Solos, Duets, & Trios
Download links and information about Solos, Duets, & Trios by Duke Ellington. This album was released in 1990 and it belongs to Jazz genres. It contains 21 tracks with total duration of 01:07:23 minutes.
Artist: | Duke Ellington |
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Release date: | 1990 |
Genre: | Jazz |
Tracks: | 21 |
Duration: | 01:07:23 |
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Tracks
[Edit]No. | Title | Length |
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1. | Tonk (1990 Remastered) (featuring Billy Strayhorn) | 2:46 |
2. | Drawing Room Blues (1990 Remastered) (featuring Billy Strayhorn) | 3:38 |
3. | Frankie and Johnny | 2:41 |
4. | Jumpin' Room Only | 2:35 |
5. | Lot's O' Fingers (featuring D. Ellington) | 2:04 |
6. | Dear Old Southland (Take 1) | 3:18 |
7. | Solitude (Take 1) [1999 Remastered] | 3:30 |
8. | Solitude (Take 2) [1999 Remastered] | 3:19 |
9. | Lotus Blossom (1990 Remastered) | 3:57 |
10. | Pitter Panther Patter (Take 1) [1999 Remastered] (featuring Jimmie Blanton) | 3:07 |
11. | Pitter Panther Patter (Take 2) [1999 Remastered] (featuring Jimmie Blanton) | 3:02 |
12. | Body and Soul (Take 1) [1999 Remastered] (featuring Jimmie Blanton) | 3:04 |
13. | Body and Soul (Take 2) [1999 Remastered] (featuring Jimmie Blanton) | 3:07 |
14. | Body and Soul (Take 3) [1999 Remastered] (featuring Jimmie Blanton) | 3:11 |
15. | Sophisticated Lady (Take 1) [1999 Remastered] (featuring Jimmie Blanton) | 2:55 |
16. | Sophisticated Lady (Take 2) [1999 Remastered] (featuring Jimmie Blanton) | 2:46 |
17. | Mr. J.B. Blues (Take 1) (featuring Jimmie Blanton) | 3:05 |
18. | Mr. J.B. Blues (Take 2) (featuring Jimmie Blanton) | 3:12 |
19. | House of Lords (Remastered) (featuring Earl, Ben Riley, Larry Gales) | 5:39 |
20. | The Second Portrait of the Lion (Remastered) | 4:08 |
21. | Take the "a" Train (1990 Remastered) (featuring Ben Riley, Larry Gales) | 2:19 |
Details
[Edit]This CD puts the focus on Duke Ellington the piano player, featuring the genius in several different settings. He is heard playing two duets with Billy Strayhorn, taking rare piano solos in 1932, 1941 and 1967, meeting up with Earl Hines in 1965 and leading a trio in 1945. However the real reason to acquire this set are the four duets (plus five alternate takes) with Jimmy Blanton, the first important bass soloist in jazz history. From 1940, those recordings find Blanton sounding like the Charles Mingus of 20 years later and Ellington unselfishly but masterfully playing the role of an accompanist.