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Kept and Protected

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Download links and information about Kept and Protected by Doyle Lawson. This album was released in 1997 and it belongs to Country genres. It contains 14 tracks with total duration of 38:42 minutes.

Artist: Doyle Lawson
Release date: 1997
Genre: Country
Tracks: 14
Duration: 38:42
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Tracks

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No. Title Length
1. I Have Found the Way (featuring Quicksilver) 2:42
2. Did You Think to Pray (featuring Quicksilver) 2:46
3. I'll Trade the Old Cross (For a Crown) (featuring Quicksilver) 3:52
4. My Lord Is Writing All the Time (featuring Quicksilver) 2:21
5. I'm Not Afraid of Tomorrow (featuring Quicksilver) 2:51
6. Kept and Protected By God's Love (featuring Quicksilver) 2:37
7. The Glory-Land Way (featuring Quicksilver) 2:11
8. Let My Life Be a Light (featuring Quicksilver) 2:29
9. Lord I'm Ready to Go (featuring Quicksilver) 2:26
10. The Vision (featuring Quicksilver) 2:59
11. Heaven's My Next Exit (featuring Quicksilver) 2:33
12. The New Jerusalem (featuring Quicksilver) 2:57
13. You Are My Hiding Place (featuring Quicksilver) 2:56
14. We'll Go Home Together On the Cloud (featuring Quicksilver) 3:02

Details

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Doyle Lawson's band Quicksilver has long been known as a launching pad for young bluegrass musicians — you could almost call the group a farm team if it wasn't so consistently of major-league quality. The lineup on this all-gospel album features singers and multi-instrumentalists Dale Perry and Barry Scott, both of whom would remain with Quicksilver for longer than most and would, with guitarist and singer Jamie Dailey, form the nucleus of what may be Lawson's finest band. Kept & Protected finds the group sticking mainly to straight-ahead bluegrass-gospel, performing such standards as "I Have Found the Way" and "The Glory Land Way," but also expanding into gospel styles that draw explicitly on other traditions. "My Lord Is Writing All the Time" is a funky a cappella quartet piece that harks back to the African-American gospel groups that Lawson heard throughout his childhood, while "You Are My Hiding Place," with its solfege introduction, refers to the shape note hymn singing tradition even as it employs a fruitier, more modern chord progression. This is a rich and varied program that stands easily with the best of Lawson's work.