The Deram Anthology 1966-1968
Download links and information about The Deram Anthology 1966-1968 by David Bowie. This album was released in 1997 and it belongs to Rock, Pop, Songwriter/Lyricist genres. It contains 27 tracks with total duration of 01:16:39 minutes.
Artist: | David Bowie |
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Release date: | 1997 |
Genre: | Rock, Pop, Songwriter/Lyricist |
Tracks: | 27 |
Duration: | 01:16:39 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Rubber Band (Single Version) | 2:03 |
2. | The London Boys | 3:20 |
3. | The Laughing Gnome | 3:01 |
4. | The Gospel According to Tony Day | 2:48 |
5. | Uncle Arthur | 2:07 |
6. | Sell Me a Coat (Original Version) | 2:59 |
7. | Rubber Band | 2:17 |
8. | Love You Till Tuesday | 3:09 |
9. | There Is a Happy Land | 3:12 |
10. | We Are Hungry Men | 2:57 |
11. | When I Live My Dream | 3:22 |
12. | Little Bombadier | 3:25 |
13. | Silly Boy Blue | 3:51 |
14. | Come and Buy My Toys | 2:08 |
15. | Join the Gang | 2:17 |
16. | She's Got Medals | 2:23 |
17. | Maid of Bond Street | 1:43 |
18. | Please Mr. Gravedigger | 2:38 |
19. | Love You Till Tuesday (Single Version) | 2:59 |
20. | Did You Ever Have a Dream | 2:06 |
21. | Karma Man | 3:03 |
22. | Let Me Sleep beside You | 3:25 |
23. | In the Heat of the Morning | 2:56 |
24. | Ching-A-Ling | 2:03 |
25. | Sell Me a Coat (Remixed Version) | 2:51 |
26. | When I Live My Dream | 3:50 |
27. | Space Oddity | 3:46 |
Details
[Edit]While many British musicians who immersed themselves in the mid-to-late ‘60s mod subculture were content to play derivative R&B or the more artful “freakbeat” style of pre-psychedelic guitar-pop, David Bowie was already doing his own thing with more originality as evidenced by this outstanding compilation. Boasting a hearty 27 tracks, The Deram Anthology (1966 – 1968) gathers Bowie’s recordings for Deram Records, including his eponymous debut album. The musical equivalent of a lace doily, “Rubber Band” hardly sets the tone, but at least this dainty dollop of baroque-pop provides insight as to what Spinal Tap was lampooning with “Cups and Cakes.” Another novel tune of note is the Anthony Newley-inspired ditty, “The Laughing Gnome” replete with Bowie’s sped-up vocals portraying the gnome. Musical skeletons aside, “The London Boys” gives insight to Bowie’s then developing talents as a ballad writer while the Kinks-esque “Love You Till Tuesday” better hints at the great tunesmith Bowie would become. The similarly foretelling “When I Live My Dream” is a sophisticated piece of orchestral pop.