picnic" or follows Atkins's guitar in a broad, surpassingly lovely treatment of Fats Waller's "Jitterbug Waltz" — the two most gorgeous tracks on the record. For some, this record might fall under the category of guilty pleasures, but a pleasure it is, one of the great make-out records of its time. Mobile Fidelity re-circulated it all too briefly in the 1990s as part of a two-CD set. ~ Richard S. Ginell, Rovi