David Mallett
Download links and information about David Mallett by David Mallett. This album was released in 1978 and it belongs to Rock, Country, Songwriter/Lyricist, Contemporary Folk genres. It contains 11 tracks with total duration of 35:03 minutes.
Artist: | David Mallett |
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Release date: | 1978 |
Genre: | Rock, Country, Songwriter/Lyricist, Contemporary Folk |
Tracks: | 11 |
Duration: | 35:03 |
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Tracks
[Edit]No. | Title | Length |
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1. | Fire | 5:10 |
2. | We Were One | 2:40 |
3. | Inches and Miles | 2:37 |
4. | Circle of Friends | 2:50 |
5. | Arowsic | 2:44 |
6. | Garden Song | 2:56 |
7. | Dulcimer | 3:17 |
8. | It's Cold Tonite | 3:00 |
9. | I Knew This Place | 2:58 |
10. | I Wish I Were a Horse | 2:23 |
11. | Arthur | 4:28 |
Details
[Edit]Maine singer/songwriter/guitarist David Mallett is a protégé of Peter, Paul & Mary's Noel Paul Stookey, who co-produced this debut album with the artist and recorded it at his studio. Mallett is reminiscent of another songwriter who benefited from Peter, Paul & Mary's help, Gordon Lightfoot, boasting a reedy tenor that is somewhat reminiscent of Lightfoot's, if a bit less sonorous (and also a bit like Tom Paxton in his softer, ballad-singing mode), and a songwriting style similarly characterized by rhythmic, densely worded verses. Mallett has a distinctly rural sensibility, and he celebrates the gentle lives of farmers and fishermen who eke out a living from nature, notably on the relatively lengthy opening song, "Fire," a depiction of the destruction of a farmhouse struck by lightning. Romantic situations come up in the songs, but whether they are happy or unhappy, Mallett maintains a thoughtful, restrained posture. In fact, everything about this music and the artist suggested by the first-person lyrics is calm and understated. Mallett's greatest joy is expressed simply in the catchiest selection, "Garden Song," which is simply a celebration of man's ability to harness the wonder of nature, "Inch by inch, row by row." There is a religious element here and elsewhere, perhaps, in this song at least, with a sort of "God as nature" tilt, but it is subtly expressed, like everything else on this album.