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Brother & Sister

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Download links and information about Brother & Sister by Chuck, Mary Perrin. This album was released in 1969 and it belongs to Rock, Folk Rock, Songwriter/Lyricist, Psychedelic genres. It contains 22 tracks with total duration of 01:06:12 minutes.

Artist: Chuck, Mary Perrin
Release date: 1969
Genre: Rock, Folk Rock, Songwriter/Lyricist, Psychedelic
Tracks: 22
Duration: 01:06:12
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Tracks

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No. Title Length
1. Commencement 3:26
2. Ceremony 2:48
3. Bye Bye Billy 2:21
4. Corrine 2:44
5. To a Better Life 2:32
6. Babe Can You See 2:31
7. Flying 2:27
8. Dealer 3:19
9. Mornings 3:26
10. Pickin' Up the Pieces 2:52
11. You Knew All Along 3:10
12. Dedication (Demo) 3:49
13. Life Is a Stream 2:29
14. Don't Know Why I Love You Like I Do 1:54
15. When You're Feeling Blue (Live) 3:19
16. What Am I Doing Here? 2:35
17. Help Us Jesus 4:06
18. Run Away With Me / Sundance 4:09
19. Little Lady (Live) 1:56
20. On You Alone 4:12
21. Mildred Metz 2:37
22. When You're Feeling Blue 3:30

Details

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The Illinois brother-sister contemporary folk duo of Chuck & Mary Perrin recorded their debut album as a privately pressed LP, with a run of 500 copies. As was common for private pressings in those days, the production was basic, with just guitar and voice (with the exception of "To a Better Life," which has a minimal folk-rock arrangement with light percussion). But the sound was clear and spacious, and the music was pretty good close-harmony folk, somewhat reminiscent of a more naïve Ian & Sylvia or Stone Poneys. Though there's no rock instrumentation, it's far more folk-rock in inclination than it is traditional folk, both in the singing and the material, whether original or covers of songs by the Lovin' Spoonful, Eric Andersen, Donovan, and Ian & Sylvia themselves. The close harmonies have a nice slightly sad, bittersweet flavor, and Chuck Perrin's songwriting (whether working alone or in collaboration with others) has that mid- to late-'60s combination of romantic optimism and wary introspection. Though there's a slight callowness that keeps it from reaching a major-league level, it's a nice and attractive record, recommended to '60s folk-rock fans in the mood for the gentlest, most unplugged side of that genre. It's also better than their full-band, more soft rockish second LP, Next of Kin (recorded a year later). Both of those albums were combined onto one single-CD reissue, The Last Word, which also has a couple of songs that appeared on the 1970 various-artists compilation The Peoria Folk Anthology, Vol. 3.