|
No. |
Title |
Length |
| 1. |
I am Harry Partch |
0:24 |
| 2. |
By the Rivers of Babylon |
3:25 |
| 3. |
Texts and Music: A Wagnerian Wrestling Match |
1:22 |
| 4. |
17 Lyrics of Li Po: A Dream |
4:34 |
| 5. |
17 Lyrics of Li Po: An Encounter in the Field |
0:47 |
| 6. |
17 Lyrics of Li Po: On Hearing the Flute |
1:00 |
| 7. |
17 Lyrics of Li Po: The Intruder |
1:09 |
| 8. |
17 Lyrics of Li Po: I am a Peach Tree |
1:26 |
| 9. |
17 Lyrics of Li Po: With a Man of Leisure |
0:47 |
| 10. |
17 Lyrics of Li Po: A Midnight Farewell |
1:18 |
| 11. |
17 Lyrics of Li Po: Before the Cask of Wine |
2:10 |
| 12. |
17 Lyrics of Li Po: On the Ship of Spicewood |
2:31 |
| 13. |
17 Lyrics of Li Po: By the Great Wall |
1:56 |
| 14. |
The Use of English in Serious Music |
0:57 |
| 15. |
Barstow: 8 Hitchhikers' Inscriptions |
8:26 |
| 16. |
San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties |
2:29 |
| 17. |
Life Is Too Precious to Spend It With Important People |
1:29 |
| 18. |
US Highball: a Musical Account of a Transcontinental Hobo Trip |
26:45 |
| 19. |
My Heart Keeps Beating Time |
1:36 |
| 20. |
San Francisco II |
2:50 |
| 21. |
I'm Going to Start Right Off By Giving You Some Sounds… |
0:30 |
| 22. |
2 Settings from Finnegans Wake: No. 1. Isobel |
2:53 |
| 23. |
2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful |
2:20 |
| 24. |
Dark Brother |
7:37 |
| 25. |
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk |
2:14 |
| 26. |
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation |
6:05 |
| 27. |
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic) |
1:05 |
| 28. |
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads |
1:35 |
| 29. |
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads |
1:07 |
| 30. |
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads |
0:53 |
| 31. |
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's |
1:24 |
| 32. |
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic |
1:52 |
| 33. |
A Quarter-Saw Section of Motivations and Intonations: Close Degrees |
1:08 |
| 34. |
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads |
1:23 |
| 35. |
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution |
2:24 |
| 36. |
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions |
2:27 |
| 37. |
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…" |
3:56 |
| 38. |
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…" |
2:39 |
| 39. |
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…" |
4:04 |
| 40. |
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy." |
1:45 |
| 41. |
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched |
6:12 |
| 42. |
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation |
10:42 |
| 43. |
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation |
6:52 |
| 44. |
Bitter Music: June 11, 1935 — Santa Rosa, California |
0:27 |
| 45. |
Bitter Music: June 12 — Federal Shelter, Stockton |
3:36 |
| 46. |
Bitter Music: June 13 |
1:28 |
| 47. |
Bitter Music: June 14 |
2:22 |
| 48. |
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta |
3:27 |
| 49. |
Bitter Music: June 17 |
0:26 |
| 50. |
Bitter Music: July 4 |
3:50 |
| 51. |
Bitter Music: July 14 |
0:49 |
| 52. |
Bitter Music: July 16 |
1:16 |
| 53. |
Bitter Music: July 19 |
1:11 |
| 54. |
Bitter Music: July 20 — Heading North, Between Sacramento and Redding |
2:23 |
| 55. |
Bitter Music: July 24 — Federal Shelter, Portland |
2:25 |
| 56. |
Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington |
6:15 |
| 57. |
Bitter Music: July 27 |
0:33 |
| 58. |
Bitter Music: July 29 |
0:24 |
| 59. |
Bitter Music: July 30 |
0:28 |
| 60. |
Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon |
1:56 |
| 61. |
Bitter Music: August 15 |
1:30 |
| 62. |
Bitter Music: October 22 — Nearing Monterey |
5:01 |
| 63. |
Bitter Music: October 24 — Leaving Big Sur |
2:32 |
| 64. |
Bitter Music: October 25 — Near Slate's Hot Springs |
2:56 |
| 65. |
Bitter Music: October 26 |
1:20 |
| 66. |
Bitter Music: October 27 |
0:35 |
| 67. |
Bitter Music: October 28 |
0:17 |
| 68. |
Bitter Music: October 29 |
1:27 |
| 69. |
Bitter Music: October 30 — Big Creek |
0:53 |
| 70. |
Bitter Music: November 12 — Santa Barbara |
2:23 |
| 71. |
Bitter Music: November 14 |
0:30 |
| 72. |
Bitter Music: November 15 — Leaving Santa Barbara |
4:17 |
| 73. |
Bitter Music: November 16 — Ojai |
0:56 |
| 74. |
Bitter Music: November 17 |
1:02 |
| 75. |
Bitter Music: November 23 — Los Angeles |
0:28 |
| 76. |
Bitter Music: November 28 |
0:18 |
| 77. |
Bitter Music: December 4 |
0:42 |
| 78. |
Bitter Music: December, 1935 |
8:44 |
| 79. |
Bitter Music: February 1, 1936 — San Bernardino |
4:00 |
| 80. |
Yankee Doodle Birds |
0:37 |
| 81. |
Yankee Doodle Fantasy |
3:57 |
| 82. |
2 Settings from Lewis Carroll: O Frabjous Day! |
3:12 |
| 83. |
You are charged with being guilty. Are you drunk or not? |
1:02 |
| 84. |
Ring Around the Moon, a Dance Fantasm for Here and Now |
9:03 |
| 85. |
Bless This Home |
3:25 |
| 86. |
Harrys Wake |
46:25 |
