No. |
Title |
Length |
1. |
Gianni Schicchi: O mio babbino caro (A Room with a View) (Alexander Rahbari, Miriam Gauci, Belgian Radio And Television Philharmonic Orchestra) |
2:28 |
2. |
An der schonen, blauen Donau (The Beautiful Blue Danube), Op. 314 [Titanic] (Strauss Festival Orchestra, Ondrej Lenárd / Ondrej Lenard) |
9:27 |
3. |
Serse (Xerxes), HWV 40, Act I: Ombra mai fu, "Largo" [Dangerous Liaisons] (Budapest Camerata, Jozsef Mukk, Laszlo Kovacs) |
3:25 |
4. |
Orphee aux enfers (Orpheus in the Underworld): Can-Can [Titanic] (Johannes Wildner, Slovak State Philharmonic Orchestra, Kosice) |
5:23 |
5. |
Goldberg Variations, BWV 988: Aria (The English Patient) (Pi-Hsien Chen) |
3:20 |
6. |
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (The English Patient) (Petri Alanko, Anssi Mattila) |
2:08 |
7. |
Organ Concerto in F Major, HWV 295, "The Cuckoo and the Nightingale": II. Allegro (Dangerous Liasons) (Johann Aratore, Handel Festival Chamber Orchestra, John Tinge) |
3:20 |
8. |
My Own True Love (Tara's Theme) [arr. R. Hayman for orchestra] [Gone with the Wind] (Richard Hayman, Richard Edlinger, Philharmonic Symphony Orchestra) |
3:59 |
9. |
Piano Concerto No. 21 in C Major, K. 467: II. Andante (Elvira Madigan) (Concentus Hungaricus, Mátyás Antal / Matyas Antal, Jeno Jando) |
6:47 |
10. |
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio (Romeo and Juliet, 1996) (Capella Istropolitana, Barry Wordsworth) |
7:42 |
11. |
Madame Butterfly, Act I: Viene la sera… (Mona Lisa) (Alexander Rahbari, Miriam Gauci, Slovak Radio Symphony Orchestra, Yordy Ramiro) |
14:50 |
12. |
La forza del destino (The Force of Destiny): Overture [Jeane de Florette] (Hungarian State Opera Orchestra, Pier Giorgio Morandi) |
7:47 |
13. |
Piano Sonata No. 17 in B-Flat Major, K. 570: II. Adagio [The French Lieutenant's Woman] (Jeno Jando) |
6:14 |
14. |
Lara's Theme (Dr. Zhivago) (Richard Hayman, Richard Edlinger, Philharmonic Symphony Orchestra) |
5:11 |
15. |
Clarinet Concerto in A Major, K. 622: II. Adagio (Out of Africa) (Johannes Wildner, Wiener Akademie) |
7:21 |