Ultimate: Coleman Hawkins
Download links and information about Ultimate: Coleman Hawkins by Coleman Hawkins. This album was released in 1998 and it belongs to Jazz, Bop, Easy Listening genres. It contains 16 tracks with total duration of 01:01:32 minutes.
Artist: | Coleman Hawkins |
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Release date: | 1998 |
Genre: | Jazz, Bop, Easy Listening |
Tracks: | 16 |
Duration: | 01:01:32 |
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Tracks
[Edit]No. | Title | Length |
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1. | Picasso | 3:17 |
2. | Bean at the Met (featuring Teddy Wilson, Coleman Hawkins Quintet) | 3:01 |
3. | Like Someone in Love (Stereo Master Take) | 3:56 |
4. | I'm in the Mood for Love (featuring Teddy Wilson, Coleman Hawkins Quintet) | 3:13 |
5. | Cattin at Keynote | 2:41 |
6. | Under a Blanket of Blue (featuring Coleman Hawkins Quintet) | 3:08 |
7. | Just One of Those Things (featuring Coleman Hawkins All American Four) | 4:31 |
8. | Father Co-Operates (featuring Coleman Hawkins Quintet) | 4:48 |
9. | La Rosita (featuring Ben Webster) | 5:04 |
10. | Just One More Chance | 4:53 |
11. | Beyond the Blue Horizon (featuring Coleman Hawkins Quintet) | 2:56 |
12. | Night and Day | 3:20 |
13. | Don't Blame Me (Take1 Alternate take) (featuring Coleman Hawkins All American Four) | 4:50 |
14. | I Only Have Eyes for You (Take1 Alternate take) (featuring Coleman Hawkins Quintet) | 3:12 |
15. | Hallelujah (featuring Coleman Hawkins All American Four) | 4:00 |
16. | Through for the Night (featuring Coleman Hawkins Quintet) | 4:42 |
Details
[Edit]A true connoisseur, Sonny Rollins concentrates almost entirely upon the year 1944 as he selects Coleman Hawkins tracks for this volume in Verve's Ultimate series. In choosing such a narrow time frame, undoubtedly Rollins was paying effusive tribute to the Hawk recordings that he grew up with. Also 1944 was a year of transition for Hawkins, buttressing Rollins' point that Hawkins was an unsung pioneer of modern music, though the progressive Hawk is not on display here. All but three of the selections come from the Keynote collection The Complete Coleman Hawkins, with hot little swing combos containing the likes of Buck Clayton, Roy Eldridge, Teddy Wilson, Earl Hines, Slam Stewart, Sid Catlett and Cozy Cole. The only exceptions to this single-minded concept are the revolutionary 1948 Picasso, the first unaccompanied tenor solo in jazz history, and a pair of warm-blooded Norman Granz-produced tracks from 1957, Like Someone In Love and La Rosita. So this, then, is not very useful as a basic Hawkins collection, though it will do fine as a sampler from the Keynote box, with the surface noise and distortion from the 78s left in. ~ Richard S. Ginell, Rovi