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Real Steel (Original Motion Picture Score)

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Download links and information about Real Steel (Original Motion Picture Score) by Danny Elfman. This album was released in 2013 and it belongs to Theatre/Soundtrack genres. It contains 19 tracks with total duration of 42:18 minutes.

Artist: Danny Elfman
Release date: 2013
Genre: Theatre/Soundtrack
Tracks: 19
Duration: 42:18
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Tracks

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No. Title Length
1. Charlie Trains Atom (featuring The Hollywood Studio Symphony, Pete Anthony) 1:59
2. On the Move (featuring The Hollywood Studio Symphony, Pete Anthony) 2:39
3. Into the Zoo (featuring The Hollywood Studio Symphony, Pete Anthony) 1:01
4. Why We're Here (featuring The Hollywood Studio Symphony, Pete Anthony) 0:55
5. Meet Atom (featuring The Hollywood Studio Symphony, Pete Anthony) 3:17
6. It's Your Choice (featuring The Hollywood Studio Symphony, Pete Anthony) 1:28
7. Safe With Me (featuring The Hollywood Studio Symphony, Pete Anthony) 2:57
8. Atom Versus Twin Cities (featuring The Hollywood Studio Symphony, Pete Anthony) 3:12
9. ...For a Kiss (featuring The Hollywood Studio Symphony, Pete Anthony) 0:56
10. Get In the Truck (featuring The Hollywood Studio Symphony, Pete Anthony) 1:12
11. Bonding (featuring The Hollywood Studio Symphony, Pete Anthony) 2:01
12. Twin Cities' Intro (featuring The Hollywood Studio Symphony, Pete Anthony) 1:20
13. Parkway Motel (featuring The Hollywood Studio Symphony, Pete Anthony) 1:47
14. This Is a Brawl (featuring The Hollywood Studio Symphony, Pete Anthony) 1:48
15. You Deserve Better (featuring The Hollywood Studio Symphony, Pete Anthony) 4:02
16. Into the Ring (featuring The Hollywood Studio Symphony, Pete Anthony) 1:12
17. Taking a Beating (featuring The Hollywood Studio Symphony, Pete Anthony) 1:33
18. Final Round (featuring The Hollywood Studio Symphony, Pete Anthony) 6:53
19. People's Champion (featuring The Hollywood Studio Symphony, Pete Anthony) 2:06

Details

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Danny Elfman's surprisingly upbeat and uplifting score for director Shawn Levy’s Real Steel, a Hugh Jackman-starring sci-fi romp about boxing robots that owes more to Rocky than it does Transformers, trades in many of the composer’s signature moves (ghostly choirs and quirky, symphonic bombast) for a more lyrical approach. Rooted in bluesy, country-folk guitar and John Williams-esque slabs of pastoral Americana, Elfman still gets in the occasional explosion, but there’s a comfy, rootsy vibe that permeates the score and echoes fellow composer Greg Edmonson's work on Joss Whedon's beloved outlaw sci-fi television series Firefly.