|
No. |
Title |
Length |
| 1. |
Schelomo (Janos Starker, Israel Philharmonic Orchestra, Zubin Mehta) |
21:52 |
| 2. |
Voice in the Wilderness (Janos Starker, Israel Philharmonic Orchestra, Zubin Mehta) |
27:26 |
| 3. |
Capriccio Espagnol, Op. 34: 1. Alborada (Israel Philharmonic Orchestra, Zubin Mehta) |
1:15 |
| 4. |
Capriccio Espagnol, Op. 34: 2. Variazioni (Israel Philharmonic Orchestra, Zubin Mehta) |
5:14 |
| 5. |
Capriccio Espagnol, Op. 34: 3. Alborada (Israel Philharmonic Orchestra, Zubin Mehta) |
1:12 |
| 6. |
Capriccio Espagnol, Op. 34: 4. Scena e canto gitano (Israel Philharmonic Orchestra, Zubin Mehta) |
4:55 |
| 7. |
Capriccio Espagnol, Op. 34: 5. Fandango asturiano (Israel Philharmonic Orchestra, Zubin Mehta) |
3:31 |
| 8. |
Capriccio Espagnol, Op. 34: 1. Alborada (Lorin Maazel, The Cleveland Orchestra) |
1:12 |
| 9. |
Capriccio Espagnol, Op. 34: 2. Variazioni (Lorin Maazel, The Cleveland Orchestra) |
5:03 |
| 10. |
Capriccio Espagnol, Op. 34: 3. Alborada (Lorin Maazel, The Cleveland Orchestra) |
1:17 |
| 11. |
Capriccio Espagnol, Op. 34: 4. Scena e canto gitano (Lorin Maazel, The Cleveland Orchestra) |
4:40 |
| 12. |
Capriccio Espagnol, Op. 34: 5. Fandango asturiano (Lorin Maazel, The Cleveland Orchestra) |
3:19 |
| 13. |
The Water Goblin (Vodnik), symphonic poem, Op. 107 (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
19:28 |
| 14. |
Muj Domov Overture, Op. 62 (My Home) (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
9:33 |
| 15. |
The Noon Witch, Op. 108 (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
13:43 |
| 16. |
Husitská Overture, Op. 67 (Hussite) (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
14:11 |
| 17. |
The Golden Spinning Wheel (Zlaty kolovrat), Op. 109 (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
26:23 |
| 18. |
Piano Concerto in F-Sharp Minor, Op. 20: 1. Allegro (The London Philharmonic Orchestra, Vladimir Ashkenazy, Lorin Maazel) |
7:41 |
| 19. |
Piano Concerto in F-Sharp Minor, Op. 20: 2. Andante (The London Philharmonic Orchestra, Vladimir Ashkenazy, Lorin Maazel) |
8:32 |
| 20. |
Piano Concerto in F-Sharp Minor, Op. 20: 3. Allegro (The London Philharmonic Orchestra, Vladimir Ashkenazy, Lorin Maazel) |
11:01 |
| 21. |
Promethée - Le Poème du Feu, Op. 60 (The London Philharmonic Orchestra, Vladimir Ashkenazy, Lorin Maazel, The Ambrosian Singers) |
20:21 |
| 22. |
Le Poème de l'Extase, Op. 54 (Lorin Maazel, The Cleveland Orchestra) |
18:35 |
| 23. |
The Planets, Op. 32: 1. Mars, the Bringer of War (Los Angeles Philharmonic, Zubin Mehta) |
7:10 |
| 24. |
The Planets, Op. 32: 2. Venus, the Bringer of Peace (Los Angeles Philharmonic, Zubin Mehta) |
8:06 |
| 25. |
The Planets, Op. 32: 3. Mercury, the Winged Messenger (Los Angeles Philharmonic, Zubin Mehta) |
3:50 |
| 26. |
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity (Los Angeles Philharmonic, Zubin Mehta) |
7:50 |
| 27. |
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age (Los Angeles Philharmonic, Zubin Mehta) |
9:54 |
| 28. |
The Planets, Op. 32: 6. Uranus, the Magician (Los Angeles Philharmonic, Zubin Mehta) |
5:40 |
| 29. |
The Planets, Op. 32: 7. Neptune, the Mystic (Los Angeles Master Chorale, Los Angeles Philharmonic, Zubin Mehta) |
7:06 |
| 30. |
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1a. Adagio - Allegro moderato - (Los Angeles Philharmonic, Zubin Mehta) |
9:37 |
| 31. |
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio (Los Angeles Philharmonic, Zubin Mehta) |
9:31 |
| 32. |
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2a. Allegro moderato - Presto - Allegro moderato (Los Angeles Philharmonic, Zubin Mehta) |
7:21 |
| 33. |
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro (Los Angeles Philharmonic, Zubin Mehta) |
7:25 |
| 34. |
Le Papillon / Prelude and Act 1: Prélude and Act 1, Scene 1, Part 1 (Richard Bonynge, London Symphony Orchestra And Chorus) |
9:24 |
| 35. |
Le Papillon / Prelude and Act 1: Scene 1, Part 2 (Richard Bonynge, London Symphony Orchestra And Chorus) |
7:30 |
| 36. |
Le Papillon / Prelude and Act 1: Scene 2, Part 1 (Richard Bonynge, London Symphony Orchestra And Chorus) |
1:42 |
| 37. |
Le Papillon / Prelude and Act 1: Scene 2, Valse des Rayons (Richard Bonynge, London Symphony Orchestra And Chorus) |
4:33 |
| 38. |
Le Papillon / Prelude and Act 1: Scene 2, Conclusion (Richard Bonynge, London Symphony Orchestra And Chorus) |
7:21 |
| 39. |
Le Papillon / Act 2: Scene 1, Part 1 (Richard Bonynge, London Symphony Orchestra And Chorus) |
1:54 |
| 40. |
Le Papillon / Act 2: Scene 1, Part 2 (Richard Bonynge, London Symphony Orchestra And Chorus) |
7:17 |
| 41. |
Le Papillon / Act 2: Scene 1, Part 3 (Richard Bonynge, London Symphony Orchestra And Chorus) |
2:10 |
| 42. |
Le Papillon / Act 2: Scene 2, Pas de deux (Richard Bonynge, London Symphony Orchestra And Chorus, John Georgiadis) |
11:13 |
| 43. |
Le Papillon / Act 2: Apotheosis (Richard Bonynge, London Symphony Orchestra And Chorus) |
1:40 |
| 44. |
Le Cid, Act II: Castillane (Richard Bonynge, National Philharmonic Orchestra) |
3:13 |
| 45. |
Le Cid, Act II: Andalouse (Richard Bonynge, National Philharmonic Orchestra) |
2:52 |
| 46. |
Le Cid, Act II: Aragonaise (Richard Bonynge, National Philharmonic Orchestra) |
1:53 |
| 47. |
Le Cid, Act II: Aubade (Richard Bonynge, National Philharmonic Orchestra) |
1:13 |
| 48. |
Le Cid, Act II: Catalane (Richard Bonynge, National Philharmonic Orchestra) |
3:14 |
| 49. |
Le Cid, Act II: Madrilène (Richard Bonynge, National Philharmonic Orchestra) |
4:02 |
| 50. |
Le Cid, Act II: Navarraise (Richard Bonynge, National Philharmonic Orchestra) |
3:08 |
| 51. |
12 Etudes, Op. 10: No. 1 in C (Vladimir Ashkenazy) |
2:03 |
| 52. |
12 Etudes, Op. 10: No. 2 in A Minor "chromatique" (Vladimir Ashkenazy) |
1:22 |
| 53. |
12 Etudes, Op. 10: No. 3 in E "Tristesse" (Vladimir Ashkenazy) |
4:23 |
| 54. |
12 Etudes, Op. 10: No. 4 in C-Sharp Minor (Vladimir Ashkenazy) |
2:07 |
| 55. |
12 Etudes, Op. 10: No. 5 in G-Flat "Black Keys" (Vladimir Ashkenazy) |
1:43 |
| 56. |
12 Etudes, Op. 10: No. 6 in E-Flat Minor (Vladimir Ashkenazy) |
4:07 |
| 57. |
12 Etudes, Op. 10: No. 7 in C (Vladimir Ashkenazy) |
1:31 |
| 58. |
12 Etudes, Op. 10: No. 8 in F (Vladimir Ashkenazy) |
2:23 |
| 59. |
12 Etudes, Op. 10: No. 9 in F Minor (Vladimir Ashkenazy) |
2:24 |
| 60. |
12 Etudes, Op. 10: No. 10 in A-Flat (Vladimir Ashkenazy) |
2:17 |
| 61. |
12 Etudes, Op. 10: No. 11 in E-Flat (Vladimir Ashkenazy) |
2:30 |
| 62. |
12 Etudes, Op. 10: No. 12 in C Minor "Revolutionary" (Vladimir Ashkenazy) |
2:42 |
| 63. |
12 Etudes, Op. 25: No. 1 in A-Flat "Harp Study" (Vladimir Ashkenazy) |
2:55 |
| 64. |
12 Etudes, Op. 25: No. 2 in F Minor (Vladimir Ashkenazy) |
1:52 |
| 65. |
12 Etudes, Op. 25: No. 3 in F (Vladimir Ashkenazy) |
1:52 |
| 66. |
12 Etudes, Op. 25: No. 4 in A Minor (Vladimir Ashkenazy) |
1:35 |
| 67. |
12 Etudes, Op. 25: No. 5 in E Minor (Vladimir Ashkenazy) |
3:36 |
| 68. |
12 Etudes, Op. 25: No. 6 in G-Sharp Minor (Vladimir Ashkenazy) |
2:07 |
| 69. |
12 Etudes, Op. 25: No. 7 in C-Sharp Minor (Vladimir Ashkenazy) |
5:45 |
| 70. |
12 Etudes, Op. 25: No. 8 in D-Flat (Vladimir Ashkenazy) |
1:09 |
| 71. |
12 Etudes, Op. 25: No. 9 in G-Flat, "Butterfly Wings" (Vladimir Ashkenazy) |
0:58 |
| 72. |
12 Etudes, Op. 25: No. 10 in B Minor (Vladimir Ashkenazy) |
4:47 |
| 73. |
12 Etudes, Op. 25: No. 11 in A Minor "Winter Wind" (Vladimir Ashkenazy) |
3:49 |
| 74. |
12 Etudes, Op. 25: No. 12 in C Minor (Vladimir Ashkenazy) |
2:51 |
| 75. |
Concerto for Violin & Orchestra: 1. Andante tranquilo (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
11:16 |
| 76. |
Concerto for Violin & Orchestra: 2. Presto capriccioso alla napolitana (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
6:35 |
| 77. |
Concerto for Violin & Orchestra: 3. Vivace (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
12:46 |
| 78. |
Violin Concerto in D: 1. Toccata (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
5:53 |
| 79. |
Violin Concerto in D: 2. Aria I (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
4:22 |
| 80. |
Violin Concerto in D: 3. Aria II (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
5:21 |
| 81. |
Violin Concerto in D: 4. Capriccio (André Previn / Andre Previn, Kyung - Wha Chung, London Symphony Orchestra And Chorus) |
6:18 |
| 82. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester: Ouvertüre (Benjamin Britten, English Chamber Orchestra) |
8:09 |
| 83. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Erste Abteilung (Part One): Du kanntest mich, O kleiner Engel (Benjamin Britten, Dietrich Fischer - Dieskau, Elizabeth Harwood, English Chamber Orchestra, Meriel Dickinson) |
5:05 |
| 84. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Erste Abteilung (Part One): Ach neige, du Schmerzenreiche (Benjamin Britten, Elizabeth Harwood, English Chamber Orchestra) |
4:59 |
| 85. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Erste Abteilung (Part One): Wie anders, Gretchen, war dir's (Benjamin Britten, John Shirley - Quirk, English Chamber Orchestra, Aldeburgh Festival Singers) |
6:56 |
| 86. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Die ihr dies Haupt umschwebt im luft'gem Kreise (Benjamin Britten, Neil Jenkins, John Noble, John Elwes, English Chamber Orchestra, Margaret Cable, Peter Pears, Jenny Hill, Aldeburgh Festival Singers) |
10:48 |
| 87. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Des Lebens Pulse schlagen frisch-lebendig (Benjamin Britten, English Chamber Orchestra) |
7:34 |
| 88. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Ich heiße der Mangel (Benjamin Britten, Pauline Stevens, Felicity Palmer, English Chamber Orchestra, Jennifer Vyvyan, Meriel Dickinson) |
2:22 |
| 89. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Vier sah ich kommen (Benjamin Britten, Dietrich Fischer - Dieskau, English Chamber Orchestra, Jennifer Vyvyan) |
8:14 |
| 90. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Die Nacht scheint tiefer tief hereinzudringen (Benjamin Britten, English Chamber Orchestra) |
2:54 |
| 91. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Herbei! herbei! Herein! herein! (Benjamin Britten, John Shirley - Quirk, English Chamber Orchestra, Wandsworth School Boys' Choir) |
5:15 |
| 92. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Ein Sumpf zieht am Gebirge hin (Benjamin Britten, English Chamber Orchestra) |
5:12 |
| 93. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two): Ihn sättigt keine Lust (Benjamin Britten, John Shirley - Quirk, English Chamber Orchestra, Aldeburgh Festival Singers) |
5:10 |
| 94. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Waldung, sie schwankt heran (Benjamin Britten, English Chamber Orchestra, Aldeburgh Festival Singers) |
2:42 |
| 95. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Ewiger Wonnebrand (Benjamin Britten, English Chamber Orchestra, Peter Pears) |
1:54 |
| 96. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Wie Felsenabgrund mir zu Füßen (Benjamin Britten, Robert Lloyd, English Chamber Orchestra, Wandsworth School Boys' Choir) |
6:46 |
| 97. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Gerettet ist das edle Glied (Benjamin Britten, English Chamber Orchestra, Wandsworth School Boys' Choir, Jennifer Vyvyan, Aldeburgh Festival Singers) |
11:09 |
| 98. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Hier ist die Aussicht frei (Benjamin Britten, English Chamber Orchestra) |
4:20 |
| 99. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Dir, der Unberührbaren (Benjamin Britten, Dietrich Fischer - Dieskau, Elizabeth Harwood, Pauline Stevens, Felicity Palmer, Alfreda Hodgson, English Chamber Orchestra, Meriel Dickinson) |
8:39 |
| 100. |
Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Alles Vergängliche ist nur ein Gleichnis (Benjamin Britten, Felicity Palmer, English Chamber Orchestra, Peter Pears, Aldeburgh Festival Singers, Elisabeth Harrison) |
9:18 |
| 101. |
Symphony No. 40 in G Minor, K. 550: 1. Molto allegro (Benjamin Britten, London Symphony Orchestra And Chorus) |
8:08 |
| 102. |
Symphony No. 40 in G Minor, K. 550: 2. Andante (Benjamin Britten, London Symphony Orchestra And Chorus) |
7:28 |
| 103. |
Symphony No. 40 in G Minor, K. 550: 3. Menuetto (Allegretto) - Trio (Benjamin Britten, London Symphony Orchestra And Chorus) |
4:15 |
| 104. |
Symphony No. 40 in G Minor, K. 550: 4. Finale (Allegro assai) (Benjamin Britten, London Symphony Orchestra And Chorus) |
6:36 |
| 105. |
Symphony in G, H.I No. 94 - "Surprise": 1. Adagio - Vivace assai (Antal Dorati, Philharmonia Hungarica) |
8:31 |
| 106. |
Symphony in G, H.I No. 94 - "Surprise": 2. Andante (Antal Dorati, Philharmonia Hungarica) |
5:51 |
| 107. |
Symphony in G, H.I No. 94 - "Surprise": 3. Menuet (Allegro molto) (Antal Dorati, Philharmonia Hungarica) |
4:05 |
| 108. |
Symphony in G, H.I No. 94 - "Surprise": 4. Finale (Allegro di molto) (Antal Dorati, Philharmonia Hungarica) |
3:53 |
| 109. |
Symphony in G, H.I No. 100 - "Military": 1. Adagio - Allegro (Antal Dorati, Philharmonia Hungarica) |
7:31 |
| 110. |
Symphony in G, H.I No. 100 - "Military": 2. Allegretto (Antal Dorati, Philharmonia Hungarica) |
5:48 |
| 111. |
Symphony in G, H.I No. 100 - "Military": 3. Menuet (Moderato) (Antal Dorati, Philharmonia Hungarica) |
5:17 |
| 112. |
Symphony in G, H.I No. 100 - "Military": 4. Finale ( Presto) (Antal Dorati, Philharmonia Hungarica) |
5:02 |
| 113. |
Symphony in D, H.I No. 104 - "London": 1. Adagio - Allegro (Antal Dorati, Philharmonia Hungarica) |
8:32 |
| 114. |
Symphony in D, H.I No. 104 - "London": 2. Andante (Antal Dorati, Philharmonia Hungarica) |
8:09 |
| 115. |
Symphony in D, H.I No. 104 - "London": 3. Menuet (Allegro) (Antal Dorati, Philharmonia Hungarica) |
5:10 |
| 116. |
Symphony in D, H.I No. 104 - "London": 4. Finale (Spiritoso) (Antal Dorati, Philharmonia Hungarica) |
6:56 |
| 117. |
Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
14:35 |
| 118. |
Piano Concerto in A Minor, Op. 54: 2. Intermezzo (Andantino grazioso) (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
5:23 |
| 119. |
Piano Concerto in A Minor, Op. 54: 3. Allegro vivace (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
10:17 |
| 120. |
Piano Concerto in A Minor, Op. 16: 1. Allegro molto moderato (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
13:39 |
| 121. |
Piano Concerto in A Minor, Op. 16: 2. Adagio (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
6:43 |
| 122. |
Piano Concerto in A Minor, Op. 16: 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso (André Previn / Andre Previn, Radu Lupu, London Symphony Orchestra And Chorus) |
10:35 |
| 123. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 1. Introduction (Chicago Symphony Orchestra, Georg Solti) |
3:03 |
| 124. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes (Chicago Symphony Orchestra, Georg Solti) |
3:20 |
| 125. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 3. Jeu du rapt (Chicago Symphony Orchestra, Georg Solti) |
1:16 |
| 126. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 4. Rondes printanières (Chicago Symphony Orchestra, Georg Solti) |
2:58 |
| 127. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 5. Jeux des cités (Chicago Symphony Orchestra, Georg Solti) |
1:52 |
| 128. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 6a. Cortège du sage (Chicago Symphony Orchestra, Georg Solti) |
0:43 |
| 129. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 6b. Le sage (Chicago Symphony Orchestra, Georg Solti) |
0:20 |
| 130. |
Le Sacre du Printemps / Pt. 1: L'Adoration de la Terre: 7. Danse de la terre (Chicago Symphony Orchestra, Georg Solti) |
1:13 |
| 131. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 1. Introduction (Chicago Symphony Orchestra, Georg Solti) |
3:59 |
| 132. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 2. Cercles mysteriéux des adolescentes (Chicago Symphony Orchestra, Georg Solti) |
3:11 |
| 133. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 3. Glorification d'élue (Chicago Symphony Orchestra, Georg Solti) |
1:29 |
| 134. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 4. Évocation des ancêtres (Chicago Symphony Orchestra, Georg Solti) |
0:39 |
| 135. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 5. Action rituelle des ancêtres (Chicago Symphony Orchestra, Georg Solti) |
3:19 |
| 136. |
Le Sacre du Printemps / Pt. 2: Le Sacrifice: 6. Danse sacrale: l'élue (Chicago Symphony Orchestra, Georg Solti) |
4:41 |
| 137. |
Boléro (Chicago Symphony Orchestra, Georg Solti) |
14:43 |
| 138. |
Variations, Op. 31: Introduktion. Mäßig, ruhig (Chicago Symphony Orchestra, Georg Solti) |
1:18 |
| 139. |
Variations, Op. 31: Thema. Molto moderato (Chicago Symphony Orchestra, Georg Solti) |
0:59 |
| 140. |
Variations, Op. 31: Variation I. Moderato (Chicago Symphony Orchestra, Georg Solti) |
1:07 |
| 141. |
Variations, Op. 31: Variation II. Langsam (Chicago Symphony Orchestra, Georg Solti) |
1:37 |
| 142. |
Variations, Op. 31: Variation III. Mäßig (Chicago Symphony Orchestra, Georg Solti) |
0:43 |
| 143. |
Variations, Op. 31: Variation IV. Walzertempo (Chicago Symphony Orchestra, Georg Solti) |
1:05 |
| 144. |
Variations, Op. 31: Variation V. Bewegt (Chicago Symphony Orchestra, Georg Solti) |
1:41 |
| 145. |
Variations, Op. 31: Variation VI. Andante (Chicago Symphony Orchestra, Georg Solti) |
1:16 |
| 146. |
Variations, Op. 31: Variation VII. Langsam (Chicago Symphony Orchestra, Georg Solti) |
1:57 |
| 147. |
Variations, Op. 31: Variation VIII. Sehr rasch (Chicago Symphony Orchestra, Georg Solti) |
0:31 |
| 148. |
Variations, Op. 31: Variation IX. L'istesso tempo; aber etwas langsamer (Chicago Symphony Orchestra, Georg Solti) |
0:52 |
| 149. |
Variations, Op. 31: Finale. Mäßig schnell (Chicago Symphony Orchestra, Georg Solti) |
5:59 |
| 150. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
10:36 |
| 151. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1 (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
7:25 |
| 152. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
7:31 |
| 153. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2 (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
4:25 |
| 154. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" (Rohangiz Yachmi, Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
3:44 |
| 155. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus Of Spirits: "In der Tiefe wohnt das Licht" (Wiener Philharmoniker, Wiener Staatsopernchor, Karl Münchinger / Karl Munchinger) |
3:12 |
| 156. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
7:42 |
| 157. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's Melody (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
1:31 |
| 158. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus Of Shepherds: "Hier auf den Fluren." (Wiener Philharmoniker, Wiener Staatsopernchor, Karl Münchinger / Karl Munchinger) |
4:10 |
| 159. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus Of Huntsmen: "Wie lebt sich's so fröhlich im Grünen" (Wiener Philharmoniker, Wiener Staatsopernchor, Karl Münchinger / Karl Munchinger) |
2:21 |
| 160. |
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2 (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
6:01 |
| 161. |
Overture "Preciosa", Op. 78 (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
7:28 |
| 162. |
Overture Genoveva, Op. 81 (Wiener Philharmoniker, Karl Münchinger / Karl Munchinger) |
9:01 |
| 163. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 1. Elegy (Fitzwilliam Quartet) |
11:44 |
| 164. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 2. Serenade (Fitzwilliam Quartet) |
5:25 |
| 165. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 3. Intermezzo (Fitzwilliam Quartet) |
1:29 |
| 166. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 4. Nocturne (Fitzwilliam Quartet) |
4:39 |
| 167. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 5. Funeral March (Fitzwilliam Quartet) |
4:42 |
| 168. |
String Quartet No. 15 in E-Flat Minor, Op. 144: 6. Epilogue (Fitzwilliam Quartet) |
6:40 |
| 169. |
String Quartet No. 8 in C Minor, Op. 110: 1. Largo (Fitzwilliam Quartet) |
4:58 |
| 170. |
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto (Fitzwilliam Quartet) |
2:34 |
| 171. |
String Quartet No. 8 in C Minor, Op. 110: 3. Allegretto (Fitzwilliam Quartet) |
4:09 |
| 172. |
String Quartet No. 8 in C Minor, Op. 110: 4. Largo (Fitzwilliam Quartet) |
5:23 |
| 173. |
String Quartet No. 8 in C Minor, Op. 110: 5. Largo (Fitzwilliam Quartet) |
3:44 |
| 174. |
String Quartet No. 9 in E-Flat Major, Op. 117: 1. Moderato con moto (Fitzwilliam Quartet) |
4:20 |
| 175. |
String Quartet No. 9 in E-Flat Major, Op. 117: 2. Adagio (Fitzwilliam Quartet) |
4:37 |
| 176. |
String Quartet No. 9 in E-Flat Major, Op. 117: 3. Allegretto (Fitzwilliam Quartet) |
4:00 |
| 177. |
String Quartet No. 9 in E-Flat Major, Op. 117: 4. Adagio (Fitzwilliam Quartet) |
3:35 |
| 178. |
String Quartet No. 9 in E-Flat Major, Op. 117: 5. Allegro (Fitzwilliam Quartet) |
10:55 |
| 179. |
Concerto for Piano & Orchestra: 1. Allegro (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
8:05 |
| 180. |
Concerto for Piano & Orchestra: 2. Larghetto (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
8:24 |
| 181. |
Concerto for Piano & Orchestra: 3. Vivace con fuoco (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
7:53 |
| 182. |
Concerto Breve for Piano & Orchestra: 1. Energico (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
9:54 |
| 183. |
Concerto Breve for Piano & Orchestra: 2. Dolce (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
6:42 |
| 184. |
Concerto Breve for Piano & Orchestra: 3. Vivo (Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos, The Royal Philharmonic Orchestra) |
7:40 |
| 185. |
Fantaisie For Piano & Orchestra, Op. 111 (The London Philharmonic Orchestra, Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos) |
14:35 |
| 186. |
Variations symphoniques (The London Philharmonic Orchestra, Alicia De Larrocha, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos) |
16:55 |
| 187. |
Il segreto di Susanna: Overture (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli) |
2:52 |
| 188. |
Il Segreto di Susanna: "Mantiglia griga, cappellino rosa" (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:24 |
| 189. |
Il segreto di Susanna: "Evitiam che un domestic allora, questo odor " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli) |
1:53 |
| 190. |
Il segreto di Susanna: "O, siete qui, mio Gil? " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:13 |
| 191. |
Il segreto di Susanna: "Sante col cioccolato " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:02 |
| 192. |
Il segreto di Susanna: "Ah! L’odore fatal " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:13 |
| 193. |
Il Segreto di Susanna: "Coglierla debbo - Coglierla!" (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:01 |
| 194. |
Il segreto di Susanna: "Via così non mi lasciate " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
4:38 |
| 195. |
Il segreto di Susanna: "Che palpiti, che palpiti! " (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
2:58 |
| 196. |
Il segreto di Susanna: "Chi è la? " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
2:47 |
| 197. |
Il segreto di Susanna: "Respiro, è andato " (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
6:31 |
| 198. |
Il segreto di Susanna: "Ti colgo questa volta! " (Bernd Weikl, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Lamberto Gardelli, Maria Chiara) |
3:32 |
| 199. |
Aida, Act I: Ritorna vincitor! (Nello Santi, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Maria Chiara) |
6:54 |
| 200. |
I Masnadieri, Act II: Dall' infame banchetto.Tu del mio Carlo (Nello Santi, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Maria Chiara) |
6:18 |
| 201. |
I vespri siciliani, Act V: "Mercè, dilette amiche" (Nello Santi, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Maria Chiara) |
3:33 |
| 202. |
Otello, Act IV: "Era più calmo?."Piangea cantando"."Ave Maria" (Nello Santi, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Rosanne Creffield, Maria Chiara) |
16:03 |
| 203. |
An American in Paris (Los Angeles Philharmonic, Zubin Mehta) |
17:38 |
| 204. |
Appalachian Spring - 1945 Suite: 1. Very slowly (Los Angeles Philharmonic, Zubin Mehta) |
2:56 |
| 205. |
Appalachian Spring - 1945 Suite: 2. Allegro (Los Angeles Philharmonic, Zubin Mehta) |
2:49 |
| 206. |
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended (Los Angeles Philharmonic, Zubin Mehta) |
3:29 |
| 207. |
Appalachian Spring - 1945 Suite: 4. Fast: The Revivalist and his Flock (Los Angeles Philharmonic, Zubin Mehta) |
3:29 |
| 208. |
Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride (Los Angeles Philharmonic, Zubin Mehta) |
2:53 |
| 209. |
Appalachian Spring - 1945 Suite: 6. Meno mosso (Los Angeles Philharmonic, Zubin Mehta) |
1:57 |
| 210. |
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn (Los Angeles Philharmonic, Zubin Mehta) |
2:43 |
| 211. |
Appalachian Spring - 1945 Suite: 8. Moderato: Coda (Los Angeles Philharmonic, Zubin Mehta) |
3:07 |
| 212. |
Overture Candide (Los Angeles Philharmonic, Zubin Mehta) |
4:13 |
| 213. |
Lincoln Portrait, For Speaker And Orchestra (Los Angeles Philharmonic, Gregory Peck, Zubin Mehta) |
15:02 |
| 214. |
Contextures: 1/2. Interlude - Prestissimo (Los Angeles Philharmonic, Zubin Mehta) |
6:02 |
| 215. |
Contextures: 3. (Los Angeles Philharmonic, Zubin Mehta) |
2:51 |
| 216. |
Contextures: 4/5 - Very slow (Los Angeles Philharmonic, Zubin Mehta) |
7:42 |
| 217. |
Manfred Symphony, Op. 58: 1. Lento lugubre - Moderato con moto - Andante (Vladimir Ashkenazy, Philharmonia Orchestra) |
16:06 |
| 218. |
Manfred Symphony, Op. 58: 2. Vivace con spirito (Vladimir Ashkenazy, Philharmonia Orchestra) |
9:13 |
| 219. |
Manfred Symphony, Op. 58: 3. Andante con moto (Vladimir Ashkenazy, Philharmonia Orchestra) |
11:20 |
| 220. |
Manfred Symphony, Op. 58: 4. Allegro con fuoco (Vladimir Ashkenazy, Philharmonia Orchestra) |
19:06 |
| 221. |
Valse-Scherzo, Op. 34 (Vladimir Ashkenazy, New Philharmonia Orchestra, Boris Belkin) |
7:47 |
| 222. |
Sonata for Violin and Piano in A: 1. Allegretto ben moderato (Radu Lupu, Kyung - Wha Chung) |
5:56 |
| 223. |
Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) (Radu Lupu, Kyung - Wha Chung) |
8:07 |
| 224. |
Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) (Radu Lupu, Kyung - Wha Chung) |
7:04 |
| 225. |
Sonata for Violin and Piano in A: 4. Allegretto poco mosso (Radu Lupu, Kyung - Wha Chung) |
6:19 |
| 226. |
Sonata for Violin and Piano in G Minor, L.140: 1. Allegro vivo (Radu Lupu, Kyung - Wha Chung) |
4:46 |
| 227. |
Sonata for Violin and Piano in G Minor, L.140: 2. Intermède (Fantasque et léger) (Radu Lupu, Kyung - Wha Chung) |
4:07 |
| 228. |
Sonata for Violin and Piano in G Minor, L.140: 3. Finale (Très animé) (Radu Lupu, Kyung - Wha Chung) |
4:20 |
| 229. |
Introduction and Allegro (Melos Ensemble, Melos Ensemble Of London) |
10:24 |
| 230. |
Sonata for Flute, Viola, and Harp, L. 137: 1. Pastorale (Melos Ensemble, Melos Ensemble Of London) |
5:59 |
| 231. |
Sonata for Flute, Viola, and Harp, L. 137: 2. Interlude (Melos Ensemble, Melos Ensemble Of London) |
5:06 |
| 232. |
Sonata for Flute, Viola, and Harp, L. 137: 3. Finale (Melos Ensemble, Melos Ensemble Of London) |
4:25 |
| 233. |
Symphony No. 5 in B-Flat, Op. 100: 1. Andante (Lorin Maazel, The Cleveland Orchestra) |
14:55 |
| 234. |
Symphony No. 5 in B-Flat, Op. 100: 2. Allegro marcato (Lorin Maazel, The Cleveland Orchestra) |
8:35 |
| 235. |
Symphony No. 5 in B-Flat, Op. 100: 3. Adagio (Lorin Maazel, The Cleveland Orchestra) |
12:48 |
| 236. |
Symphony No. 5 in B-Flat, Op. 100: 4. Allegro giocoso (Lorin Maazel, The Cleveland Orchestra) |
9:35 |
| 237. |
Russian Easter Festival, Overture, Op. 36 (Lorin Maazel, The Cleveland Orchestra) |
15:20 |
| 238. |
Suite No. 1 (, Op. 3), Sz31: 1. Allegro vivace (Detroit Symphony Orchestra, Antal Dorati) |
7:18 |
| 239. |
Suite No. 1 (, Op. 3), Sz31: 2. Poco adagio (Detroit Symphony Orchestra, Antal Dorati) |
8:23 |
| 240. |
Suite No. 1 (, Op. 3), Sz31: 3. Presto (Detroit Symphony Orchestra, Antal Dorati) |
7:52 |
| 241. |
Suite No. 1 (, Op. 3), Sz31: 4. Moderato (Detroit Symphony Orchestra, Antal Dorati) |
6:22 |
| 242. |
Suite No. 1 (, Op. 3), Sz31: 5. Molto vivace (Detroit Symphony Orchestra, Antal Dorati) |
7:09 |
| 243. |
2 Pictures, (, Op. 10) Sz. 46: in voller Blüte (Detroit Symphony Orchestra, Antal Dorati) |
7:30 |
| 244. |
2 Pictures, (, Op. 10) Sz. 46: Dorftanz (Detroit Symphony Orchestra, Antal Dorati) |
9:11 |
| 245. |
Roumanian Rhapsody in A, Op. 11, No. 1 (Detroit Symphony Orchestra, Antal Dorati) |
12:35 |
| 246. |
Symphony No. 2 in D Minor, Op. 40: 1. Allegro ben articolato (The London Philharmonic Orchestra, Walter Weller) |
11:00 |
| 247. |
Symphony No. 2 in D Minor, Op. 40: 2. Theme And Variations (The London Philharmonic Orchestra, Walter Weller) |
25:17 |
| 248. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 1. The Ridiculous People (The London Philharmonic Orchestra, Walter Weller) |
3:04 |
| 249. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 2. Infernal Scene (The London Philharmonic Orchestra, Walter Weller) |
3:31 |
| 250. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 3. March (The London Philharmonic Orchestra, Walter Weller) |
1:39 |
| 251. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 4. Scherzo (The London Philharmonic Orchestra, Walter Weller) |
1:22 |
| 252. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 5. The Prince And The Princess (The London Philharmonic Orchestra, Walter Weller) |
4:18 |
| 253. |
The Love for Three Oranges, Symphonic Suite, Op. 33 bis: 6. The Escape (The London Philharmonic Orchestra, Walter Weller) |
2:12 |
| 254. |
Scythian Suite, Op. 20 - "Ala and Lolly": 1. Invocation To Veles And Ala (The London Philharmonic Orchestra, Walter Weller) |
6:30 |
| 255. |
Scythian Suite, Op. 20 - "Ala and Lolly": 2. The Evil God And Dance Of The Pagan Monsters (The London Philharmonic Orchestra, Walter Weller) |
2:40 |
| 256. |
Scythian Suite, Op. 20 - "Ala and Lolly": 3. Night (The London Philharmonic Orchestra, Walter Weller) |
7:44 |
| 257. |
Scythian Suite, Op. 20 - "Ala and Lolly": 4. Lolly's Pursuit Of The Evil God, And Sunrise (The London Philharmonic Orchestra, Walter Weller) |
6:02 |
| 258. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 1. At The Castle Gate (L'Orchestre De La Suisse Romande, Horst Stein) |
2:57 |
| 259. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 2. Mélisande (L'Orchestre De La Suisse Romande, Horst Stein) |
4:07 |
| 260. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 3. At The Seashore (L'Orchestre De La Suisse Romande, Horst Stein) |
2:01 |
| 261. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 4. A Spring in The Park (L'Orchestre De La Suisse Romande, Horst Stein) |
2:02 |
| 262. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 5. The Three Blind Sisters (L'Orchestre De La Suisse Romande, Horst Stein) |
2:36 |
| 263. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 6. Pastorale (L'Orchestre De La Suisse Romande, Horst Stein) |
2:08 |
| 264. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 7. Mélisande At The Spinning Wheel (L'Orchestre De La Suisse Romande, Horst Stein) |
2:07 |
| 265. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 8. Intermezzo (L'Orchestre De La Suisse Romande, Horst Stein) |
2:38 |
| 266. |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play, Op. 46 (1905): 9. The Death Of Mélisande (L'Orchestre De La Suisse Romande, Horst Stein) |
6:53 |
| 267. |
The Tempest - Overture, Op. 109, No. 1 (L'Orchestre De La Suisse Romande, Horst Stein) |
5:07 |
| 268. |
The Tempest - First Suite, Op. 109, No. 2: 1. The Oak Tree (L'Orchestre De La Suisse Romande, Horst Stein) |
2:51 |
| 269. |
The Tempest - First Suite, Op. 109, No. 2: 2. Humoreske (L'Orchestre De La Suisse Romande, Horst Stein) |
1:02 |
| 270. |
The Tempest - First Suite, Op. 109, No. 2: 3. Caliban's Song (L'Orchestre De La Suisse Romande, Horst Stein) |
1:18 |
| 271. |
The Tempest - First Suite, Op. 109, No. 2: 4. The Harvesters (L'Orchestre De La Suisse Romande, Horst Stein) |
2:13 |
| 272. |
The Tempest - First Suite, Op. 109, No. 2: 5. Canon (L'Orchestre De La Suisse Romande, Horst Stein) |
1:27 |
| 273. |
The Tempest - First Suite, Op. 109, No. 2: 6. Scene (L'Orchestre De La Suisse Romande, Horst Stein) |
1:38 |
| 274. |
The Tempest - First Suite, Op. 109, No. 2: 7. Intrada - Berceuse (L'Orchestre De La Suisse Romande, Horst Stein) |
2:19 |
| 275. |
The Tempest - First Suite, Op. 109, No. 2: 8. Entr'acte - Ariel's Song (L'Orchestre De La Suisse Romande, Horst Stein) |
3:51 |
| 276. |
The Tempest - First Suite, Op. 109, No. 2: 9. The Storm (L'Orchestre De La Suisse Romande, Horst Stein) |
3:18 |
| 277. |
En Saga, Op. 9 (L'Orchestre De La Suisse Romande, Horst Stein) |
16:16 |
| 278. |
Pohjolas Daughter, Op. 49 (L'Orchestre De La Suisse Romande, Horst Stein) |
13:11 |
| 279. |
Préludes - Book 1, L. 117: 1. Danseuses de Delphes (Rogé Pascal / Roge Pascal) |
3:00 |
| 280. |
Préludes - Book 1, L. 117: 2. Voiles (Rogé Pascal / Roge Pascal) |
5:13 |
| 281. |
Préludes - Book 1, L. 117: 3. Le vent dans la plaine (Rogé Pascal / Roge Pascal) |
2:04 |
| 282. |
Préludes - Book 1, L. 117: 4. Les Sons et les Parfums Tournent Dans l'air Du Soir (Rogé Pascal / Roge Pascal) |
4:38 |
| 283. |
Préludes - Book 1, L. 117: 5. Les Collines d'Anacapri (Rogé Pascal / Roge Pascal) |
2:59 |
| 284. |
Préludes - Book 1, L. 117: 6. Des Pas Sur la Neige (Rogé Pascal / Roge Pascal) |
3:58 |
| 285. |
Préludes - Book 1, L. 117: 7. Ce qu'a vu le vent d'ouest (Rogé Pascal / Roge Pascal) |
2:57 |
| 286. |
Préludes - Book 1, L. 117: 8. La Fille aux Cheveux de Lin (Rogé Pascal / Roge Pascal) |
2:23 |
| 287. |
Préludes - Book 1, L. 117: 9. La Sérénade Interrompue (Rogé Pascal / Roge Pascal) |
2:42 |
| 288. |
Préludes - Book 1, L. 117: 10. La cathédrale engloutie (Rogé Pascal / Roge Pascal) |
6:29 |
| 289. |
Préludes - Book 1, L. 117: 11. La danse de Puck (Rogé Pascal / Roge Pascal) |
2:31 |
| 290. |
Préludes - Book 1, L. 117: 12. Minstrels (Rogé Pascal / Roge Pascal) |
2:12 |
| 291. |
Children's Corner, L. 113: 1. Doctor Gradus ad Parnassum (Rogé Pascal / Roge Pascal) |
2:15 |
| 292. |
Children's Corner, L. 113: 2. Jimbo's Lullaby (Rogé Pascal / Roge Pascal) |
4:06 |
| 293. |
Children's Corner, L. 113: 3. Serenade For the Doll (Rogé Pascal / Roge Pascal) |
2:39 |
| 294. |
Children's Corner, L. 113: 4. The Snow Is Dancing (Rogé Pascal / Roge Pascal) |
2:49 |
| 295. |
Children's Corner, L. 113: 5. The Little Shepherd (Rogé Pascal / Roge Pascal) |
2:11 |
| 296. |
Children's Corner, L. 113: 6. Golliwogg's Cakewalk (Rogé Pascal / Roge Pascal) |
2:54 |
| 297. |
Rêverie, L. 68 (Rogé Pascal / Roge Pascal) |
4:53 |
| 298. |
L'Isle Joyeuse, L. 106 (Rogé Pascal / Roge Pascal) |
5:40 |
| 299. |
Symphony No. 4 in C Minor, Op. 43: 1. Allegro poco moderato (The London Philharmonic Orchestra, Bernard Haitink) |
16:20 |
| 300. |
Symphony No. 4 in C Minor, Op. 43: 2. Presto (The London Philharmonic Orchestra, Bernard Haitink) |
12:31 |
| 301. |
Symphony No. 4 in C Minor, Op. 43: 3. Moderato con moto (The London Philharmonic Orchestra, Bernard Haitink) |
9:06 |
| 302. |
Symphony No. 4 in C Minor, Op. 43: 4. Largo (The London Philharmonic Orchestra, Bernard Haitink) |
7:02 |
| 303. |
Symphony No. 4 in C Minor, Op. 43: 5. Allegro (The London Philharmonic Orchestra, Bernard Haitink) |
22:34 |
| 304. |
Symphony No. 6 in A Major: 1. Maestoso (Chicago Symphony Orchestra, Georg Solti) |
17:40 |
| 305. |
Symphony No. 6 in A Major: 2. Adagio. Sehr feierlich (Chicago Symphony Orchestra, Georg Solti) |
19:22 |
| 306. |
Symphony No. 6 in A Major: 3. Scherzo. Nicht schnell - Trio. Langsam (Chicago Symphony Orchestra, Georg Solti) |
8:51 |
| 307. |
Symphony No. 6 in A Major: 4. Finale. Bewegt, doch nicht zu schnell (Chicago Symphony Orchestra, Georg Solti) |
15:13 |
| 308. |
Phaéton, Op. 39 (Charles Dutoit, Philharmonia Orchestra) |
9:03 |
| 309. |
Le Rouet d'Omphale, Op. 31 (Charles Dutoit, Philharmonia Orchestra) |
7:47 |
| 310. |
Danse macabre, Op. 40 (Charles Dutoit, Philharmonia Orchestra) |
7:00 |
| 311. |
La Jeunesse d'Hercule, Op. 50 (Charles Dutoit, Philharmonia Orchestra) |
17:00 |
| 312. |
Marche héroïque in E-Flat, Op. 34 (Charles Dutoit, Philharmonia Orchestra) |
7:06 |
| 313. |
Piano Concerto No. 1 in D, Op. 17: 1. Andante - Allegro assai (Charles Dutoit, Rogé Pascal / Roge Pascal, Philharmonia Orchestra) |
12:28 |
| 314. |
Piano Concerto No. 1 in D, Op. 17: 2. Andante sostenuto quasi adagio (Charles Dutoit, Rogé Pascal / Roge Pascal, Philharmonia Orchestra) |
10:29 |
| 315. |
Piano Concerto No. 1 in D, Op. 17: 3. Allegro con fuoco (Charles Dutoit, Rogé Pascal / Roge Pascal, Philharmonia Orchestra) |
6:38 |
