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My Own House / You Should See the Rest of the Band (Remastered)

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Download links and information about My Own House / You Should See the Rest of the Band (Remastered) by David Bromberg. This album was released in 1999 and it belongs to Rock, Folk Rock, World Music, Songwriter/Lyricist, Psychedelic, Contemporary Folk genres. It contains 18 tracks with total duration of 01:17:23 minutes.

Artist: David Bromberg
Release date: 1999
Genre: Rock, Folk Rock, World Music, Songwriter/Lyricist, Psychedelic, Contemporary Folk
Tracks: 18
Duration: 01:17:23
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Tracks

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No. Title Length
1. My Own House (Medley) 4:37
2. Don't Let Your Deal Go Down (Medley) [Live] 5:31
3. Early This Morning 2:39
4. Sheebeg and Sheemore 2:26
5. Cocaine Blues 2:50
6. To Know Her Is to Love Her 3:03
7. Georgia On My Mind 3:11
8. Chump Man Blues (Live) 3:14
9. Kitchen Girl 2:15
10. Spanish Johnny 4:31
11. Black and Tan (Live) 3:32
12. Lower Left Hand Corner of the Night 3:06
13. Key to the Highway (Live) 3:07
14. Helpless Blues (Live) 5:36
15. Sharon (Live) 10:47
16. As the Years Go Passing By (Live) 6:36
17. Solid Gone (Live) 4:59
18. Yankee's Revenge (Medley) [Live] 5:23

Details

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After recording two albums of unruly funk with the David Bromberg Band, the mercurial Bromberg hit the reset button with 1978’s aptly titled My Own House. Featuring only acoustic guitar, banjo, fiddle, and Bromberg’s warped and vulnerable voice, the album is a handsome vision of traditional folk music that doesn’t feel traditional at all. Maybe that’s because he brings the same attitude of tenderness and patience to covers of Phil Spector’s “To Know Him Is to Love Him” and Ray Charles’ “Georgia on My Mind” as he does the 17th-century Celtic instrumental “Sheebeg and Sheemore.” As a bonus, this edition includes Bromberg’s next album, You Should See the Rest of the Band, which was recorded live in concert during the spring of 1979. Though his band is again on hand to deliver the steam-powered R&B of “Helpless Blues” and “Sharon,” Bromberg's at his most convincing when he’s laying back rather than leaning forward, as on “Solid Gone.” The song that bridges the two albums is “The Lower Left Hand Corner of the Night,” a quietly pulsing solo instrumental that's 4 a.m. melancholy incarnate.