The Big Romance (Expanded Edition)
Download links and information about The Big Romance (Expanded Edition) by David Kitt. This album was released in 2001 and it belongs to Pop genres. It contains 14 tracks with total duration of 01:22:02 minutes.
Artist: | David Kitt |
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Release date: | 2001 |
Genre: | Pop |
Tracks: | 14 |
Duration: | 01:22:02 |
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Tracks
[Edit]No. | Title | Length |
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1. | Song From Hope St. (Brooklyn, Ny) | 4:18 |
2. | You Know What I Want To Know | 3:51 |
3. | Step Outside In the Morning Light | 5:28 |
4. | Private Dance | 2:35 |
5. | Pale Blue Light | 5:33 |
6. | What I Ask | 7:54 |
7. | Strange Light In the Evening | 5:54 |
8. | Whispers Return the Sun, Rest the Moon | 6:13 |
9. | You and the City | 6:43 |
10. | Into the Breeze | 5:39 |
11. | Roadsong | 5:24 |
12. | Back With the Lonesome Touch and the Quiet Tears of Joy | 7:12 |
13. | Late Night, Early Morning | 6:24 |
14. | Saturdays | 8:54 |
Details
[Edit]The demo collection Small Moments under his belt, Kitt made a formal debut with The Big Romance, which wisely doesn't attempt to suddenly exchange the rough charm of the earlier collection with a too-polished sound. Accompanied by a variety of regular backing musicians but handling the lion's share of work himself, Kitt creates his own enjoyable spin on lo-fi-meets-lush arrangements, creating his own particular electric-acoustic genre blend without simply imitating Beck, say. David Gray may be the most immediate reference point based on some of his breakthrough work, but that's misleading, as Kitt has a gentler approach. It's little surprise that Kitt toured with bands like Yo La Tengo and Arab Strap based on The Big Romance — there's a similar emphasis towards letting less say a lot more, and Kitt's general undemonstrativeness is a key strength. The folky core of his music suggests a smoother and less melancholy Nick Drake at points, but besides having a higher register, Kitt's ear for electronic percussion, soft keyboards, and unfussy arrangements results in something else entirely: quietly haunting, mesmerizing songs. Even the most traditional sounding songs, like "Step Outside in the Morning Light" and "Strange Light in the Evening" end up with a gently glazed, soft psychedelic feeling that's not too unsettling but is just fine as it is, sometimes achieving surprising. The concluding piano/keyboard part on the former and the treated vocals and backwards guitar on the latter are downright magical. The semi-mantric midsong break of "What I Ask" is another good example, the combination of beats, guitars, and wordless vocals building into a quietly uplifting serenity. Lyrically, Kitt stumbles a bit — there's little that immediately leaps out as being memorable or striking on its own — but given his various other strengths, that's not really a worry at all.