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River of Joy: Solo Portraits

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Download links and information about River of Joy: Solo Portraits by Claire Ritter. This album was released in 2001 and it belongs to Jazz genres. It contains 16 tracks with total duration of 44:57 minutes.

Artist: Claire Ritter
Release date: 2001
Genre: Jazz
Tracks: 16
Duration: 44:57
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Tracks

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No. Title Length
1. Song In a Canyon (featuring Steve Swallow, Ran Blake) 3:13
2. All In Time (featuring Steve Swallow, Ran Blake) 2:47
3. River of Joy (featuring Steve Swallow, Ran Blake) 3:46
4. True (featuring Steve Swallow, Ran Blake) 2:35
5. Carolina Canto (featuring Steve Swallow, Ran Blake) 2:24
6. Tar (featuring Steve Swallow, Ran Blake) 3:42
7. In Between (featuring Steve Swallow, Ran Blake) 5:20
8. Imagine That (featuring Steve Swallow, Ran Blake) 2:15
9. When I Fall In Love (featuring Steve Swallow, Ran Blake) 3:01
10. Straight No Chaser (Take 1) (featuring Steve Swallow, Ran Blake) 1:26
11. Maybe When It Rains (featuring Steve Swallow, Ran Blake) 2:09
12. Almost Went to Spain (featuring Steve Swallow, Ran Blake) 2:52
13. Wag Rag (featuring Steve Swallow, Ran Blake) 2:56
14. Wintry Shadows (featuring Steve Swallow, Ran Blake) 3:18
15. Sunny Side of the Street (featuring Steve Swallow, Ran Blake) 1:51
16. Straight No Chaser (Take 2) (featuring Steve Swallow, Ran Blake) 1:22

Details

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Released simultaneously with her album Castles in the Air, River of Joy finds pianist and composer Claire Ritter working primarily in a solo vein, performing a program of mainly original pieces. They range rather drastically in style, though not as drastically in mood. "Song in a Canyon," which opens the album, is very sweet, maybe occasionally a bit too much so; "All in Time," which immediately follows it, draws on stride-piano technique and is heavily influenced in its melody by Thelonious Monk, but it is scarcely less gentle and contemplative in tone than "Song in a Canyon." The title track sounds somehow like a cross between Franz Schubert and Thomas A. Dorsey — and that's a compliment. "Wag Rag" is not a rag at all, but rather an almost arrhythmic and rather abstract composition that flirts occasionally with jauntiness without ever giving in to it. As for the non-original material, it includes two excellent takes of Monk's "Straight No Chaser," a slightly disjointed interpretation of "When I Fall in Love," and a moody deconstruction of "Sunny Side of the Street." Ritter is a pianist and composer of lively intelligence, unobtrusive virtuosity, and consummate taste, and this album is strongly recommended.