Claude Debussy: Music For Piano
Download links and information about Claude Debussy: Music For Piano by Daniel Barenboim. This album was released in 2018 and it belongs to Classical genres. It contains 18 tracks with total duration of 01:09:32 minutes.
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| Artist: | Daniel Barenboim |
| Release date: | 2018 |
| Genre: | Classical |
| Tracks: | 18 |
| Duration: | 01:09:32 |
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| Buy on Songswave €2.35 | |
| Buy on iTunes | |
| Buy on iTunes $11.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Debussy: Estampes, L. 100-1. Pagodes | 5:35 |
| 2. | Debussy: Estampes, L. 100-2. La Soirée Dans Grenade | 5:56 |
| 3. | Debussy: Estampes, L. 100-3. Jardins Sous La Pluie | 3:49 |
| 4. | Debussy: Suite Bergamasque, L. 75-3. Clair De Lune | 4:20 |
| 5. | Debussy: La Plus Que Lente, L. 121 | 4:22 |
| 6. | Debussy: Élégie, L. 38 | 2:14 |
| 7. | Debussy: Préludes / Book 1, L. 117-1. Danseuses De Delphes | 3:32 |
| 8. | Debussy: Préludes / Book 1, L. 117-2. Voiles | 4:04 |
| 9. | Debussy: Préludes / Book 1, L. 117-3. Le Vent Dans La Plaine | 2:28 |
| 10. | Debussy: Préludes / Book 1, L. 117-4. Les Sons Et Les Parfums Tournent Dans L'air Du Soir (featuring Les Parfums Tournent Dans L'air Du Soir) | 4:00 |
| 11. | Debussy: Préludes / Book 1, L. 117-5. Les Collines D'Anacapri' | 2:59 |
| 12. | Debussy: Préludes / Book 1, L. 117-6. Des Pas Sur La Neige | 4:37 |
| 13. | Debussy: Préludes / Book 1, L. 117-7. Ce Qu'a Vu Le Vent D'ouest | 3:42 |
| 14. | Debussy: Préludes / Book 1, L. 117-8. La Fille Aux Cheveux De Lin | 2:31 |
| 15. | Debussy: Préludes / Book 1, L. 117-9. La Sérénade Interrompue | 2:47 |
| 16. | Debussy: Préludes / Book 1, L. 117-10. La Cathédrale Engloutie | 7:05 |
| 17. | Debussy: Préludes / Book 1, L. 117-11. La Danse De Puck | 3:15 |
| 18. | Debussy: Préludes / Book 1, L. 117-12. Minstrels | 2:24 |
Details
[Edit]
As a conductor, Daniel Barenboim has had a distinguished history with the orchestral music of Debussy, but this is his first full-album foray into the French composer’s solo piano works. It runs the gamut of Debussy’s Impressionist color palette, from the shimmering “Clair de Lune”—played with the subtlety and expressive freedom that Barenboim admires so much in Debussy’s own piano-roll recordings—to the restless, swirling prelude “Ce qu’a vu le vent d’ouest.” The simple, hymn-like “La fille aux cheveux de lin,” meanwhile, shines anew under Barenboim’s fingers.