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War and Peace

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Download links and information about War and Peace by D. O. A.. This album was released in 2003 and it belongs to Rock, Punk, Metal, Alternative genres. It contains 26 tracks with total duration of 01:07:15 minutes.

Artist: D. O. A.
Release date: 2003
Genre: Rock, Punk, Metal, Alternative
Tracks: 26
Duration: 01:07:15
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Disco Sucks 1:38
2. New Age 2:20
3. The Enemy 2:51
4. The Prisoner 1:57
5. World War 3 3:40
6. D.O.A. 1:41
7. Unknown 2:33
8. Waiting for You 0:55
9. F****d Up Ronnie 1:22
10. War In the East 4:27
11. Liar for Hire 2:53
12. War 2:26
13. F**k You 2:05
14. General Strike 3:43
15. Race Riot 1:07
16. Let's Wreck the Party 3:15
17. Behind the Smile 3:23
18. That's Progress 3:14
19. Already Dead 2:18
20. Liberation and Execution 3:34
21. Overtime 1:11
22. Death to the Multinationals 3:24
23. Dead Men Tell No Tales 2:40
24. We're Drivin' to Hell 'n' Back 2:16
25. Just Say No to the WTO 2:51
26. Mexican Holiday 3:31

Details

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There have been a couple of D.O.A. comps here and there, but War and Peace tries to do the near-impossible and cover 25-years worth of Joey S******d and company on one disc. Does it succeed? Well, pretty fairly — even if the band is better-represented with its earlier work on something like Bloodied but Unbowed — this is at least a solid tribute to sheer persistence. It also goes back to the very beginning, in 1978, with its restrained musical criticism — as their 7" debut, "Disco Sucks," remains a snarling, gargling, goofily voiced explosion, and pretty damn on-the-nose when it came to being punk in the understood sense of the post-Sex Pistols scene. The vast majority of songs come from the band's first ten years, and understandably so, given that's when the group made its name, and more or less codified its never-say-die punk stance. If S******d has only changed his approach and sound by inches over time (most notably with reggae, and a sometimes calmer, poppier approach), it's not because he has a lack of targets specifically in his sites. Addressing nuclear paranoia ("World War 3"), and the Reagan years ("F****d up Ronnie") in earlier days, the W.T.O. and multinationals are among the objects of wrath in more recent years, and at his best, S******d makes his point with brusque, invigorating, and energetic songs. Years down the path, "The Enemy" and "F**k You" still sound rude and great. A few rarities and one-offs help to fill out the collection, including "Behind the Smile," and a collaboration with Jello Biafra on "That's Progress," both originally from the Terminal City Ricochet soundtrack. A slew of sometimes hilarious archival photos, a roughly written but clear family tree, and complete lyrics and discography take care of the extra details for the newcomer.